PreSonus Blog

Category Archives: Studio One


26 new features in Studio One 2.6

Following up last years’ “25 new features in Studio One 2.5,” YouTube genius AudioCzar put together this video celebrating 26 new features in Studio One 2.6!

Noteworthy: 2.6 came out on August 29, and AudioCzar had this video posted on the 30th. The man works fast!

VIDEO: What’s New in Studio One 2.6

Studio One 2.6 launched today! After you check out this video, you may want to

 

Free Plug-ins for Studio One

Hey folks. If you tuned in to PreSonus LIVE today, you may have missed the download links for the free plugins we talked about. Here’s a handy list for you.

An archive of today’s show is visible here.

Note: all plugins are MacOS X and Windows 64-bit compatible and free!

  1. SoundFonts and beyond

    1. Beat Zampler SoundFonts

    2. Camel Audio Alchemy Player, CamelCrusher

  2. Simple FX

    1. Toneboosters EZ-Q, Time Machine

    2. Brainworx bx_Cleansweep, bx_solo

    3. FXPansion DCAM FreeComp

  3. Workhorse Instruments

    1. Sound Magic Piano One

  4. Guitar Stuff

    1. Studio Devil BVC

    2. Ignite Amps Collection

  5. Pro Synths

    1. Applied Acoustics AAS Player Swatches

    2. u-he Tyrell N6 2.0, Podolski

  6. Togu Audio Line

    1. TAL Audio Noisemaker

    2. TAL Audio Vocoder, Filter

  7. Melda

    1. MFreeEffects bundle

New Studio One Video Course Available from AskVideo

Good ol’ Gary is at it again, this time with an exceptional, exhaustive offering of 26 (!) videos on mixing and mastering in Studio One. Head on over to AskVideo.Com to check ’em out.

A handful of them are free, but the rest will cost ya.  Totally worth it. Here’s the freebies:

The full list of course topics available follows:

Preparing a Song for Mixing
Setting Up Markers
The Mix Console
EQing Tracks
Dynamics with Compression
Reverb for Depth
Delay and Modulation FX
Sidechain Compression
Getting Deeper with Automation
Bus and Folder Automation
Bus Compression on Bus Folders
Exporting the Mixdown
Setting Up a Mastering Project
Editing Songs in the Project
Adjusting Volumes of Tracks
Adding Inserts for the Pre, Master and Post
Mastering Chain Order
Using ‘Detect Loudness’
The Spectral and Output Meters
Using Multiband Compression
Limiting Your Tracks
Disable Tracks
Dithering
Burning a CD
Images and DDP Explained
Digital Releases

 

 

 

 

PreSonus LIVE Airs Today, Aug. 15! | Sell the Show After the Show! | 2 p.m. CST / 3 p.m. EST / Noon PST / 20:00 UK / 21:00 EU

PreSonus LIVE Airs Today, Aug. 15! | Sell the Show After the Show! | 2 p.m. CST / 3 p.m. EST / Noon PST / 20:00 UK / 21:00 EU

http://www.presonus.com/videos/presonuslive

Scott Szeryk’s “Celtic Rainbow,” Live at the Aeolian Hall

[This just in from Scott Szeryk!]

Hey PreSonus, I hope all is going well!!  We have just released out latest live video “Celtic Rainbow,” all recorded at the Aeolian Hall, in London Canada, June 8, 2012. on Studio One and the StudioLive 24.4.2.
Here is some insight as to how we recorded our show, “Live at the Aeolian Hall.”

We multi-tracked the entire show via the Studio Live 24.4.2 into Capture.  Great care was taken on ensure that the instrument sources all sounded top notch (drums, bass, guitar, keys) and appropriate mics and DIs were used to capture the sounds of the instruments.

