So you’re stuck at home social distancing yourself, you’ve watched everything on TV, nothing new is streaming, you probably should shower—but here you are reading another blog post. Welcome to the club. We thought it would be helpful to suggest some things you can do during this time of isolation.
Check out PreSonus’ latest YouTube series, the River City Sessions. This monthly, genre-agnostic online series features hand-picked up-and-coming artists from Louisiana and beyond, offering them a chance to record a few songs and a video in exceptional fidelity—for free. Each episode is intended to capture the live, performative spirit of the artists, with minimal attention to overdubs, layering, etc. We just published a new performance today by Palomino Darling! Watch the whole playlist here:
Add a bunch of stuff to your Amazon Wishlist
From the bedroom producer to the professional home studio, there is a ton of gear out there. You don’t need the most expensive gear, you need the RIGHT gear. Check out this article on curating the ultimate home recording equipment.
Keep the creative juices flowing!
Let’s be honest, life is boring without music. We need to help each other stay in a creative space and keep making music. Go back to your first ever mix or recording, listen again with a fresh pair of ears and consider what you would change. What did you like then that you don’t now? How has technology changed since then? Open a book, go through old photos, cook a meal, check out #PreSonus on Instagram and see what other musicians are working on all over the world.
Brush up on those audio terms that everyone seems to know so well.
Here’s a list of them… Hypercardioid Microphone Pattern is a thing. 🤷
Calibrate your Studio Monitors… FINALLY!
Proper studio monitor placement and calibration is critical to get the best experience in your listening environment. Taking the extra time to set up your studio monitors will make mixing easier and ensure that your mixes translate well from speaker to speaker. You’re not going anywhere, so just do it. Read more on how-to here.
I know it seems like the end of the world as we know it… but it’s not. We’ll look back and remember the time Covid-19 tried to ruin 2020… and we might even write some songs about it to share as well.
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It’s been a busy week. Let’s rehash the important stuff you may have missed.
This is a fun one going on with our friends at Splice. Mix “Nobody’s Gonna Love You” into a radio-ready track to win hardware and software from us, the Mixing University course from Recording Revolution, an Eyeball microphone cover, and a call with Briana Tyson.
Here’s how it works:
Click the photo to the right to visit Splice and download the project files and stems.
Once all the mixes are in, Graham from Recording Revolution will listen through the mixes and choose the one he thinks is radio ready to win his premiere mixing course Mixing University, a pair of Eris E66 Monitors and a copy of Studio One 4 Professional, an Eyeball microphone cover from Kaotica, a video call with Briana Tyson, and consideration from Briana Tyson for official release! You have until May 13th to submit your song. Winner announced June 10th.
The one and only Leo from Frog Leap Studios shares metal covers, tutorials, how-to videos and other fun, super rad stuff with his audience of over 2.3 MILLION subscribers. He’s also a PreSonus user! We recently caught up with Leo at NAMM this year and partnered with him for his next adventure, the StudioLive 32 Series III!
Watch him open and set up his new StudioLive and then make music with a Hockey Stick… yep!
Leo and Rick at NAMM!
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When announcing the winners of a contest, it’s customary for someone in my position to say something to the effect of “choosing a winner was hard.” That was less the case with our BIAS FX Caption Contest—the winners here really stood out from the rest of the pack, and each member on our highly-qualified panel of humorists laughed with equal aplomb at the Grand Prize Winner. But first, the runner-ups.
The following two captions deservedly win an AudioBox iOne Interface, Studio One 3 Artist, Progression 3, and BIAS FX for iPad.
First, there’s this funny, down-to-Earth, and frankly quite relatable gem from Timothy L.:
Next up, from Matt C., should probably win some sort of Dennis Miller bonus award for its left-field reference. Plus, when you look at the age of most of the pedals in the shot, his choice of “1989” is kinda dead-on.
The Grand Prize winner below was submitted by Jeff K. When you consider the letter-to-humor ratio here, you’ve got one of the most efficient funny captions in the history of such contests. Jeff wins the big ol’ prize batch of Studio One 3 Professional, Progression 3, an AudioBox iOne Interface, BIAS Amp Pro, and BIAS FX for iPad.
Congrats and thanks to all for participating—we’ll be e-mailing the winners ASAP.
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With the arrival of the StudioLive RM-series rackmount mixers, we’ve received a lot of questions about the functionality. 96K? Can they be cascaded? What about the Dante cards? When can I get one?
We’ve answered those questions (and more) in the RM-series mixer FAQ, which can be had by clicking here. But we’ve also gotten a lot of other questions that we feel are worthy of their own FAQ—particularly regarding Ray’s beard. While we understand and appreciate your curiosity, we have had to keep some secrets for a while for competitive reasons—but, the cat is out of the bag and we can go public with the announcement of the Garibaldi FH16K. Read below for more info.
Ray’s Beard FAQ
The Garibaldi FH16K is a true-analog face-mountable beard that allows for maintaining facial warmth in the coming winter months, as well as unsurpassed soup and juice filtering. Beta testers of the Garibaldi have reported up to a 30% increase in their dates-per-week ratio shortly after concluding installation. Garibaldi is compatible with all walks of life, and enjoys cross-fashion compatibility with both corduroys and flannel.
