steadyb checks out all the diverse delay options in Studio One, including Groove Delay, Analog Delay, and Beat Delay. You won’t believe some of the sounds you can get out of these effects!

http://studioone.presonus.com/portfolio/beat-delay/
http://studioone.presonus.com/portfolio/analog-delay/
http://studioone.presonus.com/portfolio/groove-delay/

Rhett Mouton: Producer, engineer, writer/composer.

Years ago I was asked by a young band to go to their rehearsal studio to help them record a song. That rehearsal studio turned out to be in Jim Odom’s back yard.

I use the Central Station for monitoring, ADL 600 for obvious reasons, StudioLive 24.4.2 for live sound and multitracking, Studio One 2 Professional for writing, composing, producing, mixing and mastering.

They always seem to be thinking a step ahead of the curve when developing new products.

I produced, mixed, and mastered a band called Meriwether’s debut album titled, “Make Your Move” which resulted in a distribution deal and record deal with Suretone/Interscope records.

I am currently mixing and mastering projects for clients. I am also composing/writing original music with the intention of licensing for placement in film, television and video games.

rmmaudio.com

Facebook.com/rmmaudio

Facebook.com/rhettmouton

Good old Graham. We can always count on this guy to create some of the best audio tutorials available online. This time around, he’s created a pair of videos focusing on mastering in Studio One using stock plug-ins, including Studio One’s Compressor and ProEQ. Watch and learn!

Compression:

ProEQ:

Voting is open for the “Why I Switched” video contest! Pick your favorite, the winner gets a StudioLive 16.0.2 and Studio One Professional.

Click the link below and then scroll down to check out the submissions. If you entered the contest, thank you. We got a ton of really incredible submissions. Please share this link with your friends and start watching your votes roll in!

https://www.facebook.com/PreSonus/app_214224245382377

Check out these incredibly thorough videos from Vision Studios’ David Vignola and Home Studio Trainer’s Johnny Geib!

These guys have teamed up to create an exhaustive video series illustrating the differences and similarities between mixing with Studio One‘s native plugins as compared to mixing via third-party plug-ins. Many users have asked questions about which approach is superior, including “Is it even necessary to purchase third-party plug-ins, given the quality of native plugins available?”

To answer this question, these guys took two different approaches to mixing the same exact song, (Jordy Searcy‘s “Fences”) both using Studio One. David is using third-party plug-ins, and Johnny is using Studio One’s native plugins. David’s series is a synopsis of his approach after the actual mixing was completed, while Johnny’s series shows us a step-by-step walk-through of his entire mixing process. You will see and hear their different styles, methods and approach to this song. Enjoy and share your thoughts in the comments!

David’s videos: Mixing using third-party plug-ins only:

Part 1:

Part 2:

Part 3:

Johnny’s videos: Mixing using native Studio One plug-ins only:

Part 1:

Part 2:

Part 3:

Part 4:

Part 5:

Part 6:

Part 7:

[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do?

My name is Spud Too Tight based out of Minneapolis, MN, I’m a producer/keyboardist and host of The Producer’s Corner with Spud Too Tight—A celebrity-driven music production & tech talk show since 2009. It’s the new hot spot where Billboard chart-topping, award-winning, Grammy-award winning & platinum-selling icons sit down and discuss their craft. I’ve interviewed some of the biggest names in the business such as George Duke, Jeff Lorber, Larry Graham, Brian Culbertson, Gerald Albright, Fourplay, Marion Meadows, Gloria Loring, Mindi Abair, Joyce Cooling, DJ BattleCat, The Justice League, Cool & Dre, and a long list of others.

I am also the Inventor of V.S.C. (Virtual Studio Configuration) A new studio wiring configuration that allows musicians to stream audio directly from any DAW (PC or MAC) or analog setup over the Web in stereo without any feedback or audio looping issues. I use WebRTC chat services that provide real-time communication. As musicians, we can run into obstacles preventing us from making rehearsal or recording sessions that may require us to fly out of town. The traditional days of playing music over the Internet would consist of either using your internal microphone on your laptop or desktop, or using a USB microphone. It’s an instant turn-off to collaborate online effectively without good audio clarity. As musicians, we need to be able to hear what’s going on in the song. If we are going to collaborate online, we need to be able to hear the low end of the bass, some nice punch from the midrange and brightness from the high end of the mix. When your studio is configured with V.S.C., you will be able to stream and monitor music online directly through your studio. I also use various screen sharing and remote desktop control programs to give me more of an interactive experience working as a virtual musician.

How were you introduced to PreSonus?

