[This just in from Paul Fattahi, Executive Director, International Music Software Trade Association. ]
Dear IMSTA Members and Friends,
As you may know, every year IMSTA conducts the “Let’s Talk Piracy” Survey in order to obtain a better understanding of the motivators behind software piracy. We then analyze the data and provide our findings, along with any observed trends to our members. It would be much appreciated if you could send this to your marketing, web, and social media teams and to ask them to promote the survey as much as possible. With your help, we could receive plenty of responses and have the results analyzed and prepared for our meeting at NAMM.
As software is of incalculable importance not just to PreSonus, but also our entire industry, Please click here to take the survey. It won’t take but a minute.
Also, feel welcome and encouraged to share your thoughts on software piracy in the comments section below. That will take as little or as much time as you like.
Kimberly Thompson is a world-class musician, producer, engineer, composer, and educator whose work has included gigs with Kenny Barron, Jay-Z, Kanye West, George Michael, Alicia Keys, and Beyonce. She’s recently moved from another well-known DAW to Studio One, and says she’ll never go back.
“Everything with Studio One is crystal clear,” says Thompson. “I’m able to hear all those ghost notes, those staccato notes, all that stuff that often gets lost in the mix. It’s an amazing program—it picks up the nuances of the sticks, the depth of the snare, and the classiness of the traditional brush strokes in jazz. It nurtures my sound while I’m recording live. I don’t feel the temptation to over-use EQ anymore—in many cases I don’t use it at all.”
Studio One’s intuitive workflow also scores high marks. “It’s a really easy program to work with, whether you’re approaching it as a producer, an engineer, a musician, or all of the above,” she observes. “Studio One enables me to keep working and be more productive.”
[This just in from MI7, our distributors in Japan!]
We exhibited at Inter BEE 2012. Recognized as a professional show for audio, video and communications, Inter BEE has established itself as an international exhibition showcasing top-level domestic and overseas broadcast, video, audio and lighting equipment as well as peripheral applications and solutions all under one roof.
We displayed two sections for music production solutions: medium-format live solution and small-format live solution. StudioLive and Studio One was most popular! The visitors enjoyed the sound and hands-on experience. We obtained approximately 700 leads! I attached some photo for your reference. Thank you for your support.
The boys at Winksound do great, great work, and we’re fortunate to have partnered with them. Here’s some of their latest, including Studio One feature breakdowns as well as some tremendous interview footage from PreSonuSphere 2012. Thanks, guys!
PreSonus Studio One 2.5 New Updates:
PreSonus Studio One 2: How To Use Event Effects:
PreSonus Studio One 2: How To Customize And Export Key Commands
We’re proud to announce the Softube Saturation Knob extension, a new, free plug-in to all PreSonus Studio One Professional and Producer users! Why take the time and expense to hit your tracks to some old unreliable magnetic tape machine when you can just turn a li’l virtual knob for the same effect?”
Simon Scardanelli of Dr. Scardo has been a DAW enthusiast since the clunky days of the Commodore 64. He recently changed horses mid-stream, dumping his Logic session and bringing all the tracks into Studio One Professional 2, which he has taken on as his main DAW. Here he discusses the resultant improvements to his workflow and productivity.
Flattering that a man of such long-running DAW experience would settle on PreSonus Studio One Professional 2. Give him a listen!
Native Instruments can seemingly do no wrong when it comes to compelling and original VSTs. One of their more recent endeavors is THE MOUTH, and enterprising YouTube accountholder void101a has posted a video detailing how to get THE MOUTH to talk the talk in Studio One 2.
Well, I say “detailing,” but at two minutes there’s technically not a lot of time detail… which is good. When it comes to workflow, we try to keep it simple. This isn’t the case so much with our attitude toward convolution reverbs, but I digress.
Here’s how to use your mouth.
PreSonus Artist Dr. Scardo just wrapped the video for their new single, “END OF THE WORLD!” This track was recorded, mixed, and mastered entirely in Studio One. We hope it’s not really The End of The World, despite Mayan prophecy, because we’d like to see and hear more Studio One productions. And also because apocalypses are a total bummer.