PreSonus Blog

We recently released an update to Notion 5.1! This update is free to all existing Notion 5 owners.

One of the coolest new features in Notion 5.1 is the ability to export stems from Notion for further editing in Studio One. From Notion’s Export menu, you will want to choose “PreSonus Capture Session” before specifying the export location.

Double-click the exported Capture file (or drag it to Studio One) and a new Studio One song will be created. All of your audio files will be brought in retaining instrument names, panning, and gain settings. Furthermore, the new song will import your tempo, time signature, and rehearsal mark information.

This is a great opportunity for both Studio One users who are new to Notion or vice versa. If you’re a composer who is interested in breaking out of the traditional mold to explore creative audio production, or a Studio One veteran who would like to dabble in the classical realm—this integrated workflow will allow you to expand your horizons in either direction.

That’s not all there is to Notion 5.1, either. You can click here for the full list of changes.

Category Studio One | 0 Comments »
Posted by Ryan Roullard



Livingston Taylor

Boston’s Livingston Taylor began his career as a performing songsmith nearly straight out of high school, having first picked up the guitar at a spry 13 years of age. His songwriting (seemingly seasoned straight out of the gate) and personable, relatable stage presence garnered notice from live music fans and critics alike. 1970 saw him land his first record deal, releasing his eponymous debut on the esteemed Capricorn Records. Last year—that’s 44 years later—he released Blue Sky, his 18th.

Having performed around 80 shows per year in that timespan, he’s really played any type of gig you can imagine, from coffee shops to large festivals to opera houses, landing a couple of Billboard charting-hits along the way: “I Will Be in Love with You,” and “First Time Love.” And it’s that breadth of experience (well, okay, and also his songs) that landed him the coolest gig he’s ever had: that of Professor at Berklee College of Music—a post he’s held since 1989.

His discography, most of which is available via his Nimbit store, is peppered with a couple best-of collections, a covers record, and also a sort of self-cover record. Good Friends finds Livingston taking some of his more familiar tunes into decidedly jazzier territory—great for established fans that enjoy a new spin on the familiar. Furthermore—and we don’t see this too often at Nimbit—he has distilled his Berklee teachings down into a good ol’-fashioned book, “Stage Performance,” which is also available for sale.

Category Nimbit | 0 Comments »
Posted by Ryan Roullard



Here’s a great video that came to us from L.A. producer/songwriter/engineer AG! She’s made the jump over to Studio One from Pro Tools and Logic—and she’s also using a couple Sceptre monitors and the ADL 700 preamp.

AG has worked with Natalie Imbruglia, and done music production for TV shows including Gossip Girl and Grey’s Anatomy. Check it out!

Thanks AG!

Category Artist | 0 Comments »
Posted by Ryan Roullard



PreSonus Artist and good friend Vigilante (AKA Big Brother 84)11026061_10152897650819565_2693729241254768716_n recently launched the worldwide We Are One tour,  And as if that’s not enough to keep him busy, he also just announced this remix contest, which (so far) is offering prizes from PreSonus, Keith McMillen Instruments, Waldorf, MeldaProduction, and many more!

Complete, official rules are linked below, but here’s the short, unofficial rules:

  • Download the stems
  • Remix the track
  • Submit by e-mail before April 10, 2015

 

Have fun!

Click here to get the stems and read the full rules.

Click here to visit the official Facebook group.

Category Sweepstakes/Contest | 0 Comments »
Posted by Ryan Roullard



2039991

You know—for kids!

Steve Roslonek of SteveSongs has been
 writing and performing his award-winning
 music for kids and families for fifteen years, as both a touring and recording balladeer and children’s TV host. In that time, Steve has won numerous prestigious awards including two Parents’ Choice Gold Awards, a NAPPA Honor, two iParenting Media Awards, and a Kidscreen nomination for Best Children’s TV Host. He’s also released a ton of kids-first recordings that are silly and educational in equal parts.

