PreSonus Blog

Category Archives: PreSonus Sphere


Notion Mobile 3.3 Now Available


Notion Mobile v3 took mobile music creation to the next level with support for iOS, Android, Windows, Fire OS and macOS. Now v3.3 adds many enhancements and fixes,
leading with its support for layout control, enhancements to its notation including writing for harp, and a new cross-platform document recovery feature.

Notion Mobile is free, and all add-ons are included in a Studio One+ membership or available through the Feature Bundle in-app purchase. The update will automatically update on your device over time (if you have automatic updates switched on), or you can download it immediately from your preferred App Store by searching for ‘Notion Mobile’. More about Notion Mobile here, or click below for the full 3.3 guide.

Notion Mobile 3.3 New Feature Guide and Release Notes (click to open):

Thumbnail of Notion release notes. Click to view

PreSonus Sound: Chiara Luzzana

“I don’t need a musical instrument when life plays the best notes”

Chiara Luzzana (2022)

We at PreSonus are extremely thrilled to hear and see Chiara Luzzana put her unique spin of sampling and *PLAYING* our hardware and software products musically in the creation of her performance video above. This performance was captured and edited using recordind software / DAW Studio One. Learn more about Studio One here.

Be sure to also watch her accompanying behind-the-scenes video (below) to learn how she hears and creates sound compositions from objects found in her world!

Chiara talks about her love of the Analog Delay and the Ampire Pedalboard plug-ins in the behind the scenes video around 4:58 and 7:01 respectively.

Chiara is a highly innovative and visionary sound designer.  She designs the sound of the most important brands in the world.

She has defined a real compositional method, unique in the field of sound brandingAs a kid, she studied guitar, clarinet and piano, but something in that method of teaching blocked her creativity. As she developed into an eclectic artist, she wanted to break the rules imposed by musical notation, to create music starting from noise to create visionary soundtracks.

As a former student at Berkelee College of Music, Chiara investigated how the brain reacts to sounds and vice versa, in order to structure every project with a specific mission.

Her sound works are a journey into the soul and psycho-acoustics, not just music. 

She studied to become an audio engineer in 2005, and has collected certifications and specializations in every field, from the neurobiology of musical cognition to the construction of microphones, to nourish her obsessive passion regarding every single detail related to sound.

Chiara made use of the ATOM SQ in this production (seen at :50 and 2:04 in the performance video) both as an instrument and as a performance tool to trigger sounds created in Studio One. Learn more about the power of the ATOM SQ


“It is in the noise and in its harmonious imperfection that my creativity finds inspiration”

Chiara Luzzana (2022)

Chiara is also a public speaker from the Italian and foreign stages; through talks and sound performances, she tells the importance of sound in communication and in everyday life.

Chiara has made more than 100 talks from 2015 to today, including an invitation as a speaker to the  Senate of the Italian Republic, several TED talks, and was even shared the same stage with Elon Musk, at Tech Week 2021. 

Her workshops are held in Milan and Shanghai. 

Winner of the “Muse Creative Award” 2017 for the “Best Soundtrack”. Winner of the “Muse Creative  Award” 2019 for the “Best Sound Project”. Finalist of “Music + Sound Award” in 2016.  Winner of “Best Soundtrack” for the Sandretto Re Rebaudengo Foundation.

KRIS XEN: Modern Fusionist with PreSonus Studio One

Kris Xenopoulos, AKA “KRIS XEN” is a South African guitar player, musician and producer.

Most well-known for his work with South African death metal outfit, Vulvodynia and the meme-tastic comedy metal band xavlegbmaofffassssitimiwoamndutroabcwapwaeiippohfffx, KRIS XEN does not only have heavy riffs on his mind, but also manages to blend multiple genres into a seamlessly flowing track.

He’s also explored instrumental, guitar-driven music with his prog band Technopath… and now Kris is now branching out as a solo artist.

“I’ve been using PreSonus gear since I was 16 years old, I couldn’t be happier to be working with a brand that’s been such a big part of my life over the years.”

—KRIS XEN (2022)

KRIS XEN takes you on a musical journey that could only be described as modern fusion.

