What’s better than buying a StudioLive Series III mixer?
How about buying a StudioLive mixer and getting a FREE 150 foot Digital Snake!
Now through the month of October, get a FREE Digital Snake when you purchase a StudioLive Series III Console and StageBox or Rack Mixer. All you need is to make your purchase and then fill out a simple rebate form attached below and you’re good to go!
Earlier this year, MusicTech reviewed the StudioLive Series! Here’s the gist:
PreSonus knows what producers want, and with the new Series III StudioLive, is very much trying to put it all in one box.
If you’re thinking of upgrading to a project-studio setup and want a bundle that does everything, do consider StudioLive and these new Series IIIs. Just add speakers and a DAW (or not, if you don’t want to!) and you’re away.
+ Loads of routing options (almost too many!)
+ Love those Scribble Strip screens
+ And the options for changing parameters
+ Simple to use and looks great
+ Fantastic effects and emulations
+ Lovely logical layout – easier to use than the previous version!
This offer expires October 31, 2018 and is available worldwide.
As a huge fan of the DAW, Reynolds worked with us on the development of the new Studio One 4, and it’s his go-to DAW for many reasons.
“I was on Cubase for a while, and then I switched to Logic. I stayed in Logic for a long time, rather than moving to Pro Tools, because I found Logic more creative. But when I discovered Studio One I really liked it, and today it is absolutely perfect!”
“Pro Tools and Studio One are very similar, because Studio One is designed to make it very easy to convert to for Pro Tools users, who would find it a piece of cake. Where it differs is in the drag‐and‐drop workflow, which is super‐fast. You have a sidebar with all your plug‐ins listed in your folders, and you just pull a plug‐in on the channel or the bus, and it will set up the routing for you. It is designed to be super‐quick. It has also taken a leaf out of Ableton’s book, so all your samples can be previewed real‐time and will automatically loop in time. Plus it has gone next level, for example in that you can create splits of your plug‐in signals within your channels. So let’s say you have a lead vocal, and you want to do a parallel bus for it within that channel, you do the split inside the plug‐in, and this gives you a lot of control very easily. It is all very well thought‐out and the automation is fantastic, and so is the MIDI.”
Here’s more on what he has to say on Studio One. He’s basically the expert.
One more thing…. BTS’s latest release “IDOL” mixed by James, now holds the record for the biggest music video debut in YouTube’s history with over 45 million views in the first 24 hours! So that’s awesome.
Huge congrats to James and we’re so stoked for your success! Keep up with his success here.
So there you are, with your shiny new Impact XT virtual instrument. You want to populate the pads with some fun drum sounds, and although you like the included kits, you’re itching to get creative and come up with some kits of your own. Fortunately, it’s easy to use Audioloops to populate your Impact XT with a custom selection of drum sounds.
Open the Browser, and under Loops, look for files with the .audioloop suffix. The reason why .audioloop files stretch elegantly is because the loop is cut into slices, with each slice representing an individual “block” of sound—kick, snare, clap, kick and cymbal hitting at the same time, snare and high-hat hitting at the same time…whatever.
When you expand an .audioloop, you’ll see each slice listed individually. Some have only one or two slices, but others—for example, the Combo Beat loops under Electronic > Drums > Loop (Fig. 1)—are rich sources of slices.
Figure 1: The Browser’s Loop tab is loaded with slices, just waiting to be used with Impact XT to create custom kits.
Next, open up Impact XT. To audition the slices, toward the bottom of the browser turn off the loop and metronome options, select a slice, and then click on the Play > button. Click on various slices and when you hear something you like, drag it over to an Impact XT pad (Fig. 2). You won’t have to click the Play button again to audition slices until after you drag a slice over.
Figure 2: Drag slices over to Impact XT pads.
The real fun begins when you start to use Impact XT’s sound-shaping options. For example in Figure 2, one of the kick slices has been dropped in pitch, truncated, filtered, and given a new Amp decay setting to sound more like an explosion. Note that the pad’s name will be the same as the .audioloop, so if you’re using multiple slices from the same .audioloop, rename the pad to avoid confusion (right-click on the pad and choose Rename).
And remember, you’re not limited to dragging over slices from the Browser—you can split any file in the Edit window at the Bend markers, and drop those slices into Impact XT.
