Apple fanboy Rick Naqvi should probably be hitting up Tim Cook for a sales commission. Here, he extolls the virtues of the iPad and Mac Mini… but it doesn’t end there. This isn’t just another “Wireless control of the StudioLive via iPad” video. This is something else. This has bells and whistles.
First, Rick sets up his Mac Mini to auto-launch VSL on boot. So, assuming proper connections and having everything powered up, his Mac Mini will auto-connect to his StudioLive seconds within powering up.
But keep watching… it gets real interesting. Via the iPad, Rick uses VNC Mocha Lite to connect to his Mac Mini desktop: no monitor required! This configuration allows you to run and interface with both VSL Remote and also access Capture or Angry Birds during the show. Rick keeps it simple and thorough at the same time—but you might wanna make sure you know what an IP address is before viewing.
This just in from Fred!
“I received the TubePreV2 yesterday. Thanks! I just posted this unboxing video.”
“It’s a very nice unit. Guitar sounds great via DI. I’ll be producing a demo video within the next week or so showing DI and condenser mic use.”
But wait, there’s more! Shortly after we learned of the above video, Fred posted this gem, featuring an unusually scientific approach and professional presentation that we don’t always see in YouTube demos.
Much appreciated Fred. Best to ya!
His now-declassified mission primarily focused on softening a problematic Russian Pork embargo during Sao Paulo’s 2012 Global Customs Forum. Word from our contacts at MI6 is that once again, Mark Williams’ intercontinental powers of seduction have proved limitless, as PreSonus forum users in Brazil have suddenly had very little to complain about.
See below evidence.
The radicool guys at WinkSound are doing some celebrating for us—as if we didn’t know how to do that already.
In order to help ring in PreSonuSphere 2012 this weekend, WinkSound has teamed up with PreSonus to give away a studio bundle including:
It’s really easy to enter:
PART 4: Reverb!
Now, the most difficult and most-discussed theme on orchestral composition forums is applying reverbs. This is the most important part of the orchestral mixing process as far as I’m concerned. I’ve watched and listened to loads of tutorials and lectures on reverbs for orchestra—which one is better? Why?. There is a lot of controversy on impulse response reverbs vs. algorythmic reverbs. Whatever you pick, the most important thing is that it sounds good to you. My main reverb is Altiverb and sometimes I use Lexicon PCM Native. Here’s how I apply them to my orchestra sections:
Every section has its own reverb that processes it. I like to use Altiverb’s IRs of stages like Todd-AO or FOX Scoring Stage. I like the fact that it has three different mic positions that were used to capture the impulse responses, so I can use them on individual close-miked sections of the orchestra. There are three IR patches of wide mic setups that I use. The closest one is for strings, the middle one is for brass and woodwinds, and the farthest one is for percussion and choir. I apply very little reverb on close mic sections just to give them air, and I apply more of it to stage mic sections to give them room.
Here’s an example of proper reverb settings using Lexicon PCM Native:
I use two instances of Lexicon. The first one is for close mic setup with a very small pre-delay and short reverb time. I use only 50% of the mix.
The second instance emulates stage and far-miked setups, which requires a sizeable pre-delay and long reverb time. Its mix is set to 100%.
If I have a solo vocalist in my session, I usually use any vocal plate preset for it.
This covers the reverb for the orchestra. Next up we’ll look at using the Studio One Video Player for scoring.
[Update! For your convenience, here’s the rest of the blogs in this series:
Las Vegas, NV, June 2012… Join PreSonus for a very special live webcast, direct from the InfoComm Show in Las Vegas.
Tune in for Connecting Your Customers with StudioLive, a 30-minute presentation that will cover the broad range of advanced control and connectivity between PreSonus StudioLiveTM consoles and laptop computers, iPads®, iPhones®, and iPod touches®.
From iPad-based wireless mixer control with StudioLive-Remote and iPhone/iPod touch monitor control via QMixTM, to multitrack recording and production with CaptureTM and Studio OneTM Artist, PreSonus is the only compact digital mixer that offers such a wide range of software integration – for free!
The presentation will also take a look into the ever-expanding integration between PreSonus products and Rational Acoustics’ acclaimed SmaartTM audio-analysis technologies. Optimizing system EQ has never been this fast and easy.
Four 30-minute presentations will be broadcast live from the PreSonus Demo Room (N105) at InfoComm on Thursday, June 14, at 9:00 AM, 11:00 AM, 1:00 PM, and 3:00 PM. (All times are Pacific Daylight Time) A live Q&A from attendees will follow each session.
A special bonus for those attending the show in person: PreSonus will give away a free seven-port USB hub and free 2GB USB drive to attendees at the end of each presentation.
So join us online at http://livestream.com/
To schedule an email reminder, visit us at http://presonus.com/community/