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Category Archives: Studio One


El productor Abraham Martínez gana el Grammy Latino por La Carta Perfecta de Danilo Montero – En Vivo usando Studio One

Abraham Martinez

Abraham Martinez

La Carta Perfecta – En Vivo fue una gran grabación realizada para Danilo Montero en 2014—tan grande, de hecho, que ganó un premio Grammy Latino al Mejor Álbum Cristiano. El álbum en vivo fue mezclado por Abraham Martínez en Studio One Professional 2. (En la foto debajo)

Martínez es ingeniero de audio FOH de tiempo completo trabajando para Marcos Witt, un muy reconocido líder de adoración y músico cristiano en Latino América. Cuando no trabaja con Witt, Martínez pasa su tiempo libre apilando premios Grammy Latinos. El ha obtenido tres galardones en solamente cuatro años:

  • 2011 Mejor Álbum Cristiano (En Español) Lenguaje De Amor Alex Campos [CanZion / MV Records]
  • 2012 Mejor Álbum Cristiano (En Español) 25 Concierto Conmemorativo Marcos Witt
  • 2014 Mejor Álbum Cristiano (En Español) La Carta Perfecta – En Vivo

Hemos tenido la chance de intercambiar algunos e-mails con Abraham para obtener algunos detalles adicionales. Como Abraham ha estado usando Studio One—y otros productos PreSonus—por algunos años hasta la actualidad, este es su primer Grammy Latino obtenido como galardón por un proyecto mezclado en Studio One. Abraham llegó a Studio One de la misma forma que muchos usuarios—a través del hardware PreSonus.

“Antes, cuando grababa más, usaba un preamplificador M80 y un ACP88”, dice Martínez. “Más recientemente he usado un ADL 600 para la grabación de pistas de voz y bajo. También uso una consola digital de mezclas StudioLive por su calidad de sonido y facilidad de uso para el trabajo en nuestra iglesia. Tengo siempre asociado a PreSonus con valor, pero nunca los había considerado como desarrolladores serios de una aplicación DAW hasta que probé Studio One!”

“Ahora uso Studio One exclusivamente para todas mis mezclas en mi estudio de mezclas personal AMmix”. Martínez continúa, “También lo usamos en nuestra iglesia para grabar y mezclar nuestras obras. Lo que me atrajo principalmente hacia Studio One es que el flujo de trabajo es muy intuitivo. Se sintió natural de inmediato, sobre todo para la mezcla. Recuerdo que tuve que volver a mi viejo DAW para terminar un proyecto antiguo y lo comencé a odiar ya que se sentía primitivo en comparación. Lo que me mantuvo trabajando en Studio One, sin embargo, fue su calidad de audio y sus características profesionales. Eso es algo a lo que yo no estaba dispuesto a renunciar”.

“Studio One no defrauda”, afirma Martínez. “Las funciones de edición de percusión y de cuantización son las mejores por lejos. Me encanta que nunca hay problemas con clics y pops y todo permanece perfectamente en fase. La calidad del sonido y facilidad de uso son las fortalezas de Studio One”.

Martínez habla desde la experiencia cuando compara Studio One con otros DAWs y flujos de trabajo.

“Encontré mi flujo de trabajo mucho más rápido y fluido en Studio One, a diferencia de Nuendo, con el que he trabajado anteriormente por muchos años. Hace poco hice una comparación trabajando completamente ‘en la caja’ (Computadora) con Studio One contra mi sistema híbrido hardware/software —y honestamente puedo decir que las diferencias fueron mínimas. Ahora me siento completamente cómodo trabajando ‘en la caja’ cuando tengo que hacerlo!”

“No puedo esperar ver que tiene Studio One en las tiendas para nosotros en la versión 3”

Mire el video “Dios es Amor” de Danilo Montero a continuación:

Studio One Producer Abraham Martinez Wins Latin Grammy for Danilo Montero’s La Carta Perfecta – En Vivo

Abraham Martinez

Abraham Martinez in his studio

La Carta Perfecta – En Vivo was a big record for Danilo Montero in 2014—so big, in fact, that it won a Latin Grammy for Best Christian Album. The live album was mixed by Abraham Martinez, pictured above, in Studio One Professional 2.