I had the pleasure of chopping it up 1×1 with legendary music producer Teddy Riley. He introduced me to PreSonus and Studio One. Teddy Riley is my biggest influence as a keyboardist, producer and tech expert, so I was all ears when he started sharing with me what PreSonus had to offer! Our conversation got really HEAVY on production and engineering—and at that time, I was using another DAW for all of my work but I wasn’t truly happy or inspired to create. After my conversations with Teddy, I was eager to make a big change including switching from Mac to PC as well, which was a hard sell. So I purchased Studio One Pro and Teddy advised me for starters to first create some generic test tracks, tracking with my hardware and software MIDI instruments. He recommended to quantize them and listen to the timing of tracks on playback and compare it with my other DAW. The difference was night and day and worlds apart. I was immediately sold!

What PreSonus software/hardware do you use and for what purpose?

I use Studio One Professional for all of my tracking, recording, editing, and sound design projects. It is my main platform for all of my musical ideas. Studio One has changed the way I create as a composer. I feel more inspired as a musician than ever before. I have over 100+ plug-ins so the drag-and-drop functionality and the search bar in the browser for my VST’s and samples really helps me narrow the search down. The automatic time stretching feature and Melodyne integrated right in the DAW: priceless! I also use the PreSonus FaderPort to assist with my editing and recording tasks. I love having the layout and the feel of the FaderPort, excellent build quality, quick access to my Mix, Edit, and Browser windows, and adding a motorized fader was the icing on the cake! I also converted A.Rapheal, (film and music producer as well as my beta tester for V.S.C.)  from another DAW over to Studio One and he hasn’t looked back since.

What’s so great about PreSonus, anyhow?

I see nothing but passion behind the extraordinary PreSonus products. From interfaces, mic preamps and headphone distribution amplifiers, and now the new Eris & Sceptre studio monitors, finally we have the perfect tools for musicians and recording engineers created and built by some of the most prolific tech experts, musicians, and recording engineers. It’s always exciting to see new product releases and it’s so easy to recommend PreSonus to other musicians… a true one-stop shop. I look forward to their new lines in the future!

Where can our readers learn more about you online?

http://www.spudtootight.com   

https://twitter.com/spudtootight   

http://www.linkedin.com/in/spudtootight

[This just in from Steve Freeman, National Director of Camp Jam, far and away the rockinest summer camp that kids have ever known. A great guy, and a great organization that we are proud to have a hand in.]

These kids are growing up right, using Studio One and the StudioLive mixers to learn recording and mixing. The  StudioLive 16.4.2 is being used to mix and record performances from both the campers and visiting artists! Studio One Artist continues to be the DAW format for our recording/songwriting class.

The features and simplicity of StudioLive and Studio One have our camps running smoothly, and make a real difference in the sound of the recordings and performances. Campers are all being given a PreSonus code to download Studio One Artist.  We could not be happier with PreSonus and their efforts to support Camp Jam and music education!

THANKS TO ALL OF YOU. YOU ARE INCREDIBLE! These are pictures from Atlanta—we will send from other cities as we move through the summer. If you’re interested in Camp Jam, please contact us, summer classes are filling up fast!

—
Sincerely,
Steve Freeman
National Director
Camp Jam, LLC
(800) 513-0930

www.campjam.com

Free tutorial on using Melodyne with Studio One Professional

MacProVideo recently created a great free tutorial on using Melodyne as integrated into Studio One Professional 2, including free sample videos from their full Studio One course. If you’re interested in using the most powerful pitch correction software available—and what recordist isn’t—this is definitely worth a read. Experienced users of Melodyne may find some of this material to be a valuable refresher, as well.

Click here to check it out MacProVideo’s primer on Melodyne integration in Studio One.

Also, Studio One users of all levels will find value in the Studio One Producers and Engineers Toolbox from AskVideo. This 22-chapter series focuses on 102-level audio engineering topics like freezing tracks via Track Transform, submixing and busses, and more.

Click here to check out the Producers and Engineers Toolbox video series!

These just came to us from our fine dealers in Japan, MI7! Thanks, team!

The full story is linked below. It’s in Japanese, but Google Chrome has a great built-in translator.
http://www.mi7.co.jp/story/kei.suzuki.php
http://www.mi7.co.jp/story/kei.suzuki_page2.php

Check out this demo from Studio One hyperproducer Spud Too Tight! In this video, he’s using Studio One to demo a bold new technology called Virtual Studio Control, or VSC, which allows producers to collaborate online by streaming audio straight from their DAW.

From Spud: “V.S.C. creates a gateway that allows audio to be streamed directly from any DAW or analog setup over the web in real-time, instead of using a USB Microphone. Audio is available to stream in stereo depending on which VoIP (Voice over Internet Protocol) chat service you choose to use.”

For more info visit www.SpudTooTight.com!