PreSonus Blog

PreSonus ADL 700 Tube Channel Strip Reviews

Parents are always proud of their children, even the ones who have ornery rugrats who mark up the walls with crayon. We treat pro audio product development a lot like parenthood. Our gear is shaped by our experiences, and  we instill in our offspring  the virtues we hold dearest. It’s a labor of love. And of course, the fateful day must arrive when a product matures, is all grown up, and is released into the world—hopefully to live out the values shaped by our guiding, if solder-burned, hands.

However, that’s pretty much where the similarities end. If you ask a parent who their favorite child is, the universal standard answer is that the parent in question loves all their children the same.

Not so with us. The ADL 700 Tube Channel Strip is far and away our best, most favorite child, and now that it’s graduated from LSU and made it’s way into the world, it has started to reap the recognition we—and plenty of others—feel it deserves.

Some gems follow. Click the publication names to link to the full review, where available.

  • “ADL 700 features performance that approaches the best of the best, though at half to two-thirds the cost of the competition… Vocalists seem to love it, citing clarity, presence and even preference over my usual premium signal chain—generally Chandler Limited, Manley Labs, and Neve components.”
    -Pro Audio Review, Feb. 2013
  • “This is a terrific tool, worthy of consideration by seasoned professionals.”
    -Resolution, March 2013
  • “…an incredibly adaptable mic preamp—one that you could use on anything. I’d love to have for or five of ’em.”
    Tape Op, Jan/Feb 2013

The ADL 700 is available via our Signature Dealers. Click here for a list of where to find the ADL 700 in the USA. If you live outside the USA, please contact the official PreSonus distributor in your area to find out where you can hear/obtain the ADL 700 for yourself. You can find your region’s distributor by clicking here.

Here are some artist opinions on the ADL 700. We’re flattered!

  • “ADL 700 is an INCREDIBLE mic pre!! Next level of anything I’ve ever used—very quiet and warm sounding. I’ve only had GREAT results!!”
    -Teddy Riley, Producer (Micheal Jackson, Bobby Brown, Usher)
  • “The ADL 700 makes acoustic guitars sound smooth and sweet and vocals are big and clean.”
    -Keb’ Mo, three-time Grammy-winning singer-songwriter
  • “…gives the artist warmth and a lot of body. The ADL 700 gives me everything I need and has become my new favorite preamp.”
    -Nick Cooper, vocal instructor, (Beyoncé, Katy Perry, Nicki Minaj)
  • “The ADL 700 is a serious and versatile channel strip with a smooth compressor and impressive EQ. Perfect for our basses, vocals,and anything else we plug into it. We love it!”
    -Bass Monsters Victor Wooten and Steve Bailey

StudioLive and House of Worship Audio Education Resources from Pro Audio DVDs

[This just in from Pro Audio DVDs! They are offering some great resources for learning the ins and outs of the StudioLive consoles, as well as live sound in general These tips come from David Wills, voice of experience and all-around awesome guy. He’s offering BOTH a free online curriculum as well as a three-DVD package. Details follow]

FREE Church Sound Training!

Our friends over at ProAudioDVDs.com have a brand new FREE training series targeted for Church Sound Teams.  If your sound team needs some help in running and troubleshooting how to run live sound, this free video course is a must.

Hosted by David Wills (Michael Jackson, Whitney Houston, Phil Collins) this course heavily uses our StudioLive consoles so it’s a perfect way to master Live Sound.

Click here for more info: https://qi970.infusionsoft.com/go/free-ulss/presonus/

 

Ultimate Live Sound School 3 DVD set

Hosted by David Wills (Michael Jackson, Whitney Houston, Phil Collins)

The most comprehensive Live Sound training on the planet featuring our StudioLive series.  Over 6 hours of hands on training going into every aspect of Live Sound from designing and running your own system to advanced troubleshooting.  Perfect for training Church Sound teams or anyone interested in nailing down Live Sound forever.

 

#ThrowbackThursday : Editing in Popular Music

 

An interesting bit of recording industry foreshadowing, discovered in a thrift store by our own Carl Jacobson!

This pic is snapped from the back of 1963’s “Dave Brubeck Live at Carnegie Hall.” Tape splicing to edit a performance may seem downright quaint by today’s standards, but this raises a great discussion.

What would Teo Macero say about today’s editing practices in music?

And when it comes to editing a performance, where do you draw the line—if at all? What will you NOT do?

PreSonus LIVE airs today: StudioLive 16.0.2 Overview

FREE LIVE WEBCAST!

