One of my favorite Studio One Professional features is the Splitter, and quite a few of my FX Chains use it. If you own Studio One Artist, which doesn’t have a Splitter, you may look longingly at these FX Chains and think “If only I could do that…”
Well, you can implement most splitter functions in Studio One Artist, by using buses. All the following split options are based on having a track that provides the audio to be split, along with pre-fader sends to additional buses. Note that the track’s fader should be turned all the way down.
The Splitter’s Normal mode sends the input to two parallel paths, which is ideal for parallel processing. For Artist, we’ll duplicate this mode with two buses, called Split 1 and Split 2 (fig. 1).
Figure 1: How to create a Normal split in Artist.
The sends to the buses are pre-fader, and panned to center. One send goes to Split 1, and the other to Split 2. Now you can insert different effects in Splits 1 and 2 to do parallel processing.
The Channel Split mode also splits the input into two parallel paths. One path is for the left channel, while the other path is for the right channel.
Figure 2: How to create a Channel Split in Artist.
The setup is the same as for the Normal Split (fig. 2), except that each bus has a Dual Pan inserted. The Dual Pan for the left channel has the Input Balance set to <L>, while the Dual Pan for the right channel has the Input Balance set to < R>. I recommend the -6dB Linear Pan law so that if you pan either of the buses, the level remains constant as you pan from left to right.
This is tough to duplicate, because the Splitter can split incoming audio into five frequency bands. If other DAWs don’t do it, we can’t expect Artist to do it. But, we can do a three-way, tri-amped split into low, mid, and high frequencies (fig. 3).
Figure 3: Tri-Amp Frequency Split.
This split is like the Normal Split, except that there are three buses and pre-fader sends instead of two, and each bus has a Pro EQ2 inserted. Each EQ covers its own part of the frequency spectrum—low, mid, and high (fig. 4). Using 6 dB/octave slopes doesn’t provide as much separation between frequency ranges as steeper slopes, but the gentler slopes are necessary to make sure the frequency response is flat when you mix the three channels together.
Figure 4: (Top to bottom) low, mid, and high curves.
The only filter sections we need to use are High Cut and Low Cut—you can ignore everything else. Fig. 5 shows the settings. All bands have 6 dB/octave slopes.
Enable the Low band’s Pro EQ2 HC (High Cut) filter, and choose 200 Hz for frequency. Enable the Mid band’s Pro EQ2 LC (Low Cut) filter, and set it to 200 Hz; also enable the HC filter, and set it to 4.00 kHz. Finally, enable the High band’s Pro EQ2 LC filter, and set it to 4.00 kHz. These frequencies are a good starting point, but you may want to modify the split frequencies for different types of audio sources. Just make sure that the low band HC frequency is the same as the mid band’s LC frequency, and the Mid band’s HC frequency is the same as Hi band’s LC frequency.
Figure 5: Filter control settings.
Granted, setting up these splits takes more effort than dragging a Splitter plug-in into a channel, but the result is the same: cool parallel processing options.
Take a second and consider all the things you accomplish in 24 hours…
Now. Think about re-writing, producing, mixing, and mastering a song in that amount of time and putting it out for the public. Sound reasonable? Oh, and be sure to book a photographer to shoot the cover art for the single.
Did we just give you an anxiety attack? Sorry.
That’s the exact challenge that was presented to PULL N WAY, a female pop duo from Central Switzerland. Fortunately, Studio One was there to help tackle the assignment.
LATTESSO is a “cold coffee to go” brand in Switzerland. They connected with PULL N WAY for the launch of their latest vegan products. LATTESSO based the 24-hour challenge on the idea to have PULL N WAY re-write one of their existing songs—which would include tracking new vocals and creating new cover art, including photography. Watch the whole challenge here:
We had the opportunity to chat with PULL N WAY and their producer, Andy Prinz about the challenge.
During the challenge, did you want to give up? What kept you going?