Sure, Impact XT comes with a lot of preset, ready-to-go kits when you just want to load something and start grooving. But you might be surprised how doing a little mixing and matching with the Browser slices can create something new and different—and each new pad sound is only a click + drag away.
Up first is Alex Medina! She’s in charge of making sure everything gets paid for here at PreSonus. She’s also in charge of baking up all kinds of tasty treats for the office. We are coworkers but we’re also her certified taste testers and let’s just say, Betty Crocker WHO?!
Here’s more on Alex and her favorite PreSonus product the Eris 3.5s!
How long have you worked for PreSonus?
What’s your official job title?
Accounts Receivable and Credit Manager.
What do you love about your job?
I love the people I work with. Also, I pretty much get to talk to everyone we do business with and its awesome when they share the latest things they are working on with our products or tell me stories about how our products made their lives easier. I enjoy checking out the youtube links they send. I get introduced to all kinds of new music.
What was the first 8 track, cassette, CD or digital download you purchased?
Salt-N-Pepa “Push It.” Odd choice maybe but I heard it in a movie and it just stuck so I downloaded it same day. Remember when ring back tones were a thing? This was totally mine.
Who’s your go to band or artist when you can’t decide on something to listen to?
When that happens I turn on Spotify and listen to the new releases. You never know what you will come across.
What’s your go to Karaoke song?
Journey, “Don’t Stop Believing.”
Everyone has a side gig, what’s yours? OR when you’re not at PreSonus, what are you up to?
I’m in the Air National Guard so sometimes I’m working there., or I’m off on some new adventure with my son. Toddlers are never boring!
What instruments do you play?
I dabble in rock band… the drums… on easy. Plus it’s color coded so…
Why did you choose the Eris 3.5s as your favorite?
They are very satisfying for the size and price. I just needed some small speakers that wouldn’t clutter my desk and these work great. Almost too well, the sound is crystal clear no matter how high I turn them up, which usually isn’t the case with speakers this size. I feel people always like to talk about the big flashy and fancy products, so I wanted to give the little guys some love too!
Anything else you want to share?
Ummm PreSonus rocks and GEAUX SAINTS! #WHODAT
Reverse audio was a common technique back in the days when doing it was a challenge (flipping tape reels over, recording, flipping them back). Now that reverse audio is easy to do, it’s uncommon…go figure. But let’s revive reverse audio with preverb—reverb that swells up to a sound, instead of decaying after it. We’ll first look at a method that requires having some silence before the clip to which you want to add preverb, then cover what to do if the clip starts at the beginning of a song. Note: the screen shot shows each step, but you’ll end up with only the two yellow clips to create preverb—the other clips are for illustration only (i.e., you don’t need to keep copying the clip).
Step 1. Start by copying the clip or track to which you want to add preverb. Use the Paint tool to draw a silent section in front of the copied clip that’s equal to or longer than the anticipated reverb decay tail you’ll add in the next step, then bounce the silent part and the copied clip together. Tip: Consider rolling off some of the low end on the copy so the kick is less prominent. Kicks don’t get along with reverb all that well, and preverb is no exception.
Step 2. Select the bounced clip and type Ctrl+R, or right-click and choose Audio > Reverse Audio. Insert your reverb of choice (the Open Air 480 Hall preset from Halls > Medium Halls is a good place to start) into the copied/reversed track or clip, then set the reverb’s Mix control to 100% for an all-wet mix.
Step 3. After your reverb sound is as desired, right-click on this clip and choose Mixdown Selection. This clip contains only the reverb sound.
Step 4. Reverse this clip, and now you’ll preverb when you play it along with the original clip. You can also try nudging the preverb left or right to play with the timing—for example if the reverb has pre-delay, the kick and reverberated kick might argue with each other.
To add preverb before the entire song starts so that the preverb leads up to the first sound, select all tracks and shift them to the right to open up a few measures at the song’s beginning. Now you can extend the copy of the track or clip you want preverbed to the project start so it includes silence. Continue by copying the original track, reversing, and following the steps detailed previously to add preverb, then shift the tracks back to the their original position.
