On October 11, our own Software Specialist Gregor Beyerle attended WAVE AKADEMIE Berlin’s Dissertation Presentation of Audio Engineering and 3-D/Game Design to demonstrate the StudioLive 32SC mixer’s DAW mode in conjunction with Studio One. The StudioLive 32SC is the new centerpiece of WAVE AKADEMIE’s “Soundlab,” where a large variety of both hardware and software instruments are accessible to the students.
Students and lecturers alike were amazed by the hybrid workflow of the StudioLive 32SC, which excels at integrating tons of outboard gear (like drum machines and synths) with software instruments, especially when used with Studio One. The ability to assign any channel to send or receive via analog, USB, or network gives WAVE AKADEMIE the flexibility they need in their Soundlab.
The ability to multitrack record jam sessions onto an SD card was also received with great enthusiasm, as it enables the students to record songs directly into the mixer before getting them into Studio One for post production.
Check out photos and video from the event below, and visit Wave-akademie.de for more information on upcoming events!
Did you know? When you buy a qualifying StudioLive digital mixer, you get the Fat Channel Plug-in Collection Vol. 1 automatically added to your my.presonus.com account. The Fat Channel Plug-in Collection Vol. 1 adds 5 EQs and 6 compressor models to your mixer—and they can also be used in the Fat Channel XT Plug-in in Studio One!
This Plug-in collection would cost $499 USD if purchased independently. However, if you’ve purchased one of the mixers listed below after July 1, 2019, all you need to do is register your mixer and the Fat Channel Plug-in Collection Vol. 1 will appear in your my.presonus.com account, ready for download and installation.
Qualifying mixers include:
All Plug-ins are state-modeled to accurately produce the sound and response of the original hardware processors. The following plug-ins are included in this bundle:
This EQ offers the world’s most popular EQ curve. Using gently sweeping treble and bass EQ shelves, it allows you to make subtle, yet effective, changes over wide swaths of the frequency spectrum.
Comp 160 Compressor
With simple controls, yet capable of extreme compression traits, the Comp 160 provides VCA character with a personality all its own. Try it on drums—you’ll be glad you did!
Everest C100A Compressor
Based on a classic design focused on gentle, natural-sounding gain reduction, the Everest C100A helps control dynamics while still letting the signal breathe.
The smooth character of this compressor allows you to create transparent or extreme color changes to your audio, making it a workhorse for just about any application.
Vintage 3-band EQ
With its distinct filter shaping, sheen, and bite, this three-band active EQ includes both high and low shelving filters, providing enhanced tone-shaping possibilities.
Tube P1B Compressor
In general, the response time of optical compressors tends to soften the attack and release, which can smooth out uneven volume fluctuations. Emulating an all-tube, optical design, the Tube P1B compressor delivers musicality, preserving the clarity of the signal even at the most extreme settings.
Tube Midrange EQ
This midrange EQ is based on a passive, all-tube design for ultra-smooth and musical equalization, making it ideal for any midrange source material.
This model of an iconic compressor/limiter of the 1950s imparts an unmistakable silky warmth on just about any signal.
Capturing the unique sound of a twin VCA gain-reduction amplifier design, the Brit Comp is ideal for taming piano dynamics or adding punch to drums and percussion.
The 1960s-vintage EQ provides consistent, repeatable equalization using three overlapping bands, divided into seven fixed frequency points, each with five steps of boost or cut. Its selectable peaking or shelving filters for the high and low band, along with an independently insertable bandpass filter, provide an easy path to creating acoustically superior equalization.
Solar 69 EQ
The sound of classic British EQ is absolutely legendary and has enhanced many a great recording. Emulating this classic British design, the Solar 69 EQ adds definition to kick drums, shapes electric guitars, and adds shimmer to acoustic guitars and vocals without sacrificing body.
Randy Hanley is the founder and host of the Manly Hanley podcast. He’s been using Studio One and a StudioLive mixer to produce the show, and sent us a TON of info on his production method and why he’s chosen PreSonus. If you’re looking to get into Podcasting, this is a great read.
Give us some background on yourself. Who are you, what do you do, and how long have you been podcasting?
I started out as a drummer, professionally teaching at music stores for 12 years. Drums lead me to learn about computers and technology through my interest in recording. I received a certificate at the Recording Institute of Detroit, back when we were still using mini ADAT Recorders, just when a software that rhymes with “Mo’ Jewels” was becoming “the thing.” There was just something about Mo’ Jewels that I was never able to become comfortable with.
I heard of PreSonus, when a music store colleague of mine mentioned that he was going to buy the ACP 88 Compressor. I didn’t even know what it was at the time, but he explained it to me, how it offered all of this compression/multiple channels, at an extremely great value. That’s basically the very first time I heard of PreSonus.