Well to be honest, the hours between 3 a.m. and 6 a.m. were the hardest. We just came back to the studio after our photoshoot in Zurich. We almost fell asleep but our passion kept us motivated to continue the challenge! We managed it to finish the song and we sang tons of other songs to stay awake.
All the gear is fantastic and affordable. We use Studio One to track all our vocal recordings, edit/comp the vocal tracks, and create basic ideas in pre-production. For monitoring, we have two Sceptre S8s and a Tremblor, and for the recording a Studio 192 USB interface with two priceless headphone outputs and latency-free monitoring. Studio One is a fantastic piece of software, for both composing and producing—and it’s super fast with all the drag & drop functionality. Plus, we love the graphical interface!
When did you first hear about Studio One?
Andy, one of our producers, is a long-time Studio One user… I think from version 1.6 on! So all our first recordings from four years ago had been done in Studio One, and with further PreSonus gear already, so it’s basically the DAW we’re introduced to from the very beginning.
What features are you most impressed with your gear?
The drag & drop functionality, vocal comping, Melodyne & VocALign integration via ARA, new gain functions and the GUI. We totally fell in love with the ATOM controller, which we’re starting to use as a live tool to trigger samples or vocal/drum loops from our existing songs.
How easy/difficult was Studio One to learn during the 24-hour challenge?
It was super easy to record and edit all vocals in this short time, and we made it all on our own. For the final product, we had help from Andy.
Where did you go for support?
We had a basic introduction by our producer, and just learned by doing in Studio One Artist—and we used some YouTube tutorials as well.
Where did you go for inspiration?
We worked with a really cool film crew, they are as old as we are so we had a great time together which made it easy to think about the new lyrics which represent those happy and positive vibes. So we didn‘t really need to go to a certain place to get inspired.
The gear is affordable and offers a huge variety of functions for semi pro’s and professionals alike! We also like that we don’t have to carry a dongle for Studio One! PreSonus is part of our musical journey for a long time and we’ll continue using it for all current and future recordings. At the moment we’re writing and producing new songs for various collaborations and new Pull N Way songs.. so stay tuned. Equipment: We just found out on Instagram that PreSonus has released some microphones! We’ll definitely try these out!
Recent projects? What’s next for you?
We have released our debut album “Colours” this year but–after several live gigs during Summer–we’ve already started working on new material for our upcoming releases, ranging from Pop to Electronic. We’ll also try to make at least 1-2 cloud trap songs… therefore we’re actually looking for a suitable French rapper. Besides that, we have loads of featuring requests, mainly from the EDM scene/DJs and we’re currently evaluating what’s best for us and what’s the best fit!
Looking for a boost in your workflow with Studio One Artist… This will do the trick!
Studio One Artist is a powerful DAW–the Artist Booster Pack takes it next level.
With this bundle you get five of our most popular add-ons for Studio One Artist!
This pack is compatible with Studio One versions 3.3.3 and higher.
This instant rebate allows you to save $50 when you buy an AudioBox Studio—an everything-in-one-box recording solution for budget-minded and mobile recordists alike. Here’s what you get: An AudioBox USB 2-channel recording interface, HD7 headphones, M7 condenser microphone, and Studio One Artist. All you need to supply is creativity.
Portability is the name of the game here, as the AudioBox USB is bus powered, meaning no fumbling around with dorky old wall warts, and no recording sessions will be sacrificed to the dead battery gods.
The M7 large-diaphragm condenser mic is ideally suited for vocals and acoustic instruments, but you can put it in front of pretty well anything and confidently expect great results. The HD7 headphones allow you to monitor and mix your tracks with clarity and style.
Last but most, Studio One Artist is the award-winning DAW that offers unlimited tracks, sterling audio quality, and an intuitive drag-and-drop user interface. It will leave you wondering how people ever made music any other way back in the dark ages of 2009.
This offer is available globally and instantaneously, and there are no receipts to wrangle or forms to fill out.
To find a dealer, click on one of the following links: