Okay, Studio One isn’t lacking for reverb. Nor is the rest of the world. But we also aren’t lacking for tools to make new kinds of reverb sounds, and that’s what this week’s tip is all about.
Note that the TonalVerb is a bus effect, so don’t insert it in a track. (Or, do insert it in a track—you never know what might happen!) As with last week’s tip there’s a preset you can download, but I recommend reading about how this preset works. FX Chains are very powerful, and once you learn what you can do with them, you can create your own signature sounds instead of sounding like everyone else.
HOW IT WORKS
A Splitter, set to Normal mode, feeds two Mixverbs in parallel. One of the parallel paths goes through a Mixtool with both channel phases (polarities) inverted, so the summed audio cancels. Except… one Mixverb has damping fixed at 50%, while the other is variable (as set by the FX Chain Tone control). With both Damp controls at 50%, there’s no audio due to cancellation. However setting damping below 50% cancels the low frequency reverb components, yet the high frequency reverb components remain. With damping set above 50%, the reverse occurs—the high frequency reverb components cancel, while the low frequency components remain. The closer Tone is to 50%, the greater the cancellation so you may need to increase the bus level under these conditions.
This effect is very different compared to altering tone via equalization for several reasons, but the main one is that damping varies over time. At the onset of the reverb, there’s more cancellation because the two parallel signals have more in common. This reduces the attack of the signal being reverberated, which has its own uses—for example, you might want the crack of a drum to be more prominent, rather than being washed in reverb. With tone set to 0% and Size at a relatively high value (e.g., 70%), it’s almost like the reverb has an attack time of its own.
Regarding the other FX Chain controls, Predelay, Size, and Width all vary their respective Mixverb controls simultaneously over their full ranges. The only one that works differently, as noted above, is the Tone (damping) control.
So… why be normal? Here’s your chance to try a different type of reverb sound that’s especially well suited to EDM productions.