PreSonus Blog

[I noticed a jovial exchange between two of our most vocal advocates on Twitter, @BSWorship and @RayManuelMuzik. Both are diehard Studio One junkies, and in discussing our software via Tweet, the two decided to collaborate on a remix of Brandon Scott’s “Do You Love Me?” The original track and remix are both available here for your listening pleasure, and the two artists were kind enough to spare a couple paragraphs about their experience.]

Brandon Scott:

“So, what happened was Ray heard my song “Do You Love Me” thought he could do a killer remix on the song that I could add as a bonus track to the EP coming out July 4th. We met on twitter through PreSonus releasing my new endorsed artist article. I listened to what Ray was doing himself in Studio One and thought, “I don’t listen to much Latin music, but his stuff is really good and sounds great! If he wants to have a go at making a remix of one of my songs, then I’d be honored to have him be a part of it!” So, we started talking more and more via Twitter (I never have met him in my life, FYI) and just hit it off. I stemmed out the mixes of each instrument for my song, dropped it in DropBox and he was good to go. Studio One makes online collaborating so easy it’s sick! I love how simple it is to send files to others around the world to collaborate on amazing music!  Music is what we feel, it moves us, and Studio One is the software that will move you into making amazing music with others around the world. It really is the game changer to music as we know it.”

Here’s Brandon’s original song:

RayManuel Perez:

“Brandon is pretty much in the ball park! We became friends because of how much we love Studio One and became good Twitter friends— its all about #TeamPreSonus! We decided to collaborate and make something crazy happen since sharing session and stems with Studio One is so easy. Studio One is the best DAW because we can do everything in one place;  producing,  recording,  mixing, mastering, and beyond—even uploading the music to the Internet! I actually got rid of all my other DAWs. Brandon and I just became PreSonus buddies and we are happy to share our music, our talents and our culture, using Studio One as our platform to make it happen! Like Brandon says, Studio One is a game changer. It definitely changed my approach—and speed—to making music.”

Here’s RayManuel’s remix:

Sometimes bass players have it the worst. Many (most?) of them have a refrigerator-sized amp that won’t even fit in that car of theirs, what with the sleeping bag and Coleman stove taking up all the room. In fact, a little-known statistic is that 30% of chiropractic clients are actually found to be bassists who have been lugging around monster amps for 10+ years. Sad.

Furthermore, vintage tube-driven 8×12 bass rigs can be a pain to record with, because those loud, wide, bass- frequency waves cut through EVERYTHING, and it can be nigh-impossible to get any sort of isolation when tracking live. And recording that thing in your apartment? Fugeddaboutit. You’d be evicted faster than you can say “Joey DeMaio.”

Enter the PreSonus Studio Channel. A lesser-known application of the Studio Channel is that of a direct injection box for recording bass. Heck, you could even use it to play bass live and run directly into the front-of-house. HomeTracks over on YouTube illustrates this application perfectly in his recent video, showcasing the myriad tones that can be achieved by running your four (or five-, or six-) string baby into the Studio Channel—no amp required! Keep the gain low for cleans, or push that glowy li’l tube for some mid-range grittygrind.

steadyb checks out all the diverse delay options in Studio One, including Groove Delay, Analog Delay, and Beat Delay. You won’t believe some of the sounds you can get out of these effects!

http://studioone.presonus.com/portfolio/beat-delay/
http://studioone.presonus.com/portfolio/analog-delay/
http://studioone.presonus.com/portfolio/groove-delay/

Brad Zell scored a killer interview with none other than Khaliq Glover, Grammy Award-winning engineer for Michael Jackson, Prince, Herbie Hancock, and many more. He shares some production insights with the PreSonus LIVE audience!

Rhett Mouton: Producer, engineer, writer/composer.

Years ago I was asked by a young band to go to their rehearsal studio to help them record a song. That rehearsal studio turned out to be in Jim Odom’s back yard.

I use the Central Station for monitoring, ADL 600 for obvious reasons, StudioLive 24.4.2 for live sound and multitracking, Studio One 2 Professional for writing, composing, producing, mixing and mastering.

They always seem to be thinking a step ahead of the curve when developing new products.

I produced, mixed, and mastered a band called Meriwether’s debut album titled, “Make Your Move” which resulted in a distribution deal and record deal with Suretone/Interscope records.

I am currently mixing and mastering projects for clients. I am also composing/writing original music with the intention of licensing for placement in film, television and video games.

rmmaudio.com

Facebook.com/rmmaudio

Facebook.com/rhettmouton

Here’s a great video covering the soundtrack production for “Man of Steel,” the latest cinematic adventures of DC’s Big Blue Boy Scout.

If you’ve ever tried to get just the right drummer for your project/band, this video may well make you cry, as Hans Zimmer gets to use  Matt Chamberlain, Sheila E., Josh Freeze, Pharell Williams, Danny Carey, John JR Robinson, Jason Bonham, Satnam Ramgotra, Toss Panos, Jim Keltner, and more—simultaneously.

Once you’ve recovered from geeking out over a dozen of the world’s best session drummers all working together in the same room, take a closer look at the studio setup for this. The group performs on twelve risers arranged in a circle, with all individual drums miked, plus overheads, plus room mics. The result is a thunderous surround-sound mix of drum bangin’ that puts the listener in the middle of what must have been the world’s greatest  drum circle.

PreSonus LIVE airs twice today! 2 p.m. CST and 7 p.m. CST LIVE FROM BEN FOLDS STUDIO in Nashville!

Click this link to watch the show:
http://www.presonus.com/videos/presonuslive

2:00 p.m. CST: Join steadyb while he hangs out at Ben’s Studio (as in Ben Folds) In Nashville! Ben’s Studio was formerly RCA Records Studio, where Chet Atkins, Dolly Parton, and even Elvis Presley have recorded. steadyb will interview house engineer Leslie Richter.

7:00 p.m. CST: Watch steadyb record Briana Tyson LIVE!

Tracks available on Nimbit after the show!

We just found this stellar review of the Eris monitors from Jon Chappell at Harmony Central. John says:

“Of course, there plenty of comparably priced speakers, but PreSonus has differentiated the Eris line in some key ways, principally the extensive tone control options (these can really make a different in rooms that don’t have ideal acoustics), analog power amplifiers instead of digital, and the easy accommodation of consumer as well as professional gear. PreSonus has a reputation of making great products “for the rest of us,” and the Eris speakers follow that philosophy.”

Click on over to Harmony Central to read the review in full for yourself!

Good old Graham. We can always count on this guy to create some of the best audio tutorials available online. This time around, he’s created a pair of videos focusing on mastering in Studio One using stock plug-ins, including Studio One’s Compressor and ProEQ. Watch and learn!

Compression:

ProEQ:

Voting is open for the “Why I Switched” video contest! Pick your favorite, the winner gets a StudioLive 16.0.2 and Studio One Professional.

Click the link below and then scroll down to check out the submissions. If you entered the contest, thank you. We got a ton of really incredible submissions. Please share this link with your friends and start watching your votes roll in!

https://www.facebook.com/PreSonus/app_214224245382377