Drum mics were as follows:

  • AKG D112—kick
  • Shure SM 57s—snare top and bottom
  • Shure KSM 32’s—toms
  • Shure KSM 137—hi-hat and ride
  • AKG 414s—overheads

For post-production (mixing and mastering) we used Studio One, and things were kept pretty simple as the performances and sounds were good at the source.  I’m not a “fix it in the mix” type of engineer, so the sounds have to be great to begin with. Also we didn’t use any drum samples whatsoever. The drums sounded great and basic EQing (cut some of the boxey mids) and slight compression (just a hint, 2:1 with slow attack to keep the bass response) were used on the drums, and that’s it. Guitars were plugged straight into the Fractal AXE FX2, bass and keys ran DI.  The XMAX preamps on the StudioLive are so good that it helped the mix come together pretty quick!

Guitar Manifesto can be purchased by clicking here.

#TeamPreSonus Spotlight: Graham Cochrane of The Recording Revolution!

[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do?

My name is Graham Cochrane. I am a producer, engineer, songwriter, and worship leader based in Tampa, FL. I’m also the founder of The Recording Revolution, a popular audio training resource.

How were you introduced to PreSonus?

Word of mouth, years ago.

What PreSonus software/hardware do you use and for what purpose?

I currently have a Eureka and ADL 700 in my rack. Both are excellent preamps and channel strips that make recording easy and fun. I’m using the Central Station Plus for monitoring. I also do all of my mastering in Studio One Professional. Love that project page!

What’s so great about PreSonus, anyhow?

You guys make great products, and make them available at real-world prices, and you have an obvious passion for making music. What more could you want?

What’s the last big project that you worked on using PreSonus gear?

I tracked my band’s most recent EP using just about nothing but the Eureka on the front end. Everything I’ve mastered this year has been exclusively in Studio One.

What are you working on now—or next?

Mixing for a few bands this summer. Also writing a new solo album. I’m always making content for The Recording Revolution including a recent video series called Mastering With Stock Plug-ins that was done all in Studio One. It’s free, you should check it out!

Where can our readers learn more about you online? 

www.TheRecordingRevolution.com

www.GrahamCochrane.com

www.Twitter.com/recordingrev

www.Facebook.com/recordingrevolution

PreSonus LIVE Airs Today! 2 p.m. CST / 3 p.m. EST / Noon PST / 19:00 GMT

Come join us on PreSonus LIVE today and learn the basics of Studio One!
http://www.presonus.com/videos/presonuslive

PreSonus LIVE: Delays in Studio One is now up on YouTube

steadyb checks out all the diverse delay options in Studio One, including Groove Delay, Analog Delay, and Beat Delay. You won’t believe some of the sounds you can get out of these effects!

http://studioone.presonus.com/portfolio/beat-delay/
http://studioone.presonus.com/portfolio/analog-delay/
http://studioone.presonus.com/portfolio/groove-delay/

#TeamPreSonus Spotlight: Rhett Mouton!

 

[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do? 

Rhett Mouton: Producer, engineer, writer/composer.

How were you introduced to PreSonus?

Years ago I was asked by a young band to go to their rehearsal studio to help them record a song. That rehearsal studio turned out to be in Jim Odom’s back yard.

What PreSonus software/hardware do you use and for what purpose?

I use the Central Station for monitoring, ADL 600 for obvious reasons, StudioLive 24.4.2 for live sound and multitracking, Studio One 2 Professional for writing, composing, producing, mixing and mastering.

What’s so great about PreSonus, anyhow?

They always seem to be thinking a step ahead of the curve when developing new products.

What’s the last big project that you worked on using PreSonus gear?

I produced, mixed, and mastered a band called Meriwether’s debut album titled, “Make Your Move” which resulted in a distribution deal and record deal with Suretone/Interscope records.

What are you working on now—or next?

I am currently mixing and mastering projects for clients. I am also composing/writing original music with the intention of licensing for placement in film, television and video games.

Where can our readers learn more about you online?

rmmaudio.com

Facebook.com/rmmaudio

Facebook.com/rhettmouton