PreSonus LIVE Airs Today! 2 p.m. CST / 3 p.m. EST / Noon PST / 19:00 GMT

http://www.presonus.com/videos/presonuslive

Join PreSonus Technology Evangelist Justin Spence as he takes you on a guided tour of the StudioLive 16.0.2!

The 16.0.2 packs a lot of mixing power into a very portable package. Tune in to learn some of its innermost secrets.

DJ Craig Wood Finds Faderport, Creative Utopia Follows

Ain’t no party like a Craig Wood party

[This just in from DJ Craig Wood, thorough wordsmith and PreSonus advocate. He recently got a FaderPort, and apparently it has changed his life. I recommend going to the kitchen for a minute and making a sandwhich, as in the Twitter-era, this is War and Peace. Not to mean it’s long. I mean it’s a literary classic!]
Hey PreSonus! Below you’ll find my review of the omnipotent controller that is the PreSonus FaderPort. Feel free to publish, post, tattoo, etc!
Having spent several years working “in the box” with Apple Logic 9, my production partner began to view it as a bit of stagnant piece of software in terms of both its functionality as well as its ability to get our creative juices flowing. We decided to jump ship to PreSonus Studio One after having been told by many of our colleagues that we’d be in for a treat. To sweeten the deal, the timing of our new purchase coincided with a PreSonus promotion offering a FREE FaderPort. After spending many hours over the course of a week with this baby, I’m wondering how I could ever live without it.
After many years of hands-on time playing guitar and DJing, there’s nothing I appreciate more than being able to incorporate a bit of tactile response within my little basement studio setup. There’s something refreshing about being able to press the keys of my MIDI keyboard, hit the pads on my Maschine MK2 or turn the knobs of my beloved Virus B module. PreSonus’ FaderPort has certainly found a spot in my “Hall of Things to Touch in a Non-Creepy Way.”
Installation
What installation? Seriously. I simply connected the USB and AC power and I was running! I couldn’t get any easier than this. In the interest of full disclosure, I didn’t try FaderPort with my other DAWs, Ableton Live 9 and Logic 9/10… and why would I? Studio One is the sh*t! But I digress.
On the Surface
The controller itself is easy enough to figure out, and comes with the essentials which I will conveniently breakdown in bullet-point fashion to prevent a wall of text from forming:

  • A touch-sensitive, silky-smooth motor-controlled (YES, motor-controlled!) fader that makes about as much noise as rubbing your hands together (you’re doing that right now, aren’t you?).
  • The standard array of transport/channel buttons (Play, Mute, Solo, etc.) in addition to a bonus “User” button to define your own actions and a “Shift” button to obtain secondary functionality with the transport buttons.
  • A row of buttons dedicated to quickly access different window views (goodbye “F” keys!).
  • A row of buttons dedicated to navigating the tracks of your mixer…that consequently results in your motorized fader adjusting to match the volume of the respective track. In other words, less screen starting and more fader moving!
  • An “endless” pot control for the respective track channel’s balance.
In Practice
Let me make this perfectly clear: if you own Studio One, you need to own FaderPort. Personally, I like to work fast when inspiration strikes. Being able to keep one hand on my trackpad with the other hand on FaderPort has me working at speeds that would make the Flash bow his head in shame. The ability to quickly access interface windows and physically adjust the volume on any given track is an incredible time-saver. The buttons have a satisfying”click” to them.
Parting Words
While reading this review you may feel as though my tone is a bit shill. I assure you I’m no salesman, just an excited music maker who has taken a strong liking to a simplistically brilliant piece of hardware that works straight out of the box. By eliminating the need to constantly hunt for keyboard shortcuts, I can apply that time saved to the one thing every producer–no matter how famous–strives for: more opportunity to be creative.
About the Guy Who Wrote This
Craig Wood is a nerd who has surrounded himself with technology and music throughout his 32 years on this Earth. He’s one half of the EDM production group that goes by Stepchild. (Shill: Debut EP available on Heavy Artillery Recordings!) He enjoys heavy basslines, drop-kicking mannequins, and writing review bios in the third person. He will not rest until he unleashes his revenge against the six-fingered man.

Sonic Sense Pro Audio First Look at the Sceptre S8 CoActual Monitors

Sonic Sense Pro Audio just posted this first-look (first-listen?) video of the Sceptre S8 CoActual monitors. They compared the Sceptre S8 ($749, each) to the much more expensive Genelec 8050A ($2195, each) and the Adam A7x ($699, each) monitors. All monitors involved in the shootout were cautiously miked and measured, and detailed frequency response and phase charts are presented for each.

Sonic Sense is very thorough, which I suppose makes for the “Sense” part of “Sonic Sense.”