Born in Johannesburg, South Africa, and raised in Durban, he starting off as a drummer at the age of 11 and became addicted to guitars as a young teenager. He started his first bands at the age of 13 and eventually became a member of one of the most famous death metal outfits in South Africa; Vulvodynia. He is constantly evolving as a guitarist, producer and musician, and developed a great love for expanding his musical knowledge and touring.

During the pandemic Kris focused hard on writing, recording guitar and producing Vulvodynia’s most recent offering Praenuntius Infiniti from his home studio. The album was mixed and mastered by Christian Donaldson.

Kris shows Studio One to mix/mastering engineer, Christian Donaldson

He has played in Ron Bumblefoot Thal’s (ex-Guns N Roses, Sons Of Apollo) band, done multiple headlining tours in Europe with Vulvodynia and Xavleg, and has headlined tours in the States, Australia, and Africa with Vulvodynia.

In Technopath, Kris has worked with some legendary musicians such as Brian Beller (Bass for The Aristocrats, Steve Vai, Joe Satriani), Mattias IA Eklundh (Freak Kitchen) and Nick Johnston.

Kris has also been featured in Guitar World Magazine and was the cover page for “New Voices In Guitar,” outlining “10 fresh guitarists to keep an ear out for in the coming year” for 2020.

Kris has just released a signature guitar with Ormsby Guitars, available worldwide and is presently on tour throughout the United States with Vulvodynia.

Follow KRIS XEN on Instagram for tour information and musical updates!



Join PreSonus Sphere today to check out KRIS XEN’s exclusive Presets and more by other PreSonus artists!

Only $14.95 per month for Studio One Professional, Notion, and so much more.

Studio One 5.5 Mastering with Perry Sorensen (Head of Mastering, NAXOS of America)


Perry Sorensen, Head of Mastering for NAXOS of America, gives us his favorite features of the updates in Studio One 5.5 on the Project Page. NAXOS is the largest distributor for classical jazz and world music.

Perry uses Studio One to master and in this video he gives a walk-thru of how he uses track automation plus more!

Learn more about Studio One

Learn more about NAXOS of America

Listen to Perry’s musical expressions with Jessie Kol


Join PreSonus Sphere today!

Only $14.95 per month for Studio One Professional, Notion, and so much more.

James F. Reynolds: VOXPOD Studios and Studio One


So why is BTS (방탄소년단) “Fake Love” official video shown above?

Because their hit song was mixed in Studio One Professional by our latest PreSonus Sphere Featured Artist, James F. Reynolds!

Let’s catch up with the man himself and find out more about what he’s been up to lately:


I started off my mixing career mixing Tinie Tempah’s triple-platinum album Discovery. Prior to this I wrote and produced music and was signed to labels such as Virgin and Defected Records. Since mixing Tinie’s album I have been busy mixing records for many artist including BTS, Sigrid, Dua Lipa, Kodaline, The Disciples, Sigma and most recently Shane Cod and his platinum single, “Get Out Of My Head.”

I have been mixing in Studio One for six years now and it keeps getting better and better. PreSonus really listens to user feedback and implements suggested improvements frequently; I haven’t experienced this with any other DAW.

Studio One allows for a very fast workflow and because of it’s intuitive build and design I can easily focus on the mixing.

During lockdown in 2020, we decided that London was lacking in high-end state of the art podcast production facilities, so we built VOXPOD Studios. My podcast room can host up to eight people and also offers livestreaming and video recording of the shows on five video cameras placed around the room.

The PreSonus PD-70 dynamic mic has proven to be a game changer in VOXPOD studios. Its sound quality and tone set the bar above all the others on the market.

VOXPOD Studios has already started hosting shows for some big podcasts here in the UK, including the James Smith Podcast and Rugby’s leading podcast, “The Good The Bad and the Rugby.”

Lastly, another new positive feature of 2020 was the launch of PreSonus Sphere. It’s truly a brilliant way of connecting the rapidly growing number or Studio One users, world-wide. I love being able to try out suggested Presets and Studio One shared components from other engineers, writers and producers.


Join PreSonus Sphere today to check out James’ exclusive Presets and from those by other featured artists!

James F Reynolds: PreSonus Sphere Featured Artist

They include: two Reverb Macros, five Studio One Workflow Macros, three Drum FX Chains and a Mix Bus FX Chain for all PreSonus Sphere members to access and enjoy.

Only $14.95 per month for Studio One Professional, Notion, and so much more.

