PreSonus Blog

Category Archives: Quantum


RMB Justize: Music Of The (PreSonus) Sphere

Discovering new sonic universes to explore is what being a musical artist is all about! 

Let’s dive into RMB Justize’s discussion about his worlds of sound, and how he does it all with PreSonus Sphere:


“Versatility and persistence are a deadly combination of characteristics. They are much-needed weapons to have in an artist’s arsenal.”

Based in Chicago, IL with ties to the DMV area… Taylor Gang’s in-house producer Ryan “RMB Justize” Baker grew up in a musical household, his mother being a classical violinist for the Chicago Sinfonietta, exposing RMB’s ears as early as six years old. 

“I caught the music bug from Mom, for sure. I remember turning 11 or 12 and having nothing but a voice recorder and a Yamaha DJX keyboard. Skateboarding was the thing back then, with influences ranging from Sum 41 to Incubus to The Neptunes and Noreaga. A couple of years later I finally dove into making music with computers, using every piece of software I could get my hands on until now. But… then came PreSonus Studio One, which changed it all for me.

“The interest came from an artist I worked with at the time—he wouldn’t stop mentioning it! After spending countless months into years on ProTools, FL Studio and Reason, I wanted a program that could do it all. I’m a religious template maker, as most are, so the workflow determines the imagination most if not all of the time and Studio One takes care of the madness with ease. Let’s just focus on the music and pushing envelopes more than finding where to click certain stuff. PreSonus did it right, ranging from AudioBox interfaces I’ve owned in the past, all the way to the new Quantum which gives me more than enough power to control the room.”

Since the premiere of Studio One version 5 in July of 2020, RMB has become a power user… eventually convincing a few fellow producers and artists to try it, if not make a full switch. 

“There have been times where I’ve walked into big label studio sessions and people look confused because they’ve never seen Studio One in person! Once I show my way of doing certain things, using certain plug-ins in certain ways, they’re overly surprised. It’s hands-down the fastest program, which lets me flex my mind-work and turn my rough thoughts (even voice notes) into full records. I’ve had people come to my studio for sessions and look surprised when they ask why I use it. You have to try for yourself to find your workflow.”

Honorably noted, PreSonus Sphere has made his processes for online collaboration, recording, mixing, and mastering an album-quality one-stop-shop, helping the migration become a breeze. Especially during times of a pandemic where people can’t communicate like they normally would, it’s a necessity. 

“I think all DAWs should have an ecosystem such as PreSonus Sphere, whether you’re just getting started or an A-list musician. The tools available make it seamless to share files and keep up to date on things like deadlines and most recent notes/mixes, rather than scrambling through emails and hard drives (which we can all relate to, I’m sure). Having that system in one spot, one site, one page, actually kept me in line when finishing a label record and staying up to date without confusion.” (Chevy Woods—Since Birth)

Recently focusing more on production and audio engineering as well, the AAF import feature has been a godsend.

“I still find myself walking people through how to convert sessions to AAF rather than tracking out. There is no other program that will line the session up identically with automation and fades, to say the least, which saves more time than I expected. That’s just a small piece of my realization, of how capable this DAW is. Cheers, PreSonus!” 

Since the start of the COVID-19 pandemic, RMB’s main focus is to create cutting-edge music, knowing he has the perfect DAW to do so, with no issues.

RMB Justize @ PreSonus Sphere

Get a Free FaderPort when you buy a Quantum or Quantum 4848

For a limited time, purchasers of a Quantum or Quantum 4848 interface will get a FREE FaderPort! All you need to do is make your purchase and fill out the rebate form linked below.

Sound on Sound called The Quantum “The Fastest Interface on the Planet,” which ranks among the highest praise we’ve ever received. Following up the Quantum is the incredible Quantum 4848, which serves as an exceptional bridge for bringing your boutique analog processing gear into a digital workflow.

“They’ve achieved low-latency performance that, with the exception of PCIe cards, is currently unrivaled by any interface I know of.  “

-Sam Inglis, Sound on Sound

 

And the FaderPort… what more can be said? The FaderPort Classic was one of our most enduring products, and enjoyed nearly a ten-year manufacturing run. And its new younger brother is even better.  With the compact, easy-to-use FaderPort, you’ll enjoy the fastest, most efficient workflow and the most session control you’ve ever experienced.

Click here to get the rebate form!

Click here to get the EU rebate form!

 

 

Quantum Overview:

Quantum 4848 Overview:

PreSonus Weekend Rundown

It’s been a busy week. Let’s rehash the important stuff you may have missed.

