PreSonus Blog

Category Archives: Mixing Systems


Worship Leader Names Eris, QMix, and StudioLive in Editor’s Picks and Reader’s Choice Awards

Big thanks to Worship Leader, who recently had their annual Editor’s Picks and Reader’s Choice Awards. PreSonus products recognized in the winner’s list included the Eris E8 monitors and the StudioLive 16.0.2!
2013 Editor’s Picks:Eris E8 
“For the Engineer: Balanced and loud, the Eris E8 has tons of inputs and EQ options to simulate speakers in any situation, perfect for monitor engineers and musicians alike.”
StudioLive 16.0.2 Digital Mixing System
“Church Use: Compact digital mixers are the craze in FOH audio mixing, and the StudioLive 16.0.2 brings the compact power to the studio.  With a footprint of less than two feet, the 16.0.2 takes up a tiny space on the desk , but is loaded with features of much bigger consoles. “
In their 2013 Readers’ Choice category, PreSonus StudioLive mixers were selected for Mixing Board Brands, and QMix was chosen for Mixing Software Apps.
Worship Leader also called the Eris E8 “…the best pair of monitors under $500 that we’ve heard.” Click here to read the review in full!
Pick up the October issue of Worship Leader to read the article in full!
 

Sonic State gets a taste of the StudioLive AI mixer line at PLASA

PreSonus’ Rodney Orpheus and Sonic Sense’s Nick Batt had a great little Q&A bro-down at PLASA 2013. This was the first-ever hands-on public showing of the new StudioLive 16.4.2AI and 24.4.2AI

Rodney covers the AI part of the StudioLive AI series in great detail here, and closes with a touch on the new StudioLive AI Loudspeakers. Definitely worth a watch! Thanks to Sonic Sense for bringing Nick, as well as the camera. 

 

Christopher McGilvray’s First StudioLive 32.4.2AI Experience

[This just in from Christopher McGilvray of Magic Wing Entertainment!]

Ladies and Gentlemen,

My StudioLive 32.4.2AI arrived yesterday, and after a long wait, you came through big time. Thank you. The same quick and familiar workflow on the desk, coupled with the VSL software makes this a world class mixer, for sure. I held out all summer waiting for this board, and as the minutes passed, I have to admit, my mind began to wander to the other options to fill the gap, but after plugging in the power cord and lighting the StudioLive off, I was positive that I had made the right choice to stick by the Presonus equipment. I could not be happier.

During my wait, I was enticed by the alternatives with flying faders like the Si3, but with the seamless integration of VSL and the “fader locate” feature of the StudioLive, those extra servos and belts are no longer an issue! This board has the horsepower and features of mixers at a much higher price point, while keeping the UI simple. I have been hopelessly lost in the endless system menu and setup of the Vi desks, and was going to add breadcrumbs to my FOH bag for my future journeys through that GUI black forest, but instead I can keep a thermos of coffee, and enjoy the mixing, instead of the messing around.

Please do pass along my praises. I got a chance last night to work the new StudioLive at a show, and let me just say “wow.” I am familiar with the StudioLive 24.4.2 desk, but Active Integration makes it  the most powerful thing I have used this past season, hands down. As I mentioned, I have been on Soundcraft and Midas consoles this year. Our local venue installed a Peavey 32 FX  (chosen for simplicity, not for any DSP abilities, btw). As a standalone board, the StudioLive 32.4.2AI is powerful! There is so much under the hood of this console that is not seen with the naked eye. Plug in a FW 800 cable to a quad i7 MacBookPro, however, and the desk is ready for anything! Add in SL Remote on iPad, and you have a mixer that is graphical superstation.

I routinely have an opener and a main band, and the mix scenes are a luxury that I also
thank you for. You guys and girls obviously know the deal as to what am FOH guy goes through in switching over acts, and this mixer saves me a minimum of 15 minutes in turn over time due to the scenes option. That is a lifetime in the live world!

Okay, and here is another point where I had to sit back and smile, pleasantly impressed: the built-in effects are spot on. Since I was with a band that I know well last night, I had the chance to tweak and play more then chase the sound all night, and I was so very impressed with the quality of the effects, as well as the effects level control. My experience with mixers of a similar price point have been terrible with regards to DSP engines. The Peavey 32 FX I mentioned earlier is useless in this area; it’s like a two-stroke engine trying to pull a trailer uphill when it comes to anything more then some simple EQ. Other hybrid boards as well as other digital boards also get left in the dust by the 32.4.2AI. Call up an effect, assign some inputs to it, send it on an encoder that isn’t scratchy or jumpy, and suddenly you can hear a very rich and satisfying reverb or delay gently enter the mix. THAT’s the way it should work, and you folks got it right! Delays didn’t build up and run away, reverbs didn’t sound like tin warehouses, and the crowd didn’t need to pound seasick pills by the end of the night. Perfect in my opinion.