To hear preverb in a musical context, go to https://store.cdbaby.com/cd/craiganderton and click on the free preview of song 2, “The Gift of Goodbye.” The preverb is on the guitar solo toward the middle of the song and then occurs again at the end, during the fadeout.
The more I play with Harmonic Editing, the more I find it can do things I never expected. Check this out…
One very useful Studio One feature is being able to record a track output into another track’s input. I take advantage of this sometimes by recording effects like reverb or envelope filter (set to effect sound only) into a track. This allows using Inspector features like transpose and delay, as well as have easier control during the mix.
So imagine my surprise when I set the reverb-only track to follow the Chord Track—and ended up with a tuned reverb chord progression! The following audio example gets the point across. The first four measures have the original reverb sound, the second four measures have the reverb processed by the Chord Track…pretty amazing.
There’s one caution: The only Follow chords mode that works for this is Universal. The Tune Mode doesn’t seem to matter, so I just use Default.
Extra bonus coolness tip! Drums can follow the Chord Track, again in Universal Mode, for a “drumcoded” effect (i.e., similar to drums “vocoding” something like a pad). Although there’s no way to do a wet/dry balance of the melodic and non-melodic components, you can copy the track, have only the copy follow the Chord Track, and adjust the mix between the dry and Chord-Track-following track.
The mind boggles.
Well, her name is Linzy Rae. Linzy and her band, The Anchor, are the masterminds behind the viral video YouTube series “Metal Kitchen.” With over 1.3 million views on their first video, and 35K followers on Facebook, they caught our eye–and ear.
Check out her first video “The Ghost Inside makes Shepherd’s Pie” from December 2015.
“The Ghost Inside makes Shepherd’s Pie” from December 2015.
Linzey is the lead vocalist for The Anchor, a Melodic Metalcore band based in Denver, CO. They’re also big fans of PreSonus so we figured we could trade them an interview for some Cajun recipes. They agreed and everyone wins!
The band started out with an Audiobox USB 2X2 with a free version of Studio One 2 Artist. We eventually upgraded to the producer version because we loved it so much. Now we have Studio One 3 Producer.
We have used Studio One Pro for our first two EPs in my band, The Anchor. We have used Studio one for our entire YouTube channel as well. It has worked great in our home studio.
We originally used it because we needed a USB interface. We were told the Presonus Audiobox 2X2 would be a great start! It came with Studio one Artist and we loved it because of its user friendliness. Also the all the tutorials have been extremely helpful.
We love it’s user friendliness, compatibility with vst’s and plugins. It also comes with great mixing tools as well as the Project Page is such help with some post mixing/mastering things.
The project page is particularly helpful in putting final touches on songs.
Go watch the tutorials and Studio One Experts! It is so helpful!
Studio One 3 is a great expansion to the already awesome Studio One 2 we had previously. We will never switch, and can’t wait to see what the future holds for PreSonus.
I started uploading some covers to YouTube about a year ago. Now we consistently upload covers on a weekly or biweekly basis. We have videos such as Metal Kitchen, Scream It Like A Girl, and Pop Goes Metal.
We were in the studio and someone was going to order Chinese food for dinner. While I was in the recording booth, they asked me what I wanted to eat and I screamed “crab cheese wantons,” which created a running joke. Afterwards, our friend made a joke saying that I could write a recipe into one of our songs and people wouldn’t know the difference (Since the common opinion of metal music is that you can’t understand what the vocalist is saying). Then the idea sort of grew from there.
The video completely caught us off guard it was amazing and also scary at the same time. We have never had so much attention on us all at once!
We just released a Metal Kitchen about making Black Bean Burgers featuring Miss May I’s song, IHE. For the next metal kitchen we are thinking about making Tacos to an All That Remains songs. Metal Kitchens format probably won’t change that much but we have a lot of other cool ideas that we can’t wait to try out!
Try out Studio One for free like these guys did HERE! Who knows, you may be the next YouTube sensation! Stranger things have happened…
Looking to hit the ground running with the Studio 192? Look no further! Justin shows you all you need to do to get rolling with your new interface and take advantage of low-latency monitoring, Fat Channel processing, speaker switching, and more via UC Surface.
You’ll also learn how to use Studio 192’s integration with Studio One for remote preamp control, Fat Channel DSP, and Z-Mix outputs.
For more on the Studio 192, click HERE!