Hometown homemakin’ homewreckers Your Mom formed in 2016 via the local Baton Rouge Adult Music Club. And while they are quite likely to show up with a fistful of guitars and a batch of homemade cookies in return for being booked at your venue, you’d best show some appreciation—because they’re equally as likely to steal your husband if you don’t.
Your Mom performs an arrestingly brash casserole of high-strung punk ‘n’ roll stomp that sits squarely at the intersection of The Kinks, The Sonics, and the scrapbooking aisle of Hobby Lobby. Make no mistake: Your Mom are appreciative, supportive sweethearts to the core—during the day. But when the sun goes down and the stage lights go up, Your Mom are rock’n’roll werewolves in pearl necklaces, howling requiems of tupperware warranties and matriarchal authorities. And you better listen up, buster.
We booked Your Mom to record a River City Session here at PreSonus HQ on a Sunday morning, because it turned out that not one of them had a commitment to show up at a church. They arrived with guitars and donuts, this time—and nailed two songs, live, in four takes. And then they started excitedly talking about margaritas, loaded out, gave us all hugs and thank-you’s, and rode off into the early afternoon—leaving us with only their killer tracks, four signed artist release forms, and tinnitus. Rock delivered, mission accomplished.
Check out their performance of “Dessert” below. And then call your mom.
Your Mom is:
In celebration of our 25th anniversary, PreSonus announced the new River City Sessions performance series earlier this year. The online series features regional artists in the Greater Baton Rouge area performing in PreSonus’ world-class, Walters-Storyk Design Group-designed River City Studio at PreSonus HQ in Baton Rouge, Louisiana. COVID-19 restrictions forced us to close the studio to individuals who are not PreSonus employees, so we decided to take these sessions outside! Our latest session (#11 for those keeping track…) features local rocker Luis Manuel and his band The Hitchhiker performing “Glad it’s Not Her, Glad it’s Not You.” Get to know Luis and watch the session below.
Give us some background on yourself. How long have you been making music?
I’ve been making music for the better part of the last 12-13 years. I learned how to play guitar by ear listening to bands like GNR, Thin Lizzy, The Darkness, ELO. Eventually, I started doing my own acoustic shows, did a few tours around the US with several bands, and then morphed into the Hitchhiker.
How has the music industry changed since your early days?
I’m sad to say it’s changed a lot! It seems like nobody cares about music as much as they care about how to run clout and pander with it. Maybe I’m just old? Could be, but The Hitchhiker boys can still rip after working 40 hours a week and slamming Jäger bombs.
Describe the first time you wrote a song? Produced it?
The first time was probably back in 2008 with my friend Josie. He really got me pumped about doing my own music. The guy is a musical wizard. The song was likely about my second breakup. Pre and post-production is the most fun part for me. I usually take charge, but the dudes always come up with awesome ideas that we always end up using. I usually write the music and the melody first, always based on mood. Then I bring parts of the rhythm section to Mark. He turns it into a juggernaut. Afterward, we collectively go from there, adding layers of cool. Big rocker guys. Great players. Great friends. Love them to death.
Who has been an influence in your life?
I have 3-4 spiritual leaders besides my dad. Oh, and Thin LIZZY.
Have you ever wanted to give up on music? What keeps you going?
Yes. Sometimes it’s writer’s block, sometimes it loses the “fun factor” when your band members have a lot of other important things go around. It can be demoralizing, but we’re big boys now! Gotta pay the bills! What keeps me going is that I can’t stop picking up that damn strat I just bought!
What do you like about PreSonus? What caught your eye?
All PreSonus products are very user-friendly, affordable, up to date and durable. Can’t beat that. The staff is phenomenal, all-around great people. They’ve always considered me even though I can’t sing very well and I’m forever grateful to them for that.
How has COVID-19 impacted your music?
It’s taken money out of my pocket because of lockdowns. I miss live shows, performing, and just enjoying the show! I think everyone can agree about that!
What are your plans for 2021?
Write and certainly release more music with the band. Work my tail off all across the board, be a better man, and love America even more.
Last November our friends Molly and Denton got hitched! A few days before their wedding, they stopped by River City Studios to record another River City Session. They recorded an original song titled “Bartending” written by Molly Taylor. Thank you, Molly and Denton for taking the time out of your busy week to join us and share your song. Read more about Molly and Denton’s track below and learn how audio engineer Wesley DeVore, recorded the song.
Give us some background on yourself. How long have you guys been making music?
We have been writing and performing our own music separately for over 15 years now. We started performing together about 2 years ago and we got hitched last November!
“Bartending!” Such a great jam! Can you tell us when you wrote it? What’s the inspiration?
Molly wrote the song because she worked as a bartender for 10 years! If you ever stopped by a bar in Baton Rouge, chances are Molly’s served you!