I could write a review on this board, but that is not my intent. I really just want to say that as I waited with much anticipation from the announcement at NAMM until the shipment date of this board, I grew to find myself second-guessing and worrying a bit. Last night sealed the deal as far as my decision is concerned, and I am confident that I made the best choice. I knew it in my heart anyway. I have a rack full of FirePods that still serve me very, very well. They kept me in business as far as the recording aspect was concerned between SL boards. Oh, yeah—FW 800 deserves a huge thank you as well. A ThunderBolt option in the future will be a blessing as well, if it is in the cards.

I look forward to driving hell out of this thing. Last night was a 24-channel spin around the neighborhood. When I did need to push it a bit, there was plenty of power to spare.

Well done, folks. You’ve had me as a loyal customer for a while. Now I am a vocal one, as well, best wishes! On behalf of myself, and the folks involved in my small but extremely passionate live sound company, thanks! PreSonus got this one right from beginning to end. Still looking forward to cooking up the recipe in the manual, too!

Warm regards,
Christopher McGilvray
Magic Wing Entertainment

 

Eddie Stephens on the StudioLive 32.4.2AI

Lucky Eddie! He is among the first to receive and install a brand-spankin’ new StudioLive 32.4.2AI at his venue. He created this great walk-through video walking us through his applications for That 80s Bar.  Thanks Eddie, and best to you and your mixer. 🙂

 

 

Happy Halloween!

Something is spooky in the state of Louisiana. Clearly, there are forces at work here beyond the comprehension of mere mortals. What could it be? What’s hiding from us?

I suppose we will know soon, because whatever IT is… it doesn’t seem to want to stay hidden for long.

Sonic Sense Compares StudioLive 32.4.2AI to the 24.4.2

Sonic Sense Pro Audio is SO GOOD to us.

In this new video, they open with a nice breakdown of the workflow and feature upgrades in the new StudioLive 32.2.4AI as compared to the original StudioLive 24.4.2. They touch on Active Integration, computer-free wireless connectivity, Capture 2.1, Mute Groups, Scenes, Fat Channel updates, and more.

But they don’t stop there. They run a multi-track recording from the FoxField Four through BOTH mixers, and provide an A/B test of the stereo mix from both mixers, so you can hear the sonic improvements in the StudioLive 32.4.2AI for yourself!

Great work, guys, and thanks for your support!

Rodney’s StudioLive 32.4.2AI / Studio One 2.6 Webcast With ScanProAudioTV

A while back Rodney raised the bar for live webcasts with this great collaboration with ScanProAudioTV.  We really need to work with those guys again. I mean seriously, they have a green screen and everything. 

Make a sandwich and strap in; this one clocks in at about 45:00, but that just means there’s no stone un-turned in this thorough investigation into our latest and greatest.

Topics include:

 

The Thunder Roadshow Rolls Through Texas!

This just in from Mark Stone, Justin Spence, and Johnny McAndrews. Looks like a good time had by all, thanks to The Rocketboys for coming out and performing as well!

We’re touring the new StudioLive AI digital mixers and the new StudioLive AI PA Loudspeakers, and so far the response has been overwhelmingly positive!

Want to visit with us and see the latest and greatest from PreSonus on the Thunder Roadshow? Check out our events page here: http://www.presonus.com/community/events

 

Barry Burchett is Pretty Excited

This is Barry Burchett from Hopkinsville, Kentucky. “Good things come to those who wait!” says Barry.

We agree. Thanks for the photo and we know you’ll love your StudioLive 32.4.2.AI. Best to ya, buddy.

StudioLive 32.4.2AI First Look from SonicSense!

Sonic Sense got a hold of a StudioLive 32.4.2AI, and have taken it through the necessary paces. Take a look at their video overview below, but don’t stop there… click here to read their entire review of the mixer, which includes such kind words as:

“PreSonus has once again redefined what the compact digital console can be. The software that goes along with it is a perfect example of just how powerful modern, affordable digital consoles can really be.”