PreSonus E44 and E66 MTM Studio Monitors:
While MTM technically stands for “Midwoofer—Tweeter—Midwoofer,” you ought to know that they’re good from Mixing-To-Mastering. The MTM speaker configuration allows the MTM studio monitors to deliver the widest stereo field available in their class. You get a more consistent listening experience from varied listening perspectives. They’re also louder than they look, since the combined signal of the two relatively small drivers propagates forward like a single waveform. This mutual coupling provides a highly dynamic output in a compact footprint. And if footprint’s not an issue, mount them horizontally. We’ve designed them to sound just as good in either configuration.
Check out this video from A-list producer Chaka Blackmon. He relies on the Eris E66s for his daily grind.
PreSonus R-series R80 and R60 AMT Studio Monitors:
The R-series contrasts from the MTMs in a couple ways. While the singular woofer approach is a more traditional, the Air Motion Transformer (AMT) tweeter is the star of the show. At the core of AMT is the astonishingly thin (< 0.01 mm!) Kapton® membrane voice coil, which moves at the same instant as the current that drives it, with no dampening applied to negatively affect the tweeter’s transient response time.
As a result, the R-Series faithfully reproduce the highest frequencies that can be heard by the human ear—and the vast majority of human microphones. The sonic result is a greater sense of air, space, and imaging that is characteristic of audiophile recordings and off-the-charts transient response. Furthermore, the AMT’s design inherently offers 8 to 13 times the projection area of a typical dome tweeter. This widens the stereo image considerably, while keeping problematic vertical dispersion in check. Consequently, the R80s sound consistent regardless of what room you place them in; a versatile choice for audio recording studios and post-production.
Here’s Mike White on the R-series.
Finally, both the R-series and the MTMs offer all the Acoustic Space tuning and connectivity options you’d ever need, and include RCA, 1/4″, and XLR inputs.
Betcha didn’t know we made monitor pads. SURPRISE! And what better way to introduce these squishy li’l buddies than to give them away? From now until June 30, 2016, you’ll get a free pair of the ISPD-4 Monitor Isolation Pads when you buy a pair of R65, R80, Eris E44, or Eris E66 monitors.
I know what you’re thinking. “OK, great, PreSonus makes monitor pads. But why the heck would I need a pair of those? It’s not like my monitors complain about being uncomfortable.”
In a word: decoupling. Speakers transmit their vibrations to any surface they are resting on. That includes your desk, and once it gets moving, it’s likely to have a resonant frequency or two—turning your desk into something of a speaker in its own right. This will most certainly lead to louder bass in your studio—which may sound cool to you, at first. But fact is that this resonance results in an inaccurate portrayal of your mixing work in the worst of all possible places—your studio. A recording that might sound great in your studio sans isolation pads will render thin and without much bottom-end when played on other audio systems.
All you need to do is provide this rebate form signed with proof of purchase. Get a set of ISPD-4s with our newest monitors, and start making mixes that you can trust. The monitors may not thank you, but your clients will.