La Carta Perfecta – En Vivo was a big record for Danilo Montero in 2014—so big, in fact, that it won a Latin Grammy for Best Christian Album. The live album was mixed by Abraham Martinez, pictured above, in Studio One Professional 2.
Martinez is a full time FOH audio engineer for Marcos Witt, a well known worship leader and music artist in Latin America. When not working with Witt, Martinez spends his spare time rackin’ up Latin Grammys. He’s collected three in only four years:
We had the chance for an e-mail exchange with Abraham to get some additional details. While Abraham has been using Studio One—and other PreSonus gear—for a couple of years now, this is his first Latin Grammy award for a project mixed in Studio One. Abraham came into the Studio One fold the same way many users do—via PreSonus hardware.
“Back when I recorded more, I used an an M80 preamp and ACP88,” says Martinez. “More recently I’ve used an ADL 600 for tracking vocals and bass. I also use a StudioLive mixer for its audio quality and ease of use for work on our church campus. I have always associated PreSonus with value, but had never considered them a serious DAW developer until I tried Studio One!
“Now I use Studio One for exclusively for all of my mixes in my personal mixing studio, AMmix,” Martinez continues. “We also use it at our church to to record and mix our plays. The main thing that drew me toward Studio One was it’s incredibly intuitive workflow. It felt natural immediately, especially for mixing. I remember having to go back to my old DAW to finish an older project and hating it as it felt primitive in comparison. What kept me working in Studio One however, was its audio quality and professional features. That is something I just wasn’t willing to give up.
“Studio One doesn’t disappoint,” Martinez asserts. “The drum editing and quantization features are the best by far. I love that there are never problems with clicks and pops and everything stays perfectly in phase. Audio quality and ease of use are Studio One’s strengths.
Martinez speaks from experience when comparing Studio One to other DAWs and workflows.
“I found my workflow to be much faster and fluid in Studio One, as apposed to Nuendo, which I worked on before for many years. I recently did a comparison of working completely ‘in the box’ with Studio One against my hybrid hardware/software setup—and I can honestly say that the differences were minimal. I now feel completely comfortable working completely in the box when I have to!”
“I can’t wait to see what Studio One has in store for us in version 3,” he muses.
Watch the video for Danilo Montero’s “Dios de Amor” below:
Hurry, this great offer ends February 28! Click here to get Studio One Artist and/or Progression 3 for just $20.15 (USD) each! If you’re not in the USA, that’s OK—monster discounts are available globally. Get your song on for less money than you even thought was possible!
Groove3 has a great new series brewing chock full of Studio One production tips.
In this, the first episode of the series, Scott from Groove3 takes a moment to list off what we’ll be learning before discussing how he has the session set up, and taking a full listen to the song that we’ll be working within coming episodes of the series.
Did you know? Studio One and Notion can run simultaneously, giving you the combined magic of both? This is true in no small part to Propellerhead’s ReWire. Here’s how to set it all up! Wait, slow down. First, let’s address what the heck ReWire is, and why you would want to take advantage of it.
ReWire is an industry-standard bit of software that serves as a communications platform between two DAWs. Having a couple DAWs (in this case, Studio One and Notion) allows them to stream up to 256 audio channels to one another. Furthermore, ReWire sees to it that both DAWs operate in precise synchronization, and provides shared transport functions between them. In other words, you only need to use a single set of play/stop/FFWD commands to control both DAWs simultaneously. ReWire has been getting DAWs to hold hands and play nicely together since 1998.
But why? A buncha reasons, including but not limited to:
If you’re wondering “How do I get ReWire?” You’re going to like this answer. If you’ve already got Studio One (Producer or Professional editions) and Notion, then you’ve already got ReWire. Here’s how to get rolling with ReWire in Studio One and Notion.
A couple notes: (See what I did there?) Unlike other notation software, you can output up to 32 pairs of audio from Notion. This means you can have full control over the whole mix right inside of Studio One. One example would be to use Notion busses to separate brass, strings and percussion, and then create separate channels for them inside Studio One.
While it’s pretty simple to get ReWire set up, we understand that computers are temperamental beasts from time to time. So if you run into a couple of bumps in the road through this process, check out our knowledgebase article on troubleshooting your ReWire setup.
The end result? Here’s Studio One and Notion, playing nicely together:
A few months ago a dear friend of mine sent me a text that read ‘I have a crazy idea I want to discuss with you’. I’ve known Jeff Brown for over 15 years, and we’ve shared many stages together, traveled halfway around the world to play music, and he was the best man at my wedding. So when a text like that comes in from Jeff, I’m anxious to hear what he has to say. With me, the crazier the better.