Click through to the Sonic Sense blog post here to get their full review, but in the meantime here’s a snippet:
“As promised, the sound quality truly does stand up well beside high-end monitors that have become “household” names in the studio world including ADAM, Genelec, JBL, and Neumann.”

 

HeatRox Entertainment Lands a Track on the Disney Channel’s “Austin & Ally”

[This just in from the always-a-gem-producer Lisa Simmons of HeatRox Entertainment. HeatRox recently had a great score, landing their new song “Living in the Moment” in a recent episode of the Disney Channel’s Austin & Ally.]
Hey Ryan!
How are you? Hope you are having a great week! We are so excited for the new Austin & Ally episode, “Sports and Sprains.” We used the PreSonus Eureka on this song. Funny story: The tracks recorded with the Eureka were intended to be for the pre-demo only… but they sounded so good that many of the background vocals recorded on the Eureka wound up in the final mix! The final song was recorded with the Ross Lynch at one of Disney’s recording studios.

We co-wrote and co-produced “Living in the Moment” with an amazing team of writers and producers: myself, (Lisa Simmons) Francisco (Flinst0ne/ Stone), Christian Salyer, Styliztik Jones, and J Scott G. We had so much fun!  On Disney’s promo you can hear the instrumental in the background, but the full song will be performed by the actor himself on the upcoming episode.
Over the weekend, “Sports & Sprains” charted at number seven on iTunes as one of the top children’s shows!
Best Regards,
Lisa & Stone

Tremendous Giveaway in August 2013 from American Musical Supply!

The kind folks at American Musical Supply just announced their incredible PreSonus giveaway, including a whopper of a $5,129 prize package that includes:

It’s easy to enter, just click here and fill out their form! This is an incredible chance to get a whole lotta stuff with minimal effort, which is always a popular proposition.

 

Scott Szeryk’s “Celtic Rainbow,” Live at the Aeolian Hall

[This just in from Scott Szeryk!]

Hey PreSonus, I hope all is going well!!  We have just released out latest live video “Celtic Rainbow,” all recorded at the Aeolian Hall, in London Canada, June 8, 2012. on Studio One and the StudioLive 24.4.2.
Here is some insight as to how we recorded our show, “Live at the Aeolian Hall.”

We multi-tracked the entire show via the Studio Live 24.4.2 into Capture.  Great care was taken on ensure that the instrument sources all sounded top notch (drums, bass, guitar, keys) and appropriate mics and DIs were used to capture the sounds of the instruments.

Drum mics were as follows:

  • AKG D112—kick
  • Shure SM 57s—snare top and bottom
  • Shure KSM 32’s—toms
  • Shure KSM 137—hi-hat and ride
  • AKG 414s—overheads

For post-production (mixing and mastering) we used Studio One, and things were kept pretty simple as the performances and sounds were good at the source.  I’m not a “fix it in the mix” type of engineer, so the sounds have to be great to begin with. Also we didn’t use any drum samples whatsoever. The drums sounded great and basic EQing (cut some of the boxey mids) and slight compression (just a hint, 2:1 with slow attack to keep the bass response) were used on the drums, and that’s it. Guitars were plugged straight into the Fractal AXE FX2, bass and keys ran DI.  The XMAX preamps on the StudioLive are so good that it helped the mix come together pretty quick!

Guitar Manifesto can be purchased by clicking here.

Studio One Courses and Methods from MusicEd.PreSonus.com

Studio One Courses and Methods from MusicEd.PreSonus.com

There’s nothing short of a wealth of resources online for learning about Studio OneJohn Mlynczak recently compiled this great list of online educational resources from Lynda.Com, Groove3, Berklee School of Music, and more. It’s also available on MusicEd.PreSonus.Com, but we thought the whole PreSonus community should be aware of ’em as well.

There’s some great  info here that is available in many platforms, including books, videos, and entire online courses. These include options for every user, regardless of your level of experience with Studio One. Maybe you’re a seasoned producer who’s looking to dig deep? Perhaps you recently upgraded Studio One and want to learn more about the new features you’ve gotten access to?  Maybe you’re just starting out? No matter your level of experience with Studio One, there’s valuable information in here for you!

Courses


Up and Running with Studio One® (lynda.com)

Studio One Version 2 Explained (Groove3.com)

Studio One Version 2 Advanced (Groove3.com)

Studio One 101: Songwriters and Musicians Toolbox(macProVideo.com)

Studio One 102: Producers and Engineers Toolbox (macProVideo.com)

Studio One 103: Advanced MIDI Toolbox (macProVideo.com)

Studio One 104: Mixing and Mastering Toolbox (macProVideo.com)

Free PreSonus® Video Tutorials (Obedia.com)

Recording and Producing in the Home Studio (Berklee Online)