Hey Pro Tools users! Al Tee put together this really helpful video about using the PreSonus StudioLive 16.4.2 in conjunction with Pro Tools 9. There’s a lot of knowledge packed into these eight minutes! Check it out.
We were pretty sure going into PreSonusphere 2011 that there was going to be a PreSonusphere 2012. The overwhelming positive response we received last year confirmed this suspicion. So, while we’ve all been scratching our heads and tapping our watches to make sure they are working correctly, there’s really no two ways around it… it’s already time to start getting ready for the next one.
Save the date like for a wedding: on Friday, September 28, and Saturday, September 29, we will present PreSonusphere II: Electric Boogaloo at the Shaw Center in Baton Rouge, Louisiana. One- and two-day passes will be available at very low prices. As we get closer to showtime we’ll announce details like who is speaking on what subject, suggestions for where you might like to stay, (I’ve already reserved Justin Spence’s couch) and deals on some nearby astonishing Louisiana chow. We’ll also let you know who’s playing the Thursday night pre-show party.
For more info, check out the PreSonusphere Press Release proper.
SoundPure studios posted this video a bit ago featuring Anthony Demaria taking us on a detailed tour of the ADL 600, our top-of-the-line microphone preamp. Anthony designed the unit, so there’s really no one more qualified on the planet to give the talk you see here.
This presentation gets a little in-depth—beyond the usual “sounds warm and punchy” rigamaroll—but bear with it, there’s something here for everyone. Fact is, if you’re considering buying an ADL 600, you likely mean business… and these sort of details really matter to a guy like you. And if you’re not yet considering buying an ADL 600, you may learn a thing or two about preamps. Big thanks to Anthony and Sound Pure Studios for sharing!
In 1990, five years before PreSonus launched, PreSonus cofounder and president Jim Odom was in the business of making records the good ol’ fashioned way: 2-inch analog tape, racks of analog outboard gear, tons of knobs, and plenty of blood, sweat, and faders. One of the bands Jim produced was called Func Haus, an amazing power trio from Baton Rouge. They are still rockin’ today, BTW.
In the YouTube clip above, you’ll spot a long-haired, cigarette-smoking, not-yet PreSonus-cofounder-and-president Jim Odom, engineering the Desert Sky album for Func Haus. Thanks to Wendell Tilley for this rare glimpse into some of the formative days of PreSonus Audio Electronics!
Today is a really special Freebie Friday, as Hamburg Audio has created a version of their awesome NUKLEAR synth just for Studio One users called NUKLEAR SOLO. The latest version of NUKLEAR has automatic host detection, and needs no further registration, nor activation. If you’re running Studio One (Producer or Professional), just install and have fun!
Click here to visit Hamburg Audio and download NUKLEAR.
And to cap it all off, Studio One users can upgrade to the polyphonic version of NUKLEAR for only €89! For this, just send an email to email@example.com, including a Studio One Song file with one instance of NUKLEAR before or after purchasing.
Three out of three ain’t bad! At this year’s Frankfurt Musikmesse, the StudioLive 16.0.2 won the Musikmesse International Press Award (MIPA) in the category “Mixing Desk (Project Studio).”
History repeats itself… the StudioLive 16.4.2 won the same award in 2010, and the StudioLive 24.4.2 won it in 2011.
Big thanks to the powers that be for their support and recognition of the StudioLive family.
Here’s just a few of the updates in Studio One v. 2.0.5… click through to the Studio One site below for the full list of updates!
• Ampire™ XT amp models were reworked for better sound
• Any command can now be assigned to any MIDI CC message.
• Markers have a Stop flag that stops playback at the marker.
• Manual now available in German, Japanese, Spanish, and French
• Exchange and Sound Set Builder now supported in Artist version
Studio One 2.0.5 update: http://ow.ly/aeMCH
GET STUDIO ONE FREE: http://ow.ly/aeMJC
We just wrapped up a video we’re pretty proud of… take a look at Storyheights Church in Boston, MA. These guys have chosen the StudioLive 16.0.2 for their mobile worship services, and are taking advantage of a diverse array of features… Capture, QMix, StudioLive Remote… these guys are really using the StudioLive to its fullest.
Paul, our video guy, has been acquainted with StoryHeights’ pastor, Tyler Tullos for some time now. Tyler was a youth pastor at Healing Place Church down in Baton Rouge, right in PreSonus’ neighborhood. Tyler moved to Boston about a year ago and set up StoryHeights. They were having great success with the StudioLive 16.0.2 when we touched base with them, so we figured “Heck, let’s fly Paul out there to document their story.” Whatcha see here is the result.
Tyler and company, thanks much for choosing the StudioLive 16.0.2, and for spreading our gospel along with yours. Cheers to you!
Big thanks and a firm handshake to Live2PlayNetwork for this vid. Ken Rengering grabs us by the ear and takes us through his StudioLive 24.4.2‘s workaday rigamaroll. This vid offers a worm’s eye real-deal look at applications for the StudioLive in a live setting. Ken shows us his tricks of choice, using the 24.4.2’s effects functions and routing both creatively and functionally.
All this hands-on know-how is set against the cozy, familiar backdrop of setup racket and roadie-yammer that any live engineer can relate to; an informative romp through the trenches. Thanks guys!
Perhaps “Transforming Audio” isn’t the ideal nomenclature. In the DAW sense, “Transforming” is all about rendering your malleable, time-stretched, VST-, reverb- and Melodyne-saturated audio track down to a single, elegant WAV. Draw parallells less with Optimus Prime turning into a truck and more with flattening layers in Photoshop.
Transform your audio once you’ve dialed in the effects to juuuuust the way you like them—this process frees up your rapidly aging CPU from thinking about all those heady, pitch-shifty convolution-reverberizing plugins you threw at it. Freeing up RAM in this way means you can apply heady pitch-shifty convolution-reverberizing plugins to some other track. Or you can transform to MIDI.
Fortunately, if you checkmark the right li’l boxes, Transformation is non-destructive. If you’re unhappy with the changes you’ve committed to, you can always bring it back to the way it was before, much unlike my relationships with women.
Our dudes over at Obedia stay busy. Visit them!