Heartcast Media is a dedicated full-service studio in Washington, D.C. that works with clients to create high quality, authentic podcast content that inspires, educates and connects. Molly Ruland and her team specialize in working with entrepreneurs, visionaries, and businesses of all sizes who have an impactful point-of-view.
Woman-owned Heartcast Media is the vision of Molly Ruland who is dedicated to helping individuals and organizations bring their authentic, original content to life through podcasts. A sister-company to One Love Massive, Heartcast Media clients range from go-go bands to conservative political commentators.
They’re also PreSonus users—and have recorded 85 bands and 150 podcasts in the past 11 months alone!
We think Molly’s business idea is genius, and of course we’re glad that they’ve chosen the StudioLive 16 for their time-sensitive workflow. From the Heartcast website:
We have fully embraced technology and have figured out how to eliminate post production with real time video editing and audio mastering. We deliver all files within 48 hours of recording, typically within 3-4.
We’re proud to be a part of their process, so we wanted to hear more about how this whole operation works. Read all about Molly and Heartcast Media….
Tell us about your background. How long have you been in the audio industry?
I have owned and operated a multimedia company for the last 20 years. I was primarily focused on artist bookings and events. Creating an aesthetic has always been my passion.
How has the audio industry changed since your early days?
Everything is so streamlined now, and the gatekeepers have been removed. I love the idea of accessibility and practicality. Information is readily available which has opened doors for people who weren’t always welcome at the table, and I think that’s great.
How did Heartcast Media come about?
After recording 85 bands and 150 podcasts in 11 months, I realized that my passion and vision align perfectly through podcast production. I love amplifying voices, I always have. I saw a need in the market for high-quality turnkey podcast production, so I created the business to solve that problem. We do things differently—we embrace technology, and by doing so we are able to eliminate the need for a lot of post-production. This saves people time and money and our clients love that.
What’s your favorite podcast right now? Are you allowed to have a favorite?
Tom Bilyeu’s Impact Theory. No question, hands down. Game changer for me.
Tell us about your podcast. Where did the idea for your podcast come from? How does your first podcast compare to your most recent?
I have just launched The Lower Third Podcast because I know so many amazing people whom I garner so much inspiration from, and I wanted to interview and talk to them about mindset and passion. It’s a work in progress. I am looking forward to producing more episodes. However, my passion is producing other people’s podcast and helping them be successful.
There are so many podcasts these days. How do you stand out?
Having a plan for your podcast is imperative. Every podcaster should examine how and if their podcast is providing value. If there isn’t a clear answer, you don’t have a podcast yet.
What challenges do you face recording a podcast?
I am positive that most people don’t understand how much work goes into creating and producing a podcast. It’s a lot of work. It’s not cheap either, and anyone who tells you can start a podcast for $100 is delusional. If you are going to start a podcast you have to have a lot of resilience and a strong sense of self, because it will be a heavy rock to push uphill until you get momentum. It will not happen overnight.
What advice do you have for someone who wants to start a podcast?
Have a plan, understand the workload, and always be open to being wrong.
How did you first hear of PreSonus?
I learned about PreSonus through Adam Levin at Chuck Levin’s Music Center in Wheaton, Maryland. It’s legendary.
I have the StudioLive 16 in my studio, and we love it. It’s a little more than we need for podcasts, but we also produce live music events so it’s great to have a board that can do both. It’s a solid piece of equipment with really great features that fit our needs. It’s a beautiful board, what’s not to love?
Recent projects? What’s next for you?
My goal is to produce the best podcasts coming out of the East Coast by elevating and amplifying voices in my community that will make the world a better place, one conversation at a time. Every city should have a Heartcast Media.
OBEDIA, the leading source of live training and support for pro audio software and hardware, wants to help get new users up and running as fast as possible! Buy an AudioBox interface after August 1, 2019, and while supplies last, you’ll receive 30 days of free OBEDIA phone or remote desktop support for Studio One (a $29.90 value).
Simply register your new AudioBox at my.presonus.com, receive a promo code for OBEDIA with instructions for how to redeem, and join the celebration for OBEDIA’s 15th Anniversary.