Brody Tullier on using Studio One for Video Game Soundtracks


Brody Tullier (aka Zeno) is a 17 year-old composer based in Baton Rouge, Louisiana who has been composing and arranging original music for the past four years.

His main style of composition is often through complex midi-mapping and programming, although he is also a studying pianist and vocalist.

Delving into advanced audio production more and more in recent years, his music has become the lively, energetic, and polished arrangements that you can hear in his recent Bandcamp releases here.

 

Brody’s preferred style of compositions lean heavily towards video-game inspired tracks and he aspires to one day seek a career in the video game music industry.

We wish him great success in his ongoing growth as a musician, composer and producer!



Follow Brody’s path in discovering the creative power of Studio One, Notion and the PreSonus software add-ons available.

Join PreSonus Sphere today!

Only $14.95 per month for Studio One Professional, Notion, and so much more.

Mixing Vocals: How To Make Vocal Production Presets in Studio One with Alina Smith



Join PreSonus Sphere today to check out Alina Smith’s exclusive Presets and more by other PreSonus artists!

Only $14.95 per month for Studio One Professional, Notion, and so much more.

Alina Smith: 2000’s Teen


Alina Smith is a songwriter, a producer, and one half of LYRE, who has written and produced records for traditional acts such as Fall Out Boy, ITZY, Red Velvet, Betty Who, Kirstin Maldonado (Pentatonix), as well as for today’s top digital creators like Kenzie Ziegler, Lexi Jayde, Niki and Gabi.

She has accumulated hundreds of millions of streams on songs she’s been a part of and earned several #1 singles. Alina’s work has been profiled in Forbes Magazine, Billboard Magazine, American Songwriter, 1883 Magazine, and more. She’s also well-known in the sound design space with LYRE’s Splice sample pack called “Perfect Pop.”


Here’s what you need to know, straight from Alina:

So I started recording myself singing pretty early on, I wanna say… 2005. I had a dynamic mic I plugged directly into the audio input of my prehistoric laptop and I had absolutely zero training in anything related to production. Then, a few years later I upgraded to an M-Box and a $100 MXL mic which is, funny enough, the setup that I got my first songwriting cut on. From then on, I kept progressing and learning, which I still do to this day, although I do have a pretty large bag of tricks at this point that I can dip into when I record different singers in different genres.

A few years ago I switched from Pro Tools to Ableton Live for instrumental production, but I was struggling with the vocal production side of things in there because at the time Ableton didn’t have playlisting, so recording and comping vocals was super time-consuming and clunky.

I decided to test-run Studio One and fell in love with it immediately! With the ease of setting my own key commands, I was able to choose the commands I was used to and not have to learn a whole new set. Sprinkle in the Melodyne and VocAlign via ARA integration, and I knew that I finally found my soulmate vocal production DAW!

With a PreSonus Sphere membership, I’ve discovered a lot of new plug-in effects I really love, like the Analog Effects Collection. The Analog Delay is chef’s kiss!

I’ve really come to enjoy the PreSonus PX-1 mic, which I use for on-location recording quite a bit. With the right “in-the-box” vocal chain, I can make it sound bright and crispy and much pricier than it actually is!

It’s been a really hectic year for me! At the top of 2021, I set the intention of not holding back in any area of my life or career and for the rest of the year it translated into me pursuing several things all at once. I ended up organizing and hosting an online music convention, called the Modern Music Expo, which you can watch a replay of here:

I also released an EP called 2000’s Teen, which is my first body of work as an artist! And, seeing as my main job is writing and producing music for other artists with mg production team LYRE, I also did a ton of that, my favorite being “Mafia in the Morning” by ITZY, which came out this spring.

I’m already working on my next release: filming a music video and planning the drop. Writing and producing for various projects and making production tutorials for YouTube and TikTok. But mostly, I’m just trying to relax and enjoy fall, which is my favorite time of the year. It’s so important for artists to replenish their batteries, so that’s what I’m doing!


Let’s welcome Alina into the family as a Featured Artist on PreSonus Sphere!

She is sharing ten of her custom Vocal FX Presets for all PreSonus Sphere members to access and enjoy:


Join PreSonus Sphere today to check out Alina Smith’s exclusive Presets and more by other PreSonus artists!