This is a fun one going on with our friends at Splice. Mix “Nobody’s Gonna Love You” into a radio-ready track to win hardware and software from us, the Mixing University course from Recording Revolution, an Eyeball microphone cover, and a call with Briana Tyson.

Here’s how it works:
Click the photo to the right to visit Splice and download the project files and stems.
Once all the mixes are in, Graham from Recording Revolution will listen through the mixes and choose the one he thinks is radio ready to win his premiere mixing course Mixing University, a pair of Eris E66 Monitors and a copy of Studio One 4 Professional, an Eyeball microphone cover from Kaotica, a video call with Briana Tyson, and consideration from Briana Tyson for official release! You have until May 13th to submit your song. Winner announced June 10th.

 

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Quantum and DigiMax DP88 Overview and Test from Brian at PC Audio Labs / OBEDIA

Longtime friend and PreSonus advocate Brian Lorelle of OBEDIA and PC Audio Labs recently interconnected four Quantums and four DigiMax DP88s for a series of test runs in his laboratory in Nashville, taking a close look at CPU usage and latency under varying conditions including different sample rates, plug-in counts, buffer sizes, etc.  If you’ve been looking for a Windows recording solution that takes advantage of the speed and power of Thunderbolt, with tons of I/O, this is a must-watch!

 

 

It’s #PreSonusFAMFriday with John Bastianelli!

The one and only John Bastianelli combines talent, charisma, drive, fun, smarts and know-how perfectly here at PreSonus! Thankfully so–he’s one of the masterminds behind the Quantum 2 and he’s here to tell us all about it! It’s #PreSonusFAMFriday with John Bastianelli.

 
How long have you worked for PreSonus? 
7.5 years.
What’s your official job title? 
Executive Vice President of Product Management.

What’s your favorite thing about your job? Why did you choose to work here?

The 3 “Ps” & C, Products, People, Passion & Culture, being part of the PreSonus team and working with awesome, talented people to create ground breaking products – it doesn’t get any better than this as far as I’m concerned. I love my job and consider the folks I work with my friends, not to mention there are so many talented musicians in our company. I get to record and play music with them too.
Choose a movie title for the story of your life.
What was the first 8 track, cassette, CD or digital download you purchased?
It was a vinyl record actually: John Coltrane’s Blue Train.
Who’s your go to band or artist when you can’t decide on something to listen to?
Bill Evans, the jazz piano player.
What’s your go to Karaoke song?
“Every Breath You Take,” Police.  I always like to belt out the bridge as I sing like crap and totally annoy everyone straining to hit those high notes, that’s the purpose of Karaoke as far as I’m concerned, right? 😉

 

Everyone has a side gig, what’s yours?
Playing, producing and writing music.

What instruments do you play?
Saxophone, flute, clarinet… I’m a horrible keyboard player.
What do you love about the Quantum 2?
I’ve been involved in product development for many years and the Quantum is by far the best audio interface I’ve ever worked on/with and slept with at any price point! 😉 The sound quality, ease of use, and lack of latency has finally made working “inside the box” as easy as the old days of analog recording. It doesn’t get any better this. This one product has inspired me to get back into making music again, even when I get home after a 12 hour day at the office, it calls my name from afar!

Why did you choose this as your favorite?
Simply put, this product inspires me to be creative, makes me want to make music and sounds amazing—recording an alto saxophone can be difficult as there are a lot of high frequencies that are difficult to reproduce/capture unless you have high quality mic pres and converters, the Quantum and Quantum 2 capture my sound perfectly and makes me sound great. I practically like the Quantum 2 because of the size and portability and I don’t need more than 4 mic pres.

Got any tips for working with the Quantum 2

Plug it into your Thunderbolt port, open Studio One or your favorite app and hit record, then watch what happens!

What are you currently working on? What’s next for you?
A Thunderbolt Flux Capacitor… Super exciting!
What’s the strangest talent you have?
What’s strange to you might not be strange to me and visa versa…
Anything else you want to share? 
Fun times are ahead at PreSonus, can’t wait for the market to see what we have in store for you in 2018 and beyond!

 

Connect with John on LinkedIn here!

Learn more about the Quantum 2 here! 

Introducing PreSonus Quantum—Our Fastest Interface Yet.

Every design decision during Quantum’s engineering was made with one goal in mind: speed. PreSonus Quantum sports high-speed Thunderbolt connectivity and a no-frills, direct-to-daw architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date.

Click here for the full story.

 

Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.