Martinez is a full time FOH audio engineer for Marcos Witt, a well known worship leader and music artist in Latin America. When not working with Witt, Martinez spends his spare time rackin’ up Latin Grammys. He’s collected three in only four years:

  • 2011 Best Christian Album (Spanish Language) Lenguaje De Amor Alex Campos [CanZion / MV Records]
  • 2012 Best Christian Album (Spanish Language) 25 Concierto Conmemorativo Marcos Witt
  • 2014 Best Christian Album (Spanish Language) La Carta Perfecta – En Vivo

We had the chance for an e-mail exchange with Abraham to get some additional details. While Abraham has been using Studio One—and other PreSonus gear—for a couple of years now, this is his first Latin Grammy award for a project mixed in Studio One. Abraham came into the Studio One fold the same way many users do—via PreSonus hardware.

“Back when I recorded more, I used an an M80 preamp and ACP88,” says Martinez. “More recently I’ve used an ADL 600 for tracking vocals and bass. I also use a StudioLive mixer for its audio quality and ease of use for work on our church campus. I have always associated PreSonus with value, but had never considered them a serious DAW developer until I tried Studio One!

“Now I use Studio One for exclusively for all of my mixes in my personal mixing studio, AMmix,” Martinez continues. “We also use it at our church to to record and mix our plays. The main thing that drew me toward Studio One was it’s incredibly intuitive workflow. It felt natural immediately, especially for mixing. I remember having to go back to my old DAW to finish an older project and hating it as it felt primitive in comparison. What kept me working in Studio One however, was its audio quality and professional features. That is something I just wasn’t willing to give up.

“Studio One doesn’t disappoint,” Martinez asserts. “The drum editing and quantization features are the best by far. I love that there are never problems with clicks and pops and everything stays perfectly in phase. Audio quality and ease of use are Studio One’s strengths.

Martinez speaks from experience when comparing Studio One to other DAWs and workflows.

“I found my workflow to be much faster and fluid in Studio One, as apposed to Nuendo, which I worked on before for many years. I recently did a comparison of working completely ‘in the box’ with Studio One against my hybrid hardware/software setup—and I can honestly say that the differences were minimal. I now feel completely comfortable working completely in the box when I have to!”

“I can’t wait to see what Studio One has in store for us in version 3,” he muses.

Watch the video for Danilo Montero’s “Dios de Amor” below:

Hurry, LAST CHANCE to Save Big on Progression 3 and Studio One Artist!

Last-Chance_web

Hurry, this great offer ends February 28! Click here to get Studio One Artist and/or Progression 3 for just $20.15 (USD) each! If you’re not in the USA, that’s OK—monster discounts are available globally. Get your song on for less money than you even thought was possible!

 

Studio One Tape Stop Effect

Once in a while we get a request for a tape stop effect in Studio One. Fact is, you can do this by automating the pitch control in SampleOne to achieve the exact same effect! Alex from Wiz Produxions put together this excellent demo showing how its done. Thanks Alex!

.@Groove3 on Drum Sequencing and Programming in Studio One

Groove 3.​ continues the greatness with this, part two of their new series of Studio One production tips!

In this, the second episode of the series, the guys share their secrets on getting human-sounding drum sequences using an electronic drum kit to trigger Superior Drummer and Steven Slate Drums.

Check out more great tutorials at http://www.groove3.com!

PreSonus Tips and Tricks from @Groove3: Episode 1

Groove3 has a great new series brewing chock full of Studio One production tips.

In this, the first episode of the series, Scott from Groove3 takes a moment to list off what we’ll be learning before discussing how he has the session set up, and taking a full listen to the song that we’ll be working within coming episodes of the series.

 

Notes for Notes: Producing Tomorrow’s Musicians

Notes for Notes is a non-profit organization which builds, equips, and staffs after-school recording studios (inside Boys & Girls Clubs) packed with guitars, drums, keys/synths, DJ gear, digital music stations and full recording studios offering youth completely FREE access to explore, create, and record music. They currently manage studios at Boys & Girls Clubs in Santa Barbara, Nashville, and Los Angeles—with more coming soon to Brooklyn, San Francisco, Detroit, Austin, and Atlanta thanks to the CMA Foundation. Notes for Notes has a policy of letting young artist own their art—they don’t censor lyrics or promote themselves as an anti-gang/drug program… it’s all about music and the positive bonds that form as a result. Notes for Notes’ curriculum extends beyond music creation and into education on the multitude of careers around the industry.

