[This just in from Charlie Bauerfeind, producer for genre-defining power metal pioneers, Helloween! In his search for the perfect DAW Controller for his ultra-compact-but-complex, MacBook Pro-based, live-broadcast setup for Helloween’s Rock in Rio Show on October 4th, he turned to Presonus’s Faderport 16.]
I was blown away by the ease of use in the FaderPort 16’s setup, and the incredible versatility in this most compact DAW controller. It was truly a plug-and-play experience, and made my job in Rio go perfectly smooth… My Pro Tools-based setup is comprised of several session-based pre-programmed automation parts… but the much bigger dynamic automation part needs to be handled flawlessly during the live performance. I’ve owned a FaderPort Classic for a long time, but the FaderPort 16 allowed me to deliver a great broadcast result for one of the biggest Rock festivals on this planet.
A big THANK YOU to the guys at PreSonus!
For a limited time, purchasers of a Quantum or Quantum 4848 interface will get a FREE FaderPort! All you need to do is make your purchase and fill out the rebate form linked below.
Sound on Sound called The Quantum “The Fastest Interface on the Planet,” which ranks among the highest praise we’ve ever received. Following up the Quantum is the incredible Quantum 4848, which serves as an exceptional bridge for bringing your boutique analog processing gear into a digital workflow.
“They’ve achieved low-latency performance that, with the exception of PCIe cards, is currently unrivaled by any interface I know of. “
-Sam Inglis, Sound on Sound
And the FaderPort… what more can be said? The FaderPort Classic was one of our most enduring products, and enjoyed nearly a ten-year manufacturing run. And its new younger brother is even better. With the compact, easy-to-use FaderPort, you’ll enjoy the fastest, most efficient workflow and the most session control you’ve ever experienced.
Quantum 4848 Overview:
This Instant Rebate is available now through the end of June and is offered WORLDWIDE!
This just in from Glenn Rosenstein, a three-time Grammy-winning mix engineer whose credits include U2, Madonna, Talking Heads, The Ramones, James Brown, Miles Davis and many others. His work in film and television has landed him both an Oscar and a Golden Globe while working on projects including The Sopranos, Celebrity Circus, The Last Emperor, Blown Away, Married To The Mob, Charmed, Beverly Hills 90210, All My Children and Buffy The Vampire Slayer. We recently got in touch with him to get his perspective on all things PreSonus.
Hey Glenn. Tell us about yourself!
I’ve had a fun career that’s led me to many musical adventures. I started early on at Power Station in NYC, then as a staff engineer at Sigma Sound Studio. I became an independent mixer, then producer, eventually winning some Grammys and selling a bunch of records, back when that was a possibility. I’m still producing both for my Sony labels, as well as independently. I partner in a number of project studios in Nashville, Muscle Shoals, and New York, as well as having a room at historic Fame Studios.
What PreSonus products have you used and which do you currently use?
I’ve always been a PreSonus user. As time goes on, PreSonus continues to release products that almost anticipate my needs. I started out with the ADL 600, a very tasty stereo mic pre from a few years back. I’ve put together a pretty cool room in my Muscle Shoals facility that’s centered around the StudioLive 64S, along with some great AVB powered PreSonus peripherals: The StudioLive 32R, the EarMix 16M, and the SW5E among them. Also to be found are the PreSonus R80 monitors and, of course, Studio One. And I always travel with my Faderport 16. Always.
For what applications are you using the products?
My PreSonus facility is very much a writing/production room that is easily convertible to a full-blown production studio. I like the creative ease and intuitive design that is integrated into all of the PreSonus cosmos of products. It’s simple to start off small—just creating some beats or a few phrases on guitar or a vocal idea—and easily push that to a bigger, more robust production without having to shift rigs.
What led you to choose these particular PreSonus products?
I had a pretty solid awareness of the PreSonus offerings for many years and was fortunate enough to meet and spend some time with Jim Odom. His backstory is steeped in music production and performance, and, ultimately, creating solutions that he wanted for himself. I liked that a lot. I still do. I totally get the narrative of PreSonus products, their evolution over the past few years, and their remarkable value. Jim and his team are always pushing the boundaries—they’re taking insane amounts of features and options and putting them in boxes that should cost five times what they’re asking. I have no idea how they get it done, but they do. And all that filters down into very usable tools that sound great and are fun to work with.
Having used the gear, what do you like most about the specific PreSonus products you use?
Let’s talk about the Faderport 16: A 16-channel control surface that fits under your arm—brilliant design and execution. Regardless of my preferred DAW, I always feel right at home. I’m in a hotel, it’s there. I’m in a rehearsal room, it’s there. Perfect combination of small footprint and functionality.
This just in from Craftmaster Productions—a good look at the PreSonus ATOM workflow using SampleOne XT in Studio One.
CMP has been producing excellent Studio One content for years. Head on over to YouTube and give him a Subscribe for more!
Want to use your FaderPort 8 or FaderPort 16 with Pro Tools? Check out this new series from Richard Gaspard!
And this one is out of this world–see what we did there? Save 15% instantly when you buy a StudioLive CS18AI during the month of July!
Equipped with 100 mm, touch-sensitive, widely popular motorized faders and AVB networking, the StudioLive CS18AI control surface provides a compact, intuitive mixing solution for PreSonus StudioLive RM16AI and RM32AI rack-mount digital mixers and Studio One 3. The CS18AI connects to your network with a CAT5e or CAT6 Ethernet cable, eliminating the need for cumbersome analog or digital snakes and stage boxes, and offers a host of other useful features. It adds up to a powerful mix control system with a fast, intuitive workflow and the latest networking technology.
“Our StudioLive Active Integration mixing systems are the only solutions that allow you to customize your mixing experience to fit your individual needs. With a StudioLive RM as the mix core, you can choose to work with physical motorized faders, portable wireless iPad, a large Windows 8 touch screen, or a combination of them all.”
—Ray Tantzen, PreSonus Senior Product Manager
Take a detailed look at the CS18AI with Rick Naqvi here!
The new Studio 192 has been enjoying rave reviews of late, but we’ve found a