Jeff explained his idea to me. He wanted to have musicians come over and jam. Just jam, with no prewritten tunes, no egos, and no boundaries. He wanted the players to inspire each other and stretch out past their usual gigs and comfort zones. Nashville is a hotbed of activity right now with musicians migrating to town from LA and New York, and from all genres of music. Jeff thought it would be cool to have all these different cats come in and play, record the whole thing, and edit the video into webisodes.
The logistics of everything together was a slight challenge. The biggest obstacle was scheduling of the players, since all have busy touring and recording schedules. The easy part was the selection of the recording platform: Studio One Professional. I use Studio One in my setup exclusively, as does Jeff. For Players Din, we connected using two FireStudio Project units. The pres sound fantastic, and Studio One makes life simple with easy setup and editing. And for those wondering, no, there is no musical editing. When you watch and listen to the show, you get wrong notes and all. In the future there may be discussions of getting jams on Nimbit that didn’t make the web shows, to give you more material from some eclectic players.
In the pilot episode, there is some huge talent joining Jeff. Tyson Rogers, Travis Vance (Thomas Rhett), and Reeves Gabrels (David Bowie, The Cure) jump in for some pretty interesting stuff. Future episodes are already being conceived, and if you want to learn more, have suggestions of musicians you’d like to see, or even jump in the mix, reach out to Jeff via his website.
We’re pretty excited about this new project, and happy that the PreSonus team is with us from the beginning. Thanks to all of you for checking out Players Din, and we hope that it not only inspires you to jam and record with friends, but to remember that crazy ideas can become reality.
Get ready to get heavy! Here’s Conquering Dystopia throwing down some serious synchronized/harmonized guitar chops while recording into Studio One. Note the handy Monitor Station in the background, as well as what appears to be a guitar library on the left side of the room.
Thanks for posting, guys!
Check out this great video from session drummer and recordist Luis Hernandez on using the ADL 700 and Studio One to record a jingle for HBO Latino. If you’re looking for some workhorse secrets from a guy who’s working in music full-time, don’t miss it! Luis shares some of the secrets of his signal chain, and some of his favorite EQ settings for using the ADL 700 on kick and snare—particularly as it pertains to filtering high-hat sounds from his snare mic.
The clock is ticking! This incredible offer ends August 31, 2014. Here’s the long and short of it: buy Studio One Professional – including upgrades and crossgrades – and get both Goldbaby Essentials and The Ampire XT Metal Pack for FREE! That’s a $60 value.
Click here for the full details on this offer. Short version: Goldbaby Essentials is an add-on for Impact that features 500 tape-saturated, professionally-recorded samples of vintage drum machines, arranges into 32 Impact drum kit presets and 124 musicloops. The Ampire XT Metal Pack is an add-on for Ampire XT that gives you six new heavy-duty, high-gain amp models, six cabinet models, and a set of some really in-your-face drum sounds for Impact.
Here’s EDM hotshot KATFYR demoing how he made his #1 hit “Lose Control” in Studio One, from Musikmesse 2014, with the help of the Goldbaby Essentials add-on:
Here’s what the Metal Pack sounds like when helmed by TOOMS:
Click here to get Studio One Professional and take advantage of this offer while you still can!
The StudioLive AI Mixers, like many of our products great and small, ship with Studio One Artist. For a limited time, you’ll be able to upgrade the included copy from Studio One Artist to Studio One Producer for free.
Both Studio One Artist and the upgrade to Studio One Producer are worth $99, so, that’s like getting $200 of free software. Studio One Producer includes significant feature upgrades from Artist, including MP3 import/export, virtual instrument support, and a whopping 16 gigs of bonus content.
I’m not sure how we greased this, but somehow we smooth-talked the sharp dudes at Groove3 to include their “StudioLive AI Hardware Explained” video series, a monster 47-part series that would ordinarily set you back fifty bucks. While that alone is a steal at around a dollar per video, we like to think that “free” is an even better deal.
This package will put you leaps and bounds ahead of the guy who buys a vanilla StudioLive AI mixer. With Studio One Producer and an exceptional training video series ready-to-go as soon as you open the box, you’ll be hitting the ground sprinting instead of running.
Interested? Click here to get the required rebate form, and then…
Oh, and if you’re still on the fence about getting a StudioLive AI or not, this video might clear up some of your hesitations.