Like much kid-targeted media, there’s a heavy leaning toward funny animal themes here—lots of bugs, rabbits, ducks, dogs, and even a rock’n’roll werewolf—all trumpeting 101-level life lessons on the merits of vegetables and tooth-brushing. For a music-purchasing grown-up who normally might feel like they are merely enduring a children’s record, there are occasional nods to popular songs that in-the-know adults will enjoy a knowing laugh from. A smart move on Steve’s part, and it’s what establishes him as a purveyor of family entertainment as opposed to children’s entertainment. Add to that his sincerely inspired wordplay, (rhyming “Canteloupe” with “can of soap,” never would have occurred to me) and there really is something for everyone.

A broad majority of Steve’s SteveSongs songs feature Steve on lead vocals and guitar, surrounded not only by a bang-up world-class band, but also a shout-along gaggle of enthusiastic rugrats. Mostly folky-acoustic and always squeaky clean, there’s a diverse array of instrumentation and musical themes here that dally with rock territory while never getting any heavier than, say, Paul Simon’s Graceland.

Steve’s Nimbit profile offers no fewer than eight full-length albums available in both MP3 and CD, as well as softcover and hardcover editions of Shape Song Swingalong, a DVD, and t-shirts available in various flavors of small. Steve’s pretty good about keeping his tour schedule up-to-date as well. Check it out so you and the cubs can contribute to The Shape Song in person sometime, and maybe hitch a ride home in Dan’s Orangutan Van.

Except that hitchhiking is never safe, kids, so don’t.

Category Nimbit | 0 Comments »
Posted by Ryan Roullard



iseries-webcast2

 

More than just audio interfaces, the AudioBox iOne and iTwo are the heart of a creative workflow aimed at taking your inspirations and turning them into finished songs. Tightly integrating award-winning hardware with powerful software across working environments, watch recording artist The Hitchhiker (Luis Mariani) go from iPad to laptop to finished master—ready for purchase and download by your fans.

Mariani left Venezuela as a political refugee and, now an American citizen, lives and works in Louisiana bayou country, where he put together a band of self-described “good ol’ south Louisiana music scene boys” and makes hard-rocking music with a message.

This webcast will air on March 26, 2015 at noon Pacific time. Click here to register!

Category AudioBox iOne / iTwo | 0 Comments »
Posted by Ryan Roullard



SLAIPA_Offer_Digitial_Flyer_3-3-15We thought you should know that for a limited time—until March 31st, 2015—music retailers across the US are offering a monster rebate on the StudioLive AI Loudspeakers:

  • Buy two, and save $500

  • Buy four, save $1000

 

No matter how you slice it, that’s a savings of $250 a piece for some incredible speakers. The StudioLive AI PAs feature our Active coaxial loudspeaker design, as well as sophisticated networking and DSP. With free PreSonus SL Room Control software, you can configure, tune, and monitor networked StudioLive AI loudspeakers from anywhere in the venue—Click here for a video on that. You can even visually display the room layout on a laptop or iPad!

But the StudioLive AI Loudspeakers aren’t just about brain—there’s a lot of brawn here, too. And when it’s time to put some boom in your room, these speakers offer irresponsibly high power—without the breakup and distortion typically associated with chest-resonating high volume. For more details on the minds behind the StudioLive AI Loudspeakers, click here for an interview with Dave Gunness.

But don’t take it from us. Check out some of these reviews:

Click here to find a dealer in the USA.

 

One other thing: if you want some nitty-gritty technical data, help yourself to any of these informative .PDF downloads:

 

Category StudioLive PA Systems | 0 Comments »
Posted by Ryan Roullard



Adrianne Gonzalez (AKA AG) is a highly accomplished musician, songwriter and producer who lives in Los Angeles. She has recently tried out Studio One, and after a short time with it she has officially made the jump from Pro Tools—and doesn’t seem to be looking back. She put together this great video on why she decided to stick with Studio One, and I think the world is better for it. Thanks AG, this is much appreciated!

Category Studio One | 0 Comments »
Posted by Ryan Roullard



Don ConoscentiChicago’s Don Conoscenti is a musician’s musician through-and-through who enjoyed a supportive musical upbringing. While now best known as a decorated singer/songwriter in acoustic circles—he’s a winner of the Rocky Mountain Folks Fest Songwriting Competition and was a National Academy of Songwriters’ Acoustic Artist of the Year finalist—fact is the guy cut his teeth by learning drums before learning guitar, and established his acoustic claim after many years spent as a “die-hard rocker.” Never one to be bound by the limits of genre loyalty, Don is also an accomplished flautist and vocalist.

