Supercharge your Mai Tai sound library with this preset collection! Covering a wide range of styles from vintage to modern, Analog Model Machine is the perfect complement to Mai Tai’s factory sound library: a must-have for every Studio One user and analog synth lover!
Created by Ari Ahrendt (Denoisary), Quality Assurance Specialist at PreSonus Software and member of the original Mai Tai design team, this set of sounds spans three decades of electronic music. Inspired by artists such as Vangelis, Jean Michel Jarre, Kraftwerk and Alan Parsons, these sounds perfectly capture the sonic characteristics of legendary instruments such as Minimoog, Buchla, TB-303, Solina, DX, Alpha Juno and many others.
If you haven’t heard, we released Studio One 3.3 last week. Read more about it here!
Get a StudioLive AI Loudspeaker of your choice delivered right to your door or place of business, including a form-fitting, fashionable dust cover that will keep them looking their best while locking in that new-speaker smell for some time.
Not sure why you should get a StudioLive AI over any other black box? Control and versatility, for starters. You can remotely EQ them to the venue via SL Room Control on your iPad. They’re equipped for wireless and wired communications over an Ethernet or Wi-Fi for control and tuning. You can also add the SL-Dante-SPK option card to create a Dante network and ditch your clunky, heavy analog snake in favor of lightweight CAT5e or CAT6 cables. Oh, and they’re loud. Imagine studio monitor quality (thanks in part to the coax drivers) at extraordinarily high volume.
But enough about us from us. Check out what Sound on Sound had to say about the StudioLive AI Loudspeakers:
“The StudioLive AI series of powered speakers represents something different from the norm for portable PA. The use of coaxial MF/HF drive units, abundant power output and serious helpings of onboard DSP make these interesting and appealing in their own right, but when teamed up with the Room Control application a whole new set of possibilities opens up, and brings ‘big rig’ functionality into the portable live-sound domain. I’ve been using them in isolation, but remember that they are part of an integrated product range, and the functionality can only increase in the future… There are systems that offer a similar level of remote DSP control, but they almost all reside in the high-end touring sector, rather than the compact PA market.”
Let’s talk about the FREE stuff:
That’s over $175.00 in equipment yours for FREE!
This offer is available in the US only with a mail in rebate.
If you’ve been looking to add a vintage vibe to your mix, PreSonus has got you covered. For the month of August, purchase a B-stock or refurbished RC500 for only $399.95 from shop.presonus.com!
The RC500 is well worth it, considering the quality in construction, and of course the sound. This should be the first choice for anyone looking for a versatile preamp/single channel strip for any studio.
-Chris Devine, PERFORMER MAGAZINE
For more of an in-depth look at the RC500, check out the YouTube Video here:
Here’s a good one–how do you know when a saxophone player is at your door?
They don’t know which key to use or where to enter.
Now’s your chance to save 30% on the Classical Saxophone Bundle for Notion—down from the usual price of $29.99. This world-class bundle was recorded using London Symphony Orchestra section leaders and players at Abbey Road Studios, London. You get three instruments in the bundle, including:
One more thing, did you know you can demo Notion for FREE for 30 days? Learn more about it here.
It’s August which means the first day of school is right around the corner. Why not start the school year right with a complete recording solution that’s perfect for dorm rooms, bedrooms, and can even be taken on the go? You can also enhance your set up with studio quality sound that fits nicely in a student’s budget (and space).
Now, through September 30th we’re offering $25 savings on the AudioBox iTwo Studio and our Eris E4.5 studio monitors.
“These are not expensive monitors but they punch well above their price point. We hadn’t expected that much from the Eris 4.5 but the sound quality was remarkable. 9 out of 10 stars!”
The AudioBox iTwo Studio is convenient, portable, bus-powered USB 2.0 and iPad® audio and MIDI interface that offers two combo mic and switchable line and instrument inputs allowing you to record in your dorm room or anywhere on campus with a Mac®, PC, or iPad. Also included Studio One Artist, Capture and a Nimbit account! Check out this overview video from Guitar Center below.
If you think back-to-school deals are just for parents and students, you may be missing out some awesome deals! We’d love to fully stock up your dorm room, class room and studio with this deal!
The PRM1 Precision Reference Microphone is a special type of condenser microphone that provides an accurate reproduction of a room’s sound characteristics for use with audio-analysis tools such as real-time analyzers and spectrographs. The PRM1 employs a ¼” pre-polarized electret-condenser capsule and requires phantom power. It has an omnidirectional polar pattern, meaning it is equally sensitive in all directions. This allows the microphone to measure reflections, as well as direct signals, providing an accurate depiction of the room. Use the PRM-1 in conjunction with UC-Surface’s Smaart integration and your StudioLive Mixer’s parametric EQs to optimize your sound to the room.
Last season’s StudioLive AI mixer and StudioLive 16.0.2 mixer rebate offer was so popular that we decided to stop making it a limited-time thing, and just lower the price down on these StudioLive Mixers once and for all. Here’s the latest pricing:
This price drop is effective in the USA only. Pricing outside the US will vary by dealer and region.
If you’ve been considering a digital mixer but haven’t checked in on StudioLive for a while, it’s worth mentioning that the entire StudioLive line won the Musical Merchandise Review (MMR) Dealer Choice Award for Recording Equipment Line of the Year for 2015. Furthermore, recent firmware updates now allow the StudioLive AI Console Mixers to connect to StudioLive RM- and RML-series rack mixers in Stage Box Mode. And of course, StudioLive AI still offers the always-improving remote iPad control options that helped make them such a hit. All StudioLive mixers also include Studio One 3 Artist, our award-winning digital audio workstation.
But hey, don’t take it from us. Here’s what some StudioLive AI reviewers had to say:
The StudioLive AI Console Mixers have garnered a lot of praise in the time they’ve been around. Click any of the quotes below to read the full review.
If you’ve been looking to upgrade your studio monitors and listening environment, July’s a great time. You’ll get a free pair of the ISPD-4 Monitor Isolation Pads when you buy a pair of refurbished PreSonus studio monitors from shop.presonus.com!
This offer is available to customers in the USA, and only via our online store.
In case you’re wondering about why you would want studio monitor pads, consider this: When the driver in your studio monitor vibrates, the entire box vibrates along with it. These vibrations are subsequently transferred to any surface the studio monitors are resting on. That includes your desk, and once the desk gets moving, it’s likely to have a resonant frequency or two. This transforms your desk into something of a crappy studio monitor in its own right. This will most certainly lead to louder, inaccurate bass response in your studio.
That might even sound cool to you, at first. But the fact is that this resonance results in an inaccurate portrayal of your mixing work in the worst of all possible places—your studio! A recording might sound great in your studio sans isolation pads. But it will render thin and without much bottom-end when played on other audio systems.
The ISPD-4 Monitor Isolation Pads are the solution to this problem. While admittedly low-tech, they’re an important component to creating honest, accurate, pro-level mixes. And they’re here, for you, included with your purchase of studio monitors from shop.presonus.com.
A word about our refurbished products: Hardware from shop.presonus.com has been fully tested, includes our one-year warranty, and isn’t missing any parts, documentation, or cabling like you might find from other manufacturer’s “B-Stock” items. This stuff is good as new, guaranteed. We call it B+ stock.
Eligible product families for this offer include:
Yeah, Temblor, the subwoofers. While not recommended for use with the monitor pads, we figure some of you out there already have monitors, but no sub or iso pads, and we didn’t want to leave you out.
PreSonus E44 and E66 MTM Studio Monitors:
While MTM technically stands for “Midwoofer—Tweeter—Midwoofer,” you ought to know that they’re good from Mixing-To-Mastering. The MTM speaker configuration allows the MTM studio monitors to deliver the widest stereo field available in their class. You get a more consistent listening experience from varied listening perspectives. They’re also louder than they look, since the combined signal of the two relatively small drivers propagates forward like a single waveform. This mutual coupling provides a highly dynamic output in a compact footprint. And if footprint’s not an issue, mount them horizontally. We’ve designed them to sound just as good in either configuration.
Check out this video from A-list producer Chaka Blackmon. He relies on the Eris E66s for his daily grind.
PreSonus R-series R80 and R60 AMT Studio Monitors:
The R-series contrasts from the MTMs in a couple ways. While the singular woofer approach is a more traditional, the Air Motion Transformer (AMT) tweeter is the star of the show. At the core of AMT is the astonishingly thin (< 0.01 mm!) Kapton® membrane voice coil, which moves at the same instant as the current that drives it, with no dampening applied to negatively affect the tweeter’s transient response time.
As a result, the R-Series faithfully reproduce the highest frequencies that can be heard by the human ear—and the vast majority of human microphones. The sonic result is a greater sense of air, space, and imaging that is characteristic of audiophile recordings and off-the-charts transient response. Furthermore, the AMT’s design inherently offers 8 to 13 times the projection area of a typical dome tweeter. This widens the stereo image considerably, while keeping problematic vertical dispersion in check. Consequently, the R80s sound consistent regardless of what room you place them in; a versatile choice for audio recording studios and post-production.
Here’s Mike White on the R-series.
Finally, both the R-series and the MTMs offer all the Acoustic Space tuning and connectivity options you’d ever need, and include RCA, 1/4″, and XLR inputs.