Start recording today with the PX-1 or a pair of PM-2s. The PX-1 large-diaphragm cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more! Learn more about the PX-1 here. The PM-2 stereo mic set provides 2 matched, pro-quality, small-diaphragm condenser mics with XY mounting bar. Ideal for drum overheads, ensembles, etc. Learn more about the PM-2 set here.
This is an instant rebate, live at the point of purchase. No forms to fill out.
She has accumulated hundreds of millions of streams on songs she’s been a part of and earned several #1 singles. Alina’s work has been profiled in Forbes Magazine, Billboard Magazine, American Songwriter, 1883 Magazine, and more. She’s also well-known in the sound design space with LYRE’s Splice sample pack called “Perfect Pop.”
Here’s what you need to know, straight from Alina:
So I started recording myself singing pretty early on, I wanna say… 2005. I had a dynamic mic I plugged directly into the audio input of my prehistoric laptop and I had absolutely zero training in anything related to production. Then, a few years later I upgraded to an M-Box and a $100 MXL mic which is, funny enough, the setup that I got my first songwriting cut on. From then on, I kept progressing and learning, which I still do to this day, although I do have a pretty large bag of tricks at this point that I can dip into when I record different singers in different genres.
A few years ago I switched from Pro Tools to Ableton Live for instrumental production, but I was struggling with the vocal production side of things in there because at the time Ableton didn’t have playlisting, so recording and comping vocals was super time-consuming and clunky.
I decided to test-run Studio One and fell in love with it immediately! With the ease of setting my own key commands, I was able to choose the commands I was used to and not have to learn a whole new set. Sprinkle in the Melodyne and VocAlign via ARA integration, and I knew that I finally found my soulmate vocal production DAW!
With a PreSonus Sphere membership, I’ve discovered a lot of new plug-in effects I really love, like the Analog Effects Collection. The Analog Delay is chef’s kiss!
I’ve really come to enjoy the PreSonus PX-1 mic, which I use for on-location recording quite a bit. With the right “in-the-box” vocal chain, I can make it sound bright and crispy and much pricier than it actually is!
It’s been a really hectic year for me! At the top of 2021, I set the intention of not holding back in any area of my life or career and for the rest of the year it translated into me pursuing several things all at once. I ended up organizing and hosting an online music convention, called the Modern Music Expo, which you can watch a replay of here:
I also released an EP called 2000’s Teen, which is my first body of work as an artist! And, seeing as my main job is writing and producing music for other artists with mg production team LYRE, I also did a ton of that, my favorite being “Mafia in the Morning” by ITZY, which came out this spring.
I’m already working on my next release: filming a music video and planning the drop. Writing and producing for various projects and making production tutorials for YouTube and TikTok. But mostly, I’m just trying to relax and enjoy fall, which is my favorite time of the year. It’s so important for artists to replenish their batteries, so that’s what I’m doing!
Whether you’re starting your first podcast, telling your YouTube subscribers about the latest trends, or running a program for your local volunteer radio station from your living room, you need a microphone that will bring your voice to your listener with clarity and warmth. The PD-70 is built to capture the spoken word cleanly and clearly while eliminating mechanical noise and breathiness that can get between you and your audience. Thanks to superior off-axis rejection, you can set up your broadcast studio in just about any space—and unwanted reverberance, electrical hum, and the random car driving by will be left behind, leaving only the pristine, natural sound of your voice.
You also get Studio One Prime and the Studio Magic software suite—over $1000 worth of software!
Here’s a great review of the PD-70 from ThePodcastHost.com: “…a beautiful mic with great frequency response and sensitivity, capturing the chest tones and that broadcast sound with low noise and terrific clarity.”
The PD-70 has fast become PreSonus employees’ go-to mic to record vocals for our River City Sessions. Check it out in action on a male rock vocal with The Hitchhiker:
USA and Canadian customers can get their $30 off instantly at participating dealers.
European customers need to use the rebate form linked below. Qualifying territories include: Germany, UK, Netherlands, Belgium, Luxembourg, Austria, Ireland, Hungary, France, Spain, Portugal, Latvia, Lithuania, and Estonia.
Audio Visual Comm.
Reynolds of Raphoe
Tell us a bit more about “LA/NY”
“LA/NY” is a new song off my latest album, Outlier. It is a bit of a different direction for me, because I wanted to put forth a killer pop tune that also shined a light on my love of a fuzzy guitar solo.
Outlier is an album built on exquisite tension: like an endless push-and-pull between desire and resistance, determination and self-sabotage, the instinctive need to belong and the urge to strike out on your own. My songs were produced by Michael Shuman (Queens of the Stone Age and Mini Mansions) and it’s an album full of guitar-drenched sounds that’s wildly unpredictable and immediately magnetic.
What amp/pedals did you use for “LA/NY”?
It was all done within Studio One, using the PreSonus Ampire plug-in. Specifically, I used the Wild Drive, Demolition Drive, Equalizer and Delay pedals running into the Blackface Twin model amp paired with a 2×12 American Cabinet.
(NOTE: if you’re a PreSonus Sphere Member, you can download her exact Ampire Preset here)
How did you first discover PreSonus?
I first discovered PreSonus while working at a music shop in Austin, TX. They sold audio recording equipment from all different brands, but I noticed that PreSonus had the most intuitive software (Studio One Artist) included, as well as the best price point.
What was your first PreSonus product?
It was the Studio 1810c audio interface, but I have since upgraded to a Studio 1824c. I’ve got the FaderPort to the right of my computer keyboard. I also now have their Revelator io24 that you see me using in the video above, of course!
How long have you used Studio One?
About three years now.
What are your Top three favorite features about Studio One?
My favorite aspect of Studio One is how easy it is to use. The drag & drop aspect helps me work really quickly and efficiently. I also really love using Impact for drum sounds, Presence for sample-based instrument sounds, the Mai Tai polyphonic synthesizer, and Ampire for pedal FX and amp modeling.