Qualifying products include:
Now through the end of February 2019, buy any StudioLive Series III Console and score a FREE EarMix 16M! All you need is to make your purchase and then fill out the simple rebate form attached below and you’re good to go!
Everyone is talking about the EarMix 16M! Recently Church Production reviewed the EarMix:
The EarMix 16M offers a scalable solution that lets you start with just a few personal mixers and keep expanding along with your growing music team.
Seriously, everyone is talking about the EarMix. Watch our buddy John Tendy of Tendy Media review the EarMix 16M!
To get your free EarMix 16M, you must have purchased a StudioLive Series III console between January 1, 2019 and February 28, 2019. Entry Form must be received at PreSonus by April 1, 2019.
Starting today through the end of 2018, get the Channel Strip Collection FREE when you buy a Studio-Series recording system! It’s like Happy Thanksgiving, Merry Christmas and Happy New Year all at once.
Interfaces included for the promo:
Here’s the deal–the Channel Strip Collection is valued at $80 and it’s yours FREE when you purchase one of these interfaces. Once you purchase the interface, the Channel Strip will automatically be added to your my.PreSonus account upon hardware registration.
Here’s everything you want to know about the Channel Strip Collection from Studio One Expert:
This offer is available worldwide.
Our friends at Audio Technology reviewed the AR Series last year and had this to say:
If you’re looking for an audio interface, and are considering ever moving it off your desk, the AR series is definitely worth considering!
Take it off your desk, into your bag and with you wherever you go!
Interested? Find a dealer in your area and take advantage of this deal! You won’t be disappointed.
This offer is available worldwide. Offer excludes StudioLive AR22.
Everyone has heard the story of Saint Patrick—the patron saint that came to Ireland in the AD 400s and converted Ireland to Christianity. Each year on the 17th of March, it appears that everyone has a little bit of Irish in them when St. Patrick’s Day is celebrated! This is especially true here at PreSonus, where we can proudly say we have our own Irish relations based in Co. Cavan where our EMEA office PreSonus Europe Limited is based.
Two well-established Irish bands who have recently started using PreSonus gear are Le Boom and The Lost Brothers. We will be tracking their progress with them over the coming months… but see a quick intro into both bands below.
Le Boom is an indie-electro-house-pop duo based in Dublin, Ireland. They are known for their energetic live performances which feature a frenzy of glass-bottle beats, layered loops, catchy vocal hooks and sweaty fans who dance like no other fans in the world. Their song, “What We Do,” has featured in a number of ad campaigns for TV. According to the US’ Paste Magazine, Le Boom are “Breaking into America in a big way.”
“I recently started using Quantum in our live shows to run my drum samples through VST effects in real time. The lightning-fast latency is essential for this to go smoothly. So far I’ve been really impressed and the drivers have been rock solid.” —Aimie, Le Boom
Irish band The Lost Brothers are Oisin Leech from Meath and Mark Mccausland from Omagh. They have just released their fifth album to huge critical acclaim. In 2018 they tour UK, Ireland, Australia, and the US.
“With emotionally wrenching and confessional songwriting they have the remarkable ability of making a large room feel very intimate indeed. With a masterful blend of careful songwriting and tuneful harmonies, the Lost Brothers make a lasting impact.”
—The Huffington Post (live review)
Oisin of the lost brothers uses a Studio 68 interface to record demos in his home studio and while on the road.
“I just started out using the PreSonus Studio 68 and Studio One to record demos at home. I love the great clear sound from the XMAX preamps, and Studio One’s workflow has been really easy to adapt to.” – Oisin, The Lost Brothers
Baton Rouge-based Thou—winners of Pitchfork’s Metal Record of the Year in 2014—recently took a Studio 192 on the road to record rehearsal sessions and demos for a forthcoming full-length.
Opportunities for collaborative songwriting had become more difficult for the band, as their members have scattered across the country. They typically only get together for tours and shows, making songwriting and recording opportunities somewhat scarce.
Not anymore. Recording straight into Studio One via the Studio 192 allowed the band to write and record in whatever impromptu spaces their tour found them in. Josh Nee (Drums) took recordings home to edit and mix demos for the record after returning from their most recent tour. The full-length, Magus, is on its way.