Does writing a melody come naturally to you?
Writing music is something that comes naturally to Denton and I. We are both individual songwriters with different ways of writing a song. It’s interesting and fun to connect and work with a partner to create a song that you both feel great about.
Do you prefer performing your own music or covers? What’s the difference?
We definitely love performing our own music but we love doing a good cover of a great oldie as well!
How has the Coronavirus affected your craft?
Due to restrictions in place because of Covid-19, we’ve had to cancel over 30 shows for us so far so it has affected us big time. We are ready to hit the road and start performing again!
Wanna know more about how their session was recorded? Hear from the audio engineer, Wesley who captured all the magic here:
In celebration of our 25th anniversary, last month we announced our new YouTube series the River City Sessions. The River City Sessions give us a chance to support the kind of musicians that help build our company and share their work with a global audience. This month features Donald Gelpi aka. The Big Burly Man, performing his song “Holy Ghost.”
You may be curious about where the name “The Big Burly Man” came from (so were we) so we took some time to get to know the man behind the beard and more about his songwriting and this haunting song.
Tell us about yourself. How long have you been making music? Who are some of your inspirations? Who did you grow up listening to?
About 18 years now. My inspirations span all over the place. From Fats Domino, Nick Drake, Van Morrison, Louis Armstrong, Elvis, Bob Dylan, Roy Orbison, The Beatles, Bob Marley, and Led Zeppelin to newer artists like Damien Rice, Gregory Alan Isakov, Ray LaMontagne, Iron and Wine, The Tallest Man On Earth, The Lumineers, Jose Gonzalez, Ben Howard, and many, many more.
Besides my rap and alternative rock stage, I really had my first musical shock listening to Led Zeppelin around 16. I was really into them, and still, love them today. I had also gotten into other classic greats like Jimi Hendrix, which got me into, Bob Dylan from loving “All Along the Watchtower.” That kind of started the whole folk-singer songwriter thing for me.
Where did The Big Burly Man come from? It’s a great name!
Thank you! Some years back I had written a song called “The Big Burly Man.” It was about me, and at the time it was kind of a hidden moniker. It had been on my mind to possibly start performing under it for a couple years. Some of my favorite artists go under stage monikers, and it was a lot more common for artists to do it back in the day. A lot of those old blues players did it too. It’s almost like being a character, as a part of this whole creative idea. I don’t know, it just seemed fun and cool.
Tell us about the song you performed for the River City Session. When did you write it? What’s the inspiration?
I wrote it towards the end of October of 2019. It’s got this haunting sound to it, and it was around Halloween, so naturally, I was thinking about ghosts and things like that. I’ve gotten a lot closer to God over this past year, and I thought how great would it be to have this haunting sounding song referring to the most epic ghost or spirit of all. Holy Ghost, I thought. I love it.
What’s the best song you’ve ever written? Why is it the best?
It’s difficult to say. “Holy Ghost” is up there. Another song that I would naturally think of first is “C’est La Vie.” It’s a very upbeat and catchy song soaked in heartfelt lyrics and truth. It’s a local fan favorite too.
Tell us about a successful show or event you were a part of.
It wasn’t without mishaps, but this past October. I had the honor of putting together my very own music festival. It was called “Baton Magique.” It was an Indie Folk Festival at Tin Roof Brewery. It was a lot of work, but we had a pretty great turnout for its first time around, and I received a lot of fantastic feedback from folks which made it all worth it for me. I was also very fortunate to have a few local musicians who were involved pitch their ideas and help with the process. It’s a beautiful thing.
Who is your dream collaboration?
Just one? Ha! It would have to be Bob Dylan, Van Morrison, Damien Rice, or Gregory Alan Isakov. There are many others, but you don’t have all day.
What do you enjoy most about making music? What do you hate most?
The magic of it all! It truly seems that way. When I write a new song, it’s like getting a new toy or something. I just can’t put it down. It feels like Christmas morning. It’s an absolutely thrilling experience! God is the creator. He loves to create. It’s not too far fetched to imagine why we love to create different things too. Mine just so happens to be simple folk songs.
I wouldn’t say I hate it, but the only part that feels like work is promoting my music, and trying to get folks to come out to a show. There’s also always a lot of “it’s who you know gets the good show” going on behind the scenes. I know that happens everywhere though, but it’s tough sometimes. That’s why I’m super grateful y’all chose me. Y’all didn’t know me, or owe me any favors. Thank you!
If you could change anything about the music industry, what would that be?
I’m not sure I’d change too much. It is what it is. And the way it is is due to many factors and reasons. I’m thankful just to do my small part as big as I can do it.
What advice do you have to anyone getting into the music scene?
Create the kind of music that inspires you! If you feel that lantern being lit and burning from the inside, you’re doing it right.