Hot on the heels of the hit Studio 192 comes his scrappy little brother, the Studio 192 Mobile. If you’re a recordist or producer and need a grab-and-go solution for your tracking, the Studio 192 Mobile is equally at home set up on your desktop, packed in your messenger bag, or tracking in your bassist’s garage.

Hook it up to a laptop with the included Studio One DAW, and you’ll have remote software control of the preamp levels on the 192 Mobile, eliminating the need to constantly get up from your seat and tweak while establishing levels. You’ll be capturing those levels in sterling 192 kHz, by the way, and you’ve got 2 XLR jacks and 2 Line inputs to do the capturing. That’s enough for a small band or multi-channel drums, but it’s expandable via additional hardware like the Digimax DP88—so you’ve got some room to grow. Add to that advanced monitoring capabilities, word clock, and S/PDIF, and you’ve got a powerhouse in a tiny package.

Just think, you can get all that for a hundred bucks less than normal. Contact a local dealer or shop online for this no-hassle, no-paperwork instant rebate.

Oh, and hurry—this USA-only opportunity ends on Oct. 31, 2016 because missing out on this deal would be terrifying.

Click here to find a dealer.

Studio One 3.3 is available now!

Just click “Check for updates” from the Start page in Studio One. This is a free update for all owners of Studio One 3, Artist or Professional.

Features and updates include:

• Single-click global effects on/off
• Deeper integration with Notion—compose in Studio One 3.3 and send note data to Notion 6 for editing and printing. You can also export audio to Notion 6.
• Multi-track drum editing improvements—instantly quantize using beat slicing
• Disable tracks, instruments, or plug-ins to improve CPU load and latency
• New Video Engine

• Click here to buy Studio One from shop.presonus.com
• Click here to find a dealer in the USA
• Click here to find a distributor outside the USA

Notion 6 is here!

Notion 6 Offers Over 50 New Features and Enhancements:

• Side-by-side workflow integration with Studio One 3.3 Artist or Professional
• Cross-platform handwriting recognition, powered by MyScript®
• New layout control and features for professional score output
• Drag to respace measures and systems
• New Instruments: Notion Harpsichord, and Lakeside Pipe Organ and Micro Choir from Soundiron
• MIDI over ReWire for improved integration with other leading digital audio workstations
• New video window controls for faster scoring to picture
• The new Notion Scores library, with over 100 of the greatest works of all time
• Updated Music XML support for seamless transfer with other apps
• MP3 export
• …and more!

• Click here to buy or upgrade from PreSonus‘ online shop
• Click here to find a dealer in the USA
• Click here to find a distributor outside the USA

WHEN

Thursday, August 25, 2016 from 10:00 AM to 11:00 AM (CDT) – Add to Calendar

Daniel’s an acoustic singer/songwriter well on his way to owning the local coffeehouse circuit. Thanks to his StudioLive AR mixer, he’s able to record every show without a computer and makes each and every one of his performances available online for his fans.

Daniel is StudioLive. Are you?

Tell your story at www.presonus.com/iamstudiolive

PreSonus LIVE is BACK on August 11 at 2pm CDT!

Tune in to check out the StudioLive RML rack mixers and the new line inputs, Studio One integration with UC Surface, and Studio One’s remote control of the RML’s signal processors and preamps. We’ll also take look at our new ULT loudspeakers, and why they are the coolest wood box on the market today… and an ideal match for the RML mixers. We’ll be joined by musical guest Jamal Batiste—a versatile and internationally-touring drummer, producer, and artist.

Click here to watch the show  on Thursday, or use the form below to receive a reminder e-mail on the day of the show.

Wesley’s a multi-instrumentalist producer by night, and busy mom all the time. When she somehow finds the time to focus on her songs, StudioLive is there.

Wesley is StudioLive. Are you?

Convology Vintage Reverb Bundle

Convology Vintage Reverbs for Studio One

We’re proud to introduce this triple-pack of incredible vintage reverbs from Convology. These Add-ons, available at shop.presonus.com, have been meticulously modeled from many hard-to-find plate reverbs, spring reverbs, and digital reverb processors from across the globe. We can’t really overstate what an undertaking this was. The Convology Vintage Reverbs are available in a bundle pack, as well as individually.

These impulse responses work with Studio One 3 Professional’s Open AIR convolution reverb. Just download and install, and you’ll have all of the benefits of real-deal vintage ‘verb vibe… with none of the disadvantages:

• eBay expense
• Shipping damage and courier insurance claims
• Expensive replacement components
• Use of valuable studio space
• Scarce qualified repair personnel

Vintage Reverbs — Digital

Convology Vintage Digital Reverbs

This powerful collection of impulse responses brings back the sound of the early 80s reverb units. While many of today’s digital reverbs are renowned for their realistic quality, there’s an undeniable sonic mojo to some of the early digital efforts.

Full Listing of sampled reverb units
Digital Reverb 245 – (10 files) New York and Switzerland
Digital Reverb 246 – (20 files) Austria and Switzerland
Digital Reverb 248 – (16 files) Nashville, TN, and Denver, CO
Digital Reverb 250 – (26 files) Nashville, TN

Digital Reverb 245
The 245 was the 244 with the addition of pre-delay and a reflections settings. While the other German units incorporated some of these same reflection settings in algorithms, the 245 gave you the flexibility to really dial in those settings. When you look at these files, under the microscope, it’s interesting to see the early reflections (spikes) in the audio files. There was a great deal of audio engineering science that went into the reflections, how far or close together they would be, to emulate different rooms, halls, etc. The 245’s longest reverb time is around 5 seconds.

Digital Reverb 246
uses the algorithms from the 250 as does the 248, with a great deal of user control and flexibility. It also encompasses a slot for expanded memory similar to the 248. It has 6 program modes with a programmable low pass filter, reflections, and decay.

Digital Reverb 248
The 248 was the last unit made in this series and is treasured by many as being solid and quite nice sounding. The 248 was loaded with all kinds of presets and adjustable algorithms including, Baroque Church, Cathedral, Romanesque Church with numerous size rooms, halls and even stairwells, bathrooms and a preset called “Tiny Room.” The 248 is a very able processor and is used even today, like so many of these vintage units, by major recording artists around the world. One of our units was used by leading country artists such as Reba, Carrie Underwood, and Luke Bryan.

Digital Reverb 250
The first true DSP manufactured. The 250 uses 12-bit, 24k converters, low passed around 11Khz. This unit has large levers on top, weighs around 100 lbs and looks like it is from outer space – nicknamed the “R2D2.” No doubt, this is one of the finest DSPs from the era, with the few who own one of these remaining pieces of vintage outboard gear, still using them frequently and unabashedly. There is a 251 and 252 unit that are offshoots of this model. There were only around 250 of the original units made and then were adapted to the newer 251 interface and 252 upgrades with the 252 being a rack mounted version.

Vintage Reverbs — Plate

No two plate reverbs sound exactly alike. Even when made by the same company! Years of use, storage, re-conditioning,  re-tuning, driver condition, pickups, and upgrades made to a plate unit each impart a sonic consequence. There’s a reason that some studios still reserve the space for a massive, heavy, expensive plate reverb—they tend to age like fine wines.

Convology Vintage Plate Reverbs

Full Listing of sampled reverb units
Plate Reverb Eco II (8 files) – Appleton, WI
Plate Reverb Eco III (13 files) – Sweden
Plate Reverb 140 Tube (16 files) – Nashville, TN
Plate Reverb 140 (19 files) – Finland
Plate Reverb 240 (15 files) – Los Angeles, CA
Plate Reverb Lawson (13 files) – Nashville, TN

Plate Reverb 140
For many, the 140s are viewed as king of the hill for a number of reasons. They were the first and came to market in the late 1950s. They tend to be a little warmer, tend to replicate, as they were originally designed, the sound of a concert hall and with limited EQing can for the most part, more readily replicate a dark, bright or a warm sounding room, etc. There are beautiful sounding files in every 140 model sampled—try them all along with very cool hybrid impulses that really are a solid addition to anyone’s convolution library!

Plate Reverb ECO
Tend to be brighter and a little more metallic sounding. Useful to bringing certain production elements out in the mix when you need it to cut through. These units were a little smaller than the Plate Reverb 140.

Plate Reverb 240
The 240 is darker sounding. Weighing 148 lbs, with dimensions of 1’ X 2’ X 2’.  Some say better on shorter settings and for sound sources like drums. Originally designed as a way to make the original 140 (4’ X 8’) in a smaller and lighter box.  It really was a technological feat for its time. They use a gold foil plate and are a hybrid between the original large 140 plate and early analog to digital rack mount and smaller floor units, although the 240 is totally analog.

Lawson
Tends to be brighter, iwth a bump in the lower mids tends to warm them up. This unit was designed and built by Gene Lawson who continues to make microphones today at his shop in Nashville, TN.  His microphones are well regarded and his tenure in the business is remarkable.

Vintage Reverbs — Spring

This impressive collection of impulse responses brings back the famous sound of no fewer than 26 spring reverb units, sampled in 6 different countries including Britain, Canada, Netherlands, New Zealand, Scotland, and the USA.

Many pieces of gear included in this Add-on have been used by major recording artists, like tube springs that have been used by The Rascals, Van Morrison, and in James Brown’s famous “It’s a Man’s Man’s Man’s World.” (K-100 Spring)

General Overview
For many who grew up in the era of plates and springs, most were drawn to plates for very good reasons. After careful consideration and reaching out to studios around the globe for the most interesting vintage springs that could be found and acoustically captured, some of these springs are just absolutely gorgeous with the spring and electronics of the units, really creating some fantastic sounding reverbs–the 3D audio quality that many engineers aim to find.

If you’ve always fancied yourself a plate reverb individual, this library will definitely change your mind. There are springs of all kinds, and yes, there are some boingy ones—gotta have a few for that vintage guitar, lead vocal, and organ sound, right? There’s also mono and stereo versions, along with a variety of lush and warm-sounding springs that nearly sound like a plate—they deliver the “reflections from nearby walls” as only a spring can—when light tremor and flutter of the spring occurs.

This spring reverb collection is complete with a wide range of springs, useful for a variety of applications. There are a good number of impulse response files in this library that you wouldn’t hesitate to apply to the lead vocal–they’re that good, and would absolutely compete with some of your favorite – digital or plate reverb presets. A number of leading engineers and producers use springs on a regular basis and some as their main “go-to” for reverb in general.

Click here to buy Vintage Reverb Collection at shop.presonus.com

Compact and lightweight, PreSonus AIR active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the back seat of a small car. Backed by 1,200W of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, AIR full-range systems give you all the power and tools you need for both mobile and installed sound. The series includes AIR10, AIR12, and AIR15 full-range systems and AIR15s and AIR18s subwoofers.

Here’s a look at the new AIR speakers from InfoComm!

Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML32AI 32-channel, 25-bus, rack-mount Active Integration™ digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

Learn more about the StudioLive RML Rack Mixers here.