Only $14.95 per month for Studio One Professional, Notion, and so much more.

New PreSonus Sphere Artist: Emily Wolfe’s “LA/NY” Playthrough

Here’s Emily using the Revelator io24 audio interface to perform her latest track, “LA/NY,” live from her home studio setup!

 

In conjunction with Studio One‘s Show Page, the pre-recorded backing tracks (drums/synthbass) and her live vocal and guitar audio signals can be professionally mixed and ready for livestreaming.

“LA/NY” is just one of many tracks from Outlierher latest record. She discusses more about the production of Outlier below.


Tell us a bit more about “LA/NY”

“LA/NY” is a new song off my latest album, Outlier. It is a bit of a different direction for me, because I wanted to put forth a killer pop tune that also shined a light on my love of a fuzzy guitar solo. 

Outlier is an album built on exquisite tension: like an endless push-and-pull between desire and resistance, determination and self-sabotage, the instinctive need to belong and the urge to strike out on your own. My songs were produced by Michael Shuman (Queens of the Stone Age and Mini Mansions) and it’s an album full of guitar-drenched sounds that’s wildly unpredictable and immediately magnetic.

What amp/pedals did you use for “LA/NY”?

It was all done within Studio One, using the PreSonus Ampire plug-in. Specifically, I used the Wild Drive, Demolition Drive, Equalizer and Delay pedals running into the Blackface Twin model amp paired with a 2×12 American Cabinet.

(NOTE: if you’re a PreSonus Sphere Member, you can download her exact Ampire Preset here)

How did you first discover PreSonus?

I first discovered PreSonus while working at a music shop in Austin, TX. They sold audio recording equipment from all different brands, but I noticed that PreSonus had the most intuitive software (Studio One Artist) included, as well as the best price point.

What was your first PreSonus product?

It was the Studio 1810c audio interface, but I have since upgraded to a Studio 1824c. I’ve got the FaderPort to the right of my computer keyboard. I also now have their Revelator io24 that you see me using in the video above, of course!

How long have you used Studio One?

About three years now.

What are your Top three favorite features about Studio One?

My favorite aspect of Studio One is how easy it is to use. The drag & drop aspect helps me work really quickly and efficiently. I also really love using Impact for drum sounds, Presence for sample-based instrument sounds, the Mai Tai polyphonic synthesizer, and Ampire for pedal FX and amp modeling.


We’re so stoked to welcome Emily into the family as a Featured Artist on PreSonus Sphere!

She is sharing eight of her custom Ampire Presets, along with a custom Vocal Preset and a Mai Tai synthesizer patch for all PreSonus Sphere members to access and enjoy.

 

Emily Wolfe: Featured PreSonus Sphere Artist


Join PreSonus Sphere today to check out Emily Wolfe’s exclusive Presets and from those by other featured artists!

Only $14.95 per month for Studio One Professional, Notion, and so much more.

Kisnou: Emotional Journeys Across Sonic Landscapes

Italian musician, composer, and producer Kisnou shapes the undefined chaos that was generated as consequence to profound experiences growing up as his kingdom – a place where to give complete freedom to creativity and imagination.

With masterpieces such as “Alive,” “Falling Deeper,” and “Vertigo,” people from all over the world began to feel a deep connection with Kisnou’s music, counting for more than 7 million total streams on Spotify alone in 2020. Featured on BBC, New Balance, TV commercials and countless Spotify playlists, his music is often defined as otherworldly: perfect for anyone who wants to experience a real sonic journey.

From ambient to electronic, from orchestral to indie, Kisnou is a never-ending adventure that explores worlds of atmospheric sounds and storytelling. Featuring bittersweet poetry, untold stories, cold atmospheres, field recordings, and broken song structures, each song is a deep cinematic experience you will not forget.

Kisnou began making music using FL Studio back in 2015, eventually working for years within the Ableton Live software environment before recently discovering Studio One and PreSonus Sphere’s creative workflow environment.


In his words:

So… at the beginning, I really had no knowledge, never played an instrument. I just jumped and went for it. I felt like I had some stories to tell.