Here’s a quick video on what Notes for Notes is all about.

Notes for Notes is currently employing the following PreSonus gear in their studios:

If you’re interested in learning more and/or getting yourself or some young ones involved, contact Notes for Notes at their website by clicking here.

Andrew Hulshult Reinvents Classic Game Tunes with Studio One

Hulshult[This just in from Andrew Hulshult, game audio wunderkind and Studio One devotee. He was recently tasked with recording new, “Re-Rockestrated” versions of classic game soundtracks for the companion soundtrack to the new 3D Realms Anthology, a collection of 32 their classic titles. It was a monster task with a tight deadline, but both Andrew and Studio One were up to the task.]

Hey, PreSonus!

Studio One was a huge help on my work recently with 3D Realms’ new 3D Realms Anthology Soundtrack. The soundtrack includes nine songs from eight games, and it needed to be finished with a tight deadline—tracking, mixing, and mastering all in two months! To make matters more stressful, they were all extremely fast-paced old school MIDI tunes from the 3D Realms back-catalog from legendary old-school composers like Bobby Prince, Lee Jackson, and Mark Klem, just to name a few.

Studio One quickly proved to me that it is still an absolute force to be reckoned with. At one point I had close to 25 fully-loaded instances of Kontakt open, with mastering tools active, while mixing and tracking. I never had a crash or heard a CPU clip—not even once. I don’t know who your programmers are, but I owe them a beer for sure. [Editor’s note: it’s these guys.] After many late nights of tracking and mixing, I was able to deliver a product I was proud of, and help bring a legendary gaming company I grew up with back to life. Studio One is quite literally helping my dreams come true.

Studio One came to kick ass and chew bubble gum… and it’s all out of gum.

The 3D Realms Anthology is a download-only 32-game collection – that’s the entire 3D Realms library (excluding Max Payne and Prey) brought together by a brand-new, custom-made Anthology launcher built to run on Windows.

You can buy the game compilation (download-only) here.

You can buy the soundtrack here.

Here’s a trailer for the soundtrack:

and here’s a trailer for 3D Realms Anthology itself:

3D Realms Anthology includes the following games:

  • Arctic Adventure
  • Bio Menace
  • Blake Stone: Aliens of Gold
  • Commander Keen: Goodbye Galaxy
  • Commander Keen: Invasion of the Vorticons
  • Math Rescue
  • Monster Bash
  • Mystic Towers
  • Paganitzu
  • Monuments of Mars
  • Cosmo’s Cosmic Adventure
  • Crystal Caves
  • Death Rally
  • Alien Carnage
  • Hocus Pocus
  • Major Stryker
  • Blake Stone: Planet Strike
  • Realms of Chaos
  • Pharaoh’s Tomb
  • Word Rescue
  • Secret Agent
  • Raptor: Call of the Shadows
  • Terminal Velocity
  • Wacky Wheels
  • Stargunner
  • Shadow Warrior
  • Wolfenstein 3D
  • Rise of the Triad: Dark War
  • Duke Nukem
  • Duke Nukem 2
  • Duke Nukem 3D
  • Duke Nukem: Manhattan Project

Studio One Free

Studio-One-Free-300x300_thumbnailWe talk about Studio One a lot around here. Most users know that Studio One is available in three flavors; Artist, Producer, and Professional. But we would be remiss to overlook the Studio One fam’s spunky kid brother, Studio One Free.

Unlike the 30-day demo of Studio One Professional (also free, bee tee dubs) Studio One Free never times out, and offers more than enough for the entry-level producer/recordist to get some great songs created. Unlike a lot of other Free DAWs out there, you get unlimited audio and MIDI tracks to mess with, so the sky is pretty much the limit from the get-go. Studio One Free is non-denominational, and runs on both Mac and Windows.

We want to make music-making easy, and we understand that sometimes the world of high-tech audio wrangling can get pretty complex pretty fast, especially for beginners. As such, we feel there’s no need to charge you for features you aren’t ready to use. Any version of Studio One can be upgraded at any time to any higher version—so you’re welcome and encouraged to get what works for you now, and pay-as-you-go as your production needs mature.

