[This just in from the kind folks at Source Distribution!  Oasis UK, top-draw Oasis tribute band and all-around best dudes ever are major StudioLive advocates and took the time to share some stories from the road about their experience with their mixers of choice. ]

Gigging with the StudioLive:

Behind the Scenes with Oasis UK:

Bonus “What’s the Story (Morning Glory)” performance:

[International Sales Director of Mystery Mark Williams reports from the inner sanctum of La Gruta! Fortunately for us, his 6G geniusphone prototype was able to acquire adequate reception to get these photos out from deep within a quarter-mile of  Mexican bedrock.]

He reports:

“I had lunch today at La Gruta with one of our Mexican distributors. The restaurant is inside a volcanic cave that was used by the Mayans and also played a part in the Mexican Revolution. It was established in 1906. There’s nothing like an interesting lunch environment after a week of presentations, demos, clinics, foiled assassination attempts, and meetings.”

[This just in from Lu Rojas of Oak Street Recording, who along with Mike Montero recently had a great experience with a rig of four StudioLives and Studio One!]

Hey PreSonus! I just wanted to let you guys know about a recent experience we had with some of your products. On Tuesday April 30 at Harrah’s Theater in New Orleans, we recorded Allen Toussaint’s 75th Birthday Tribute & Benefit. All proceeds were donated to the New Orleans Artists Against Homelessness & Hunger.

We had four StudioLive 16.4.2 mixers. We slaved the first two units together, and then sent a submix from those mixers into the next two mixers, which were also slaved together. The first pair were connected to a custom-built PC running Capture 2, and the second pair were connected to a Macbook Pro, also running using Capture 2. From there, a stereo mix was sent to a CD burner, for reference, and to the HD broadcast truck for WLAE/PBS. The broadcast truck in turn sent us SMPTE time code, which we recorded to both computers for syncing after the fact. They also sent us a video feed so we could mix audio to the video. I handled mixing on the first pair of mixers (drums, bass, piano, main vocal & percussion) and Mike Montero handled the mix on the second pair of mixers—horns, guitars, vocals & audience mics. Mike also handled the mix of the overall balance between both sets of StudioLive mixers, as my mix was being submixed into his mix!

Neither Mike or I had worked with the StudioLives in such a situation before, and we had concerns about figuring out our workflow before showtime. Everything was so simple to figure out, that we ended up having downtime before the show! Imagine that… time to eat and have some coffee and not stressing over whether we had our asses covered! Another thing that impressed us was how well the compressors worked on the mixer. I always worry in a live atmosphere when a microphone is being handed around from artist to artist, and not being able to catch the one that is going to overload the microphone. Fortunately, the compressor section worked like a charm even when switching from artist to artist on the main vocal mic.  We had Allen Toussaint, Irma Thomas, Elvis Costello, Deacon John, Jon Cleary, Cyril Neville, Dr. John, Joe Stampley and Joe Henry. The important thing was that we got the main vocal to always sit right on top of the mix without it sounding squashed or distorted.

As of now I have installed Studio One on Mike Montero’s computer, and he will be mixing the audio from here out. Thanks guys!

[This just in from PreSonus Artists MayTree, Korean barbershop powerhouse(s) who have been using the StudioLive 16.0.2 for their performances for a while now. They recently added an ADL 700 to the fold and have nothing but kind things to say about it!]

Hello PreSonus! We are MayTree from South Korea. We are writing this email to thank you for the ADL 700. We were all impressed by the high quality of sound and also the appearance. When we first opened the box, we all screamed because ADL 700 is so much sexier than we expected.

We right away hooked it up with the gear we have for recording, then we were so satisfied with the clarity of the  sound and the powerful compressor. Now we will produce an album, and will include the ADL 700 in the process and show people how awesome it is.

Thank you so much again, and we will send you music as soon as we finish recording with ADL700.

All the best,
MayTree