I’m a self-taught producer. It’s pretty easy to learn so many things online. I also used to listen to a lot of music, every day—while drawing or doing homework, while coming home from school. It was a part of me and of my life, every day. Many people are surprised when I say that I’m self-taught, especially those who are musicians or producers as well. It makes me feel happy, but I have always been down to Earth and very respectful. For example, in 2020 an American writer sent me one of his books, as a thank you gift because he loved my music. The book is called Wounded Tiger, and the author is such a wonderful person. It is a book about World War II and the true stories of multiple people that lived through that moment of history. I can’t say much about it but the author is trying to find the right chance to make a movie out of it… and I might be a part of the soundtrack team. Fingers crossed!

I graduated in 2019 and got my Bachelor of Arts in Commercial Music, but since 2017 I have been making music for a good fan base online that has grown quite fast. I hit my first million streams on a song, and from there it started to get even better! I had an income, collaboration opportunities, and a licensing partnership with Marmoset Music that got me some really good placements! One of my songs was featured in a New Balance commercial and a Tomorrowland video. Now music is my full time job. I currently have around 150,000 monthly listeners on Spotify alone.

The first artist who actually truly inspired me to make music was Koda. He is a talented guy from Los Angeles who wrote some beautiful songs. His songs were just pure magic for me, they resonated like nothing else. I felt like the lyrics were talking to me. My favorite song from him is “Angel.” I loved the video as well, so much that I contacted the video artist a couple of years ago and we created the music video for my song “In The Origin, We Breathe.”

Other inspirations include: The Cinematic Orchestra, Bersarin Quartett, Sorrow (a great electronic/garage music producer), Pensees, and Owsey. I come from the Ableton world, so I am also very much into electronic music, future garage, and ambient. I am in love with atmospheres, long reverbs, evolving sounds, textures and so on.

Lately I have been listening to the YouTube channel Cryo Chamber. Some songs are a bit too dark sometimes, but you can find such incredible atmospheres. I find it very inspiring.

You know, I live in the countryside, so I am always spending time in nature. I feel like I am lucky to be living here, but at the same time you might feel isolated or lonely quite often. It depends on the mood I guess.

I used Ableton for 3-4 years, made great songs thanks to that DAW, but somehow… I wasn’t really feeling comfortable there. I was slowly getting sick of it, even if the creative tools, the stock plugins and workflow were amazing.

By chance I found out about Studio One and then I started to see what you could do with it and it slowly got my interest, until I finally decided to make the switch.

Currently, I just try to make Studio One adapt to my workflow and that was quite easy. The possibility to internally customize shortcuts and create macros is just wonderful in my opinion. I have many macros mapped around my keyboard, and have others on the buttons of my mouse. I have mapped CTRL + ALT as a hold command on one of the two main side buttons, then on the other one I have a Macro that activates the bend marker view, automatically swaps to the Bend Tool so that I can do my edits and then press it again to deactivate the bend view.

On the four lower side buttons I have mapped the editor, channel, inspector and browser for quick tasks. Though If I hold control and press those buttons, or ALT, I have other sets of commands to help me out.

One more functionality that I love is the Transform to Audio Track command, which prints a MIDI file into audio, but it’s better compared to what I’ve seen in other DAWs I’ve used in the past (FL Studio, Ableton, or Pro Tools) because I can print the MIDI to audio and preserve the instrument—so that If I ever want to revert back to the plug-in, I can do that at any given moment. I can choose to render the insert FX or not, which is also great.

In other DAWs, I either had to make a copy of the plug-in, print one to audio and leave the other there, just disabled. Sometimes I printed a MIDI file into audio feeling that it was perfect, then days later, I felt like I wanted to edit the plugin… and I couldn’t do it anymore because I had not copied the plug-in instance before printing.

Lastly, I’m pleased to be a featured artist on PreSonus Sphere!

The presets I created revolve around the use of white noise, layering and distortion: aspects that I have been exploring in the last months to create a sort of vintage but modern, textured sound. Warm, lush pads and pluck sounds, distorted reverbs and atmospheres were my North Star when creating these presets.

There’s 20 presets in all in this pack: FX chains, pad sounds for Presence, some Macros, Mai Tai patches, and a custom reverb of mine… enjoy!

PreSonus Sphere members can click here to get them!

 


Join PreSonus Sphere today to check out Kisnou’s exclusive Presets and from those by other featured artists!

Only $14.95 per month for Studio One Professional, Notion, and so much more.