Pepper has been touring hard for some time now, and they’ve turned to the StudioLive 24.4.2 to make the rigors of the road a little more comfortable. Band members and FOH engineer Mike Sutherland sing the praises of their StudioLive and how it applies to their in-ear monitoring solution.
The hits just keep coming! Here’s American Idol’s Nick Cooper on why he switched to Studio One.
[This just in from the fabulous Fab! He’s heading up the incredible mixing contest going on over at PureMix, where you could win an incredible prize package that includes a PreSonus ADL 700!]
Good morning PreSonus!
We thought you’d enjoy news of our little big contest with just 2 weeks left to go.
We’ve had more than 700 mixes posted on the SoundCloud channel. Also, discussions on the forum have started to pick up with almost 50,000 views!
In a nutshell, it is going really really really well. This is going to be remembered. People are already asking for the next contest!
Here are some of the submissions that have been entered so far. Check out the competition! Can you do better?
[This just in from Luis “LH Dub” Henrique, who is using the StudioLive 16.4.2 for live remixes of his band’s dub tracks! It’s not often that we see a StudioLive in the “mixer as instrument” application—but here it is! Check out the vid!]
Hello PreSonus! My name is Luis “LH Dub” Henrique, a Brazilian who is passionate about music production and mixing technology. In particular, I love mixing tracks with Jamaican rhythms to create new songs. I have always needed a high-quality interface in order to create my songs, and I have finally found it in the PreSonus StudioLive 16.4.2. It has everything to fulfill my needs, and meets my high standards of quality while offering a great variety of tools. It was love at first sight! I had no previous experience with digital mixers, and I was a bit afraid that I couldn’t manage it, but as soon as my 16.4.2 arrived home I quickly realized that StudioLive is a very easy interface to work with.
Personally, I really like reverb and delay effects. So when I first experienced the effects available on the 16.4.2, I was totally amazed. The delay filter is incredible. I also have been using StudioLive to record live bands and it does a great job! The compressor, gate and all other tools are very well placed. It’s easy to handle and work with.
The StudioLive 16.4.2 is also very resistant By accident, it has fallen from 1.5 m height and it still works perfectly… only few scratches tell the story!
Because of my wonderful experience with StudioLive, I have decided to purchase only PreSonus products in the future due to the fact that I am very pleased to work with this equipment that, besides having a great design, has the best quality you can get.
[This just in from Anna Bevins, PreSonus Executive Assistant and Director of Good News]
PreSonus is proud to be sponsoring an event on May 17th @ The Texas Club beginning at 8 p.m. to support local veterans. Chris LeBlanc is one of the main artists performing, and we are supporting him for this event. There will be live music, auctions, food, drinks, and fun! See the flyer below for additional info.
We hope you’ll help PreSonus in supporting this great cause, and we hope to see all of you there!
Get advanced tickets from The Texas Club or Zeagler Music!
[This just in from Graham Cochrane, all-around genius from The Recording Revolution!]
[This just in from PreSonus Artist and hybrid drummin’ badass Brian Botkiller]
Thursday May 8 • http://www.presonus.com/videos/presonuslive
2 p.m. CST / 3 p.m. EST / Noon PST / 19:00 GMT |
MIXING is MASTERING!
It is? Really?
It is for Justin! He’s experienced a little revelation of late. Thanks to the Studio One’s Project page, the once-clear line between mixing and mastering processes has started to blur. He has kindly decided to share his secrets—with YOU!