His “few rules” mentality also applies to his approach to the guitar—he’s the only guitarist I’ve ever seen use multiple capos on a guitar, including partial capos. If you’re a guitar player, good luck trying to figure out how to play his songs just by listening to them. For you he released the hilariously titled Capo Abuse and Guitar Techniques video.

Don’s rock’n’roll beginnings have proven a major asset in his ability to stand apart in an ocean of acoustic-driven songwriters. The rockin’ influences in Don’s work aren’t worn on his sleeve, but instead bubble up through the cracks in a much more subtle manner than is typically associated with rock music. So far, he’s nine self-released albums into his career.

On his latest release. High Desert Sessions, Don turned to PreSonus Studio One to make the entire record on his own. Of the experience, he says, “Thanks to recording software like PreSonus’ Studio One Professional, I can now produce, track, orchestrate, mix, master and immediately upload the finished product to Soundcloud and my Nimbit Store, which then allows me to sell it through my website and social media pages within minutes of mastering. It wasn’t easy to learn how to do all that, but there’s a lot to love about the end result of that process. Thanks for listening and look for a summer 2015 release featuring some heavy hitting guest artists including Ellis Paul and Grammy-winning artists Paul Buckmaster, Bill Miller and Lloyd Maines.”

Demo versions of the High Desert Sessions are available now on his Nimbit store.

 

Category Nimbit | 0 Comments »
Posted by Ryan Roullard



Abraham Martinez

Abraham Martinez in his studio

La Carta Perfecta – En Vivo was a big record for Danilo Montero in 2014—so big, in fact, that it won a Latin Grammy for Best Christian Album. The live album was mixed by Abraham Martinez, pictured above, in Studio One Professional 2.

Martinez is a full time FOH audio engineer for Marcos Witt, a well known worship leader and music artist in Latin America. When not working with Witt, Martinez spends his spare time rackin’ up Latin Grammys. He’s collected three in only four years:

  • 2011 Best Christian Album (Spanish Language) Lenguaje De Amor Alex Campos [CanZion / MV Records]
  • 2012 Best Christian Album (Spanish Language) 25 Concierto Conmemorativo Marcos Witt
  • 2014 Best Christian Album (Spanish Language) La Carta Perfecta – En Vivo

We had the chance for an e-mail exchange with Abraham to get some additional details. While Abraham has been using Studio One—and other PreSonus gear—for a couple of years now, this is his first Latin Grammy award for a project mixed in Studio One. Abraham came into the Studio One fold the same way many users do—via PreSonus hardware.

“Back when I recorded more, I used an an M80 preamp and ACP88,” says Martinez. “More recently I’ve used an ADL 600 for tracking vocals and bass. I also use a StudioLive mixer for its audio quality and ease of use for work on our church campus. I have always associated PreSonus with value, but had never considered them a serious DAW developer until I tried Studio One!

“Now I use Studio One for exclusively for all of my mixes in my personal mixing studio, AMmix,” Martinez continues. “We also use it at our church to to record and mix our plays. The main thing that drew me toward Studio One was it’s incredibly intuitive workflow. It felt natural immediately, especially for mixing. I remember having to go back to my old DAW to finish an older project and hating it as it felt primitive in comparison. What kept me working in Studio One however, was its audio quality and professional features. That is something I just wasn’t willing to give up.

“Studio One doesn’t disappoint,” Martinez asserts. “The drum editing and quantization features are the best by far. I love that there are never problems with clicks and pops and everything stays perfectly in phase. Audio quality and ease of use are Studio One’s strengths.

Martinez speaks from experience when comparing Studio One to other DAWs and workflows.

“I found my workflow to be much faster and fluid in Studio One, as apposed to Nuendo, which I worked on before for many years. I recently did a comparison of working completely ‘in the box’ with Studio One against my hybrid hardware/software setup—and I can honestly say that the differences were minimal. I now feel completely comfortable working completely in the box when I have to!”

“I can’t wait to see what Studio One has in store for us in version 3,” he muses.

Watch the video for Danilo Montero’s “Dios de Amor” below:

Category Studio One | 2 Comments »
Posted by Ryan Roullard