Click here for a feature-by-feature breakdown of what’s offered in Studio One’s various editions. But in the meantime, here’s the core offering of Studio One Free:

  • Elegant single-window work environment
  • Content browser with powerful drag-and-drop functionality
  • Unlimited audio tracks, MIDI tracks, buses, and FX channels
  • Most intuitive MIDI-mapping system available
  • Eight high-quality PreSonus Native Effects™ plug-ins and Presence virtual instrument plug-in
  • Compatible with ASIO-, Windows Audio-, and Core Audio-compliant audio interfaces
  • Real-time time stretching and tempo following for audio loops and samples
  • Get started quickly by using the Pro Tools, Logic, or Cubase keyboard shortcuts you already know

To get Studio One Free, click here.

How to use ReWire to Connect Notion to Studio One

tech_rewireDid you know? Studio One and Notion can run simultaneously, giving you the combined magic of both? This is true in no small part to Propellerhead’s ReWire. Here’s how to set it all up! Wait, slow down. First, let’s address what the heck ReWire is, and why you would want to take advantage of it.

ReWire is an industry-standard bit of software that serves as a communications platform between two DAWs. Having a couple DAWs (in this case, Studio One and Notion) allows them to stream up to 256 audio channels to one another. Furthermore, ReWire sees to it that both DAWs operate in precise synchronization, and provides shared transport functions between them. In other words, you only need to use a single set of play/stop/FFWD commands to control both DAWs simultaneously. ReWire has been getting DAWs to hold hands and play nicely together since 1998.

But why? A buncha reasons, including but not limited to:

  • You can add Notion’s expressive samples to your Studio One compositions. Notion’s sound sets include playing techniques well beyond simple “vanilla” samples that vary on a per-instrument basis, that include techniques like pizzicato, natural and artificial harmonics, trills, stacatto, and much more. (The fact that many were recorded by the London Symphony Orchestra doesn’t hurt.)
  • If you’re a producer/recordist who doesn’t know a lot about traditional music notation, integrating Notion into your Studio One workflow is an excellent way to start learning, hands-on.
  • You will get to explore some potentially fascinating sonic territory blending traditional classical instrumentation with whatever dubstep or post-hardcore project you’re up to in Studio One.
  • You can start a composition using Notion for iPad anywhere your inspiration strikes, open it in Notion for desktop, then rewire to Studio One to finish your tracks. 

 

Notion1If you’re wondering “How do I get ReWire?” You’re going to like this answer. If you’ve already got Studio One (Producer or Professional editions) and Notion, then you’ve already got ReWire. Here’s how to get rolling with ReWire in Studio One and Notion.

  1. First, make sure that both Studio One and Notion are running in the same bit mode. They can both be in 32, and they can both be in 64, but they can’t each be in one or the other. Notion it will show you what bit mode you are running at the bottom of the About screen—choose Help >> About from the drop-down menu. In Studio One, this information is found at the bottom of the Home Screen. You can change what mode they start in through the following steps:Open Notion. In the Preferences >> Audio menu, check the “Enable ReWire” tickbox. You’ll only need to do this once.Close Notion.
    • Mac: right click the application’s icon and choose Get Info. Next, check/uncheck the box to run as a 32-bit application.
    • Windows: Run the installer for either Studio One / Notion again, and choose which version to install. You can install both 32-bit and 64-bit of the same application on the same computer if  you wish.
  2. Launch Studio One.
  3. In Studio One’s browser, select “Instruments.” You’ll notice a listing for Notion alongside a familiar yellow logo (see upper right of this blog post)
  4. Drag an instance of Notion onto the Edit Window.Screen Shot 2014-09-26 at 11.25.04 AM
  5. In the dialogue that appears, click “Open Application.”
  6. That’s it! You’re good to go.

 

A couple notes: (See what I did there?) Unlike other notation software, you can output up to 32 pairs of audio from Notion. This means you can have full control over the whole mix right inside of Studio One. One example would be to use Notion busses to separate brass, strings and percussion, and then create separate channels for them inside Studio One. 

While it’s pretty simple to get ReWire set up, we understand that computers are temperamental beasts from time to time. So if you run into a couple of bumps in the road through this process, check out our knowledgebase article on troubleshooting your ReWire setup.

 

The end result? Here’s Studio One and Notion, playing nicely together: