Sonic Sense Pro Audio is SO GOOD to us.

In this new video, they open with a nice breakdown of the workflow and feature upgrades in the new StudioLive 32.2.4AI as compared to the original StudioLive 24.4.2. They touch on Active Integration, computer-free wireless connectivity, Capture 2.1, Mute Groups, Scenes, Fat Channel updates, and more.

But they don’t stop there. They run a multi-track recording from the FoxField Four through BOTH mixers, and provide an A/B test of the stereo mix from both mixers, so you can hear the sonic improvements in the StudioLive 32.4.2AI for yourself!

Great work, guys, and thanks for your support!

Pepper has been touring hard for some time now, and they’ve turned to the StudioLive 24.4.2 to make the rigors of the road a little more comfortable. Band members and FOH engineer Mike Sutherland sing the praises of their StudioLive and how it applies to their in-ear monitoring solution.

[This just in from PreSonus Artist and hybrid drummin’ badass Brian Botkiller]

Hi guys,

Is that a StudioLive 24.4.2 I see in the background? Probably.

Check out more of these over at YouTube!

[This just in from Sudhin Prabhakar of Pro Musicals, our distributor in India!]

Lesle Lewis is one of India’s well known pop stars, being one part of the Colonial Cousins, a rock/pop act that took the country by storm in the 80s, and has continued their run for decades.

[This just in from John Tulley, recording engineer for Twin Killers!]

The StudioLive 24.4.2 and Studio One 2.5 work so great together. Twin Killers music has a very eclectic sound palette and during the recording process the creative flow is quickly shifting through ideas and sonic spaces. The mixer/DAW combo allows me to get sounds dialed in quickly, without a rack full of gear, print awesome sounds and keep the creative process flowing. The layout always makes sense and is very clean. You’d be hard pressed to get so much power out of any other two tools while always remaining to stay in such a musical headspace!”

[This just in from Mike Dawson, Engineer/Voice/Producer on The Adam Carolla Show!]

Hey PreSonus!

I wanted to share a bit about our use of the StudioLive 24.4.2 on our broadcast. It’s awesome to have all the built-in effects. I never know what’s going to happen at any given moment on the Adam Carolla Show. Debbie Gibson was a guest on our show during  her and Adam’s run on Celebrity Apprentice together.  She started singing “Billy, Don’t be a Hero,” by Bo Donaldson. I immediately mixed her mic into the reverb I’ve selected for solo vocal performances (always impromptu!)  and she sounded pretty bitchin’.  She looked at me through the glass and winked, saying something like “Hey, you’ve got an engineer that knows what he’s doing.” Adam joined in the song, and with the touch of a button they have perfect studio quality reverb on vocals. After the show, Debbie Gibson hugged me.

Most recently, David Alan Grier was doing a hilariously dirty Teddy Pendergrast impression. Again, in milliseconds, reverb is up and easily engaged and disengaged without having to fumble through auxiliaries and faders. This is a bad-ass piece of machinery. I use it in my own production studio, and even travel with it for on-site recording and engineering gigs.

Hope you had an awesome Christmas!

JC Bittence, PreSonus representative from TechRep Marketing, takes us (you) through an in-depth look at the PreSonus StudioLive 24.4.2. This video clocks in at around 20 minutes, so you may wish to make a sandwich first.