I started a Podcast back in 2011 called “Getting Android,” but I never followed through with it. After I bought my PreSonus FireStudio Project rig for recording music, I realized that I have way more than enough power/setup to do a simple podcast, so why not give it a try? Well, I eventually got around to it, in 2019 and I’m glad I did. I’m more of a reborn podcaster, so technically, I’ve been doing it (consistently) since January.
What PreSonus products do you use?
I use Studio One 4.5 Artist and the StudioLive 16, Series III. I originally started with the FireStudio Project.
What features, in particular, make StudioLive and Studio One suitable for podcasters?
The Templates, ease-of-use, and the perfect integration between Studio One and basically ANY hardware interfaces.
For Podcasting, I’ve created my own template, which you can see below.
What I think really makes PreSonus Studio One accessible to Podcasters? It’s future-proof. For instance, many podcasters move into doing more with their podcast, and that often includes Video/Vlogging. With the Professional edition of Studio One, you have all you need to not have to jump between programs! It’s tiring to jump back and forth from Camtasia (because its audio features are terrible), just to grab the audio file from a DAW. Studio One has it all there in one place. I won’t have to worry about sync issues, or format confusion, because the recent format additions in Studio One 4.5 are amazing and all I’ll ever need.
I also have noticed that Studio One is easy on the CPU/RAM resources–which I think is very important to us Podcasters–My machine isn’t a video-rendering beast–I just use it to record audio and Studio One is extremely fast, even on my somewhat modest machine.
I never feel like I’m lost with the way I can label things. It’s easy enough for my co-host to sit a tablet on the StudioLive and remotely control the faders of the mixer if we need to fix levels. Additionally, the labels on the mixer can reflect what I’ve named them in Studio One. I feel like there is always a way for me to get the job done with PreSonus.
Before I purchased the StudioLive 16, I thought to myself that this might be total overkill to use for a podcast. But then I thought back to how many products I’ve wasted my money on over the years, such as cheaper USB microphones. All of the money I spent on those products easily cost more than just buying this mixer, which includes Studio One anyway. It was a no-brainer. (Incidentally, I recently heard that PreSonus dropped the price on some of the Series III mixers as much as $200.)
Additionally, I was frequenting some Facebook podcasting groups, seeing which kind of problems users commonly had. Users were always running into issues setting up Audacity. Users also ask questions about “Where do I get my Podcast edited, produced, normalized, compressed…” the list went on an on. I realized I could do ALL of the above in Studio One. It’s a HUGE money-saver when it comes to producing my own podcast. I’m not paying anyone to do anything other than advertising and host my Podcast. The way I’m looking at it, I’m saving a ton of money each and every month producing it on my own. With my plug-ins and templates inside of Studio One, I don’t really have to do much editing, ever!
I heard so many good things about Studio One, especially that it was included with many of the hardware products that PreSonus sells and integrates well. Studio One can open projects from other DAWs such as Cubase, Pro Tools and others.
I also never have to worry about running out of inputs. I don’t know of a podcast that has 16 people talking at once 😊.
Also, with Studio One and my PreSonus hardware interface working with USB is the big sell for me doing this podcast. USB just works. I haven’t had to install any legacy drivers, etc.
What features are you most impressed with?
Ease-of-use and stability! Never crashes on me… EVER!
I am really impressed with how the StudioLive mixer has recall of the effects and fader positions–it doesn’t have to rely on my computer and Studio One’s project settings if I feel like just using the mixer as a LIVE MIXER. But then, if I want to jump into DAW mode, I can make the mixer follow the computer’s settings. There is so much flexibility, it’s crazy. I cannot think of anything I need. I’m also impressed that PreSonus uses AVB, an open standard that allows any vendor to support it. It’s not closed-minded and just feels like freedom. I’m an open-source guy whenever possible–it’s transparent and honest.
Oh, here’s a bonus feature: the community. The PreSonus forums are the best support you could ask for. When I started out with Studio One and my StudioLive mixer, I had a couple basic question. Embarrassingly, the answers were in the manual that came with the mixer, but the community was friendly and helped point me in the right direction. It’s like a small town of nice people wanting to help because they share similar passions, supporting this company that cares about its customers.
Any user tips or tricks or interesting stories based on your experience with PreSonus hardware and software?
I recorded some amazing bluegrass artists on some of the old FireStudio hardware and it still sounds phenomenal today.
As for tips, I’m a HUGE believer in templates. That’s the best way to be productive and save so much time. PreSonus templates are the best.
For Podcasting, I literally have to do zero cleanup. I have my effects set on the mixer (I typically use the Male Voice 1 or 2) and it applies just the right amount of compression and gating. I can do these effects on each individual Mic channel for each podcast co-host. I receive lots of compliments on how nice and clear the audio is. I share my experience often in some Podcast Support groups on Facebook, including this one.
What features do you want to see next in Studio One or StudioLive?
I’d like to maybe just a see a few more default templates, that are Podcast-specific, heck, I’ll share mine with any other Podcasters, just shoot me a message.
What’s next for you?
I hope to learn my mixer / DAW more. I want to do a live podcast eventually. I’d like to use the SD Card feature on the StudioLive mixer, because I know that Studio One makes it easier than ever to take those recordings, directly off the SD card, then opening the project, ready-to-edit on my computer!
What’s your favorite thing about your job? Why did you choose to work here?
It was destiny that I came to work here. I’m from Baton Rouge, first of all, so it’s awesome to be home. I started playing music when I was 13 or so and my dad bought me a 4 track tape recorder to record myself with after watching me play with our answering machine for hours. I wanted to post my recordings on the internet, so I figured out that you could plug the headphone jack of the tape recorder into the mic input of a computer, and then I downloaded a little program called “Kristal” to record with. Turns out, that program eventually became Studio One. This experience was the gateway to a 10-year stint as a sound guy with various production companies, and eventually a degree in computer engineering. PreSonus sponsored my senior design project. I was thrilled when I got an email from Jim Odom after graduating. It really feels like I’ve finally found a permanent place in the world. Never been around so many people who will nerd out on audio like me, and I love it!
What was the first 8 track, cassette, CD or digital download you purchased?
In 2001, I bought P.O.D’s “Satellite” because I was a youth of the nation at that particular time.
Who’s your go-to band or artist when you can’t decide on something to listen to?
I’m a big fan of Ice JJ Fish. He’s really pushing boundaries.
Everyone has a side gig, what’s yours? OR when you’re not at PreSonus, what are you up to?
I’ve been a sound guy for the past decade or so, and I also write and play music. I’m between bands at the moment if anyone is looking for someone to jam.
Why did you choose this as your favorite?
The StudioLive 64S was the first big release I had a significant role in here at PreSonus. I’m proud of the work we did!
Got any tips for working with the StudioLive 64S?
The user layer is probably the best feature of the console. Use it!
That’s a $129 USD value for FREE! Buy one of the following and score a free HP2:
Performer Magazine gave the HP2 ZERO cons and says it has “a great battery life, plenty of volume, and useful for studio or stage use.” They go on to say:
“If a set of headphones or in-ear monitors is part of your live rig, this is worth the investment for the ability to control what you hear on stage, without much FOH assistance.”
This offer is available WORLDWIDE, so click the links below to find the closes PreSonus dealer near you!
Big news for StudioLive Series III mixer owners—get ready for some dramatic improvements to your mixer in the new StudioLive FLEX DSP update!
This update,w̶h̶i̶c̶h̶ ̶w̶i̶l̶l̶ ̶b̶e̶ ̶r̶e̶l̶e̶a̶s̶e̶d̶ ̶n̶e̶x̶t̶ ̶w̶e̶e̶k̶, which you can get RIGHT NOW, consists of:
Once you’ve installed the above, here’s what you’ll get:
New in StudioLive Series III Firmware 2.0:
Note that this update WILL restructure your existing scenes—be sure to back them up before installing the update! Click here for instructions on how to do that.
New in Capture 3.0:
New in Studio One 4.1.4:
New in UC Surface 3.0:
Questions? Check out this series of videos from Ray on all the new stuff.
Now while supplies last, enjoy significant savings on all StudioLive Console Mixers! Note that regional pricing will vary slightly, but the below are the savings in USD.
Mixers included in the price drop:
Everyone is talking about the StudioLive Series family, including MIX Online:
“…extremely user-friendly. Having two hands on big, accurate faders for every layer of a mix and brightly illuminated buttons to guide the way was pretty luxurious. If you are looking for an all-in-one console, interface and control surface, this is a really impressive option.”
The price drop is available WORLDWIDE!
Now through the end of February 2019, buy any StudioLive Series III Console and score a FREE EarMix 16M! All you need is to make your purchase and then fill out the simple rebate form attached below and you’re good to go!
Everyone is talking about the EarMix 16M! Recently Church Production reviewed the EarMix:
The EarMix 16M offers a scalable solution that lets you start with just a few personal mixers and keep expanding along with your growing music team.
Seriously, everyone is talking about the EarMix. Watch our buddy John Tendy of Tendy Media review the EarMix 16M!
To get your free EarMix 16M, you must have purchased a StudioLive Series III console between January 1, 2019 and February 28, 2019. Entry Form must be received at PreSonus by April 1, 2019.