While currently only compatible with human males over the age of 14, we plan to broaden availability to women and younger users through a hormone therapy add-on kit available in Q3 2015. At the time of this writing we have no plans to make the beard available to Androids.
Q: Is the Garibaldi FH16K difficult to maintain?
A: Not really, but carrying the weight of the beard consumes approximately 200 calories daily.
Q: Does UC Surface contain a beard Channel Type preset?
Q: Ray has more hair on the bottom half of his head than the top half. That’s weird.
A: This is not a question.
Q: MIDI implementation?
A: Not available at this time.
Q: When does it ship?
A: The Garibaldi FH16K is available to begin growing immediately, with full installation concluding in 2-3 years.
Q: What networking options exist?
A: There is no Dante option planned, as Dante Alighieri (the great Italian poet who wrote the Divine Comedy) was clean-shaven. AVBeard is being considered.
Q: What customization options exist?
A: At the time of this writing, the Garibaldi FH16K grows to the default Grizzly Adams setting pictured above. We will be introducing the FuzzTrim QT expansion in Q2 2015, allowing for stored presets including the Goatee, Neckbeard (AKA “The Linux”), Mutton Chop, Fu Manchu, and Gandalf.*
*Gandalf has not yet tested for compatibility with OSX Mordor, please wait before updating your OS
Cellular Unbalanced Male x 16,000
Frequency Response (±3.0 dB)
1 Hz to 20 kHz
Input Impedance (Balanced)
B/G Ratio: (Brown to Grey)
TS Unbalanced Male Input Impedance
0.00067” Follicular Mono
≈6″ (152.4 mm), annual
Balanced Output Impedance
0.00085” Follicular Active Stereo
≈8″ (203.2 mm), annual
Balanced Output Impedance
N/A, that would be silly
12.5” (317.5 mm)
1.75″ (44.45 mm)
8.5” (215.9 mm)
Diameter per follicle
≈ 0.0275″ (00.70 mm)
.5 lbs (0.226 kg)
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein at anytime, without notification.
[This just in from Fonz, who recently lucked out and took home a PreSonus RC 500 from the Potluck Recording Conference (formerly Tape Op Con) giveaway! We’ve had a little hand in Potluck since 2004 or so, and this year a lucky winner got an RC 500!]
Hey guys, let me start by thanking you for your generosity! The PreSonus RC 500 will be cared for like a family member, but worked like a mule!
Potluck Audio Conference is a meeting of the minds where vendors, musicians, engineers, producers, fans of audio, and/or anyone else with a set of ears can travel to Tucson, Arizona in 100+ degree weather to share ideas, techniques, and many other valuable aspects of their respective industries. Craig Schumacher from WaveLab Studios is the guy to thank for this amazing event. Craig Schumacher is also an instructor at Scottsdale Community College, which happens to be two hours away from his residence and studio in Tucson. How and where he finds time to teach us is still a mystery, as he is constantly pulled in at least three directions at any given time. The guy is a blessing to us all!
This year Craig asked me to attend the event as a participant in a panel sponsored and engineered by Sweetwater’s very own Mike Pinotte and Austin Moss. The guys used one of the songs I created and had me track a verse to use in their Vocal Recording panel. It was a great experience, needless to say.
Currently I am a student at Scottsdale Community College. The degrees I’m acquiring are in Supply Chain Management and another in Audio Production. This doesn’t leave me much time for work, so the last year was a little rough as I had to quit my job and focus on school. As a result of the sacrifice, something VERY cool happened; my mixes started to get better, and people started to give me money to make their recording sound better.
Once again, I’d like to thank you for your kindness. Your company and the awesome gear you create are now a part of our collective efforts to keep the music alive!
THANK YOU THANK YOU THANK YOU!
Alfonso Gutierrez (my Mama and my friends call me Fonz)
Spotted this on Peter’s desk. In Baton Rouge, team spirit knows no bounds, but we had to draw the line the last time Rick showed up in full purple and gold body paint. We told him that we sent him home for a shower, but fact is it was really posed a significant health risk.
Saints fans, don’t get your hopes up… this is a one-off customization.
An interesting bit of recording industry foreshadowing, discovered in a thrift store by our own Carl Jacobson!
This pic is snapped from the back of 1963’s “Dave Brubeck Live at Carnegie Hall.” Tape splicing to edit a performance may seem downright quaint by today’s standards, but this raises a great discussion.
What would Teo Macero say about today’s editing practices in music?
And when it comes to editing a performance, where do you draw the line—if at all? What will you NOT do?
Here’s a great video covering the soundtrack production for “Man of Steel,” the latest cinematic adventures of DC’s Big Blue Boy Scout.
If you’ve ever tried to get just the right drummer for your project/band, this video may well make you cry, as Hans Zimmer gets to use Matt Chamberlain, Sheila E., Josh Freeze, Pharell Williams, Danny Carey, John JR Robinson, Jason Bonham, Satnam Ramgotra, Toss Panos, Jim Keltner, and more—simultaneously.
Once you’ve recovered from geeking out over a dozen of the world’s best session drummers all working together in the same room, take a closer look at the studio setup for this. The group performs on twelve risers arranged in a circle, with all individual drums miked, plus overheads, plus room mics. The result is a thunderous surround-sound mix of drum bangin’ that puts the listener in the middle of what must have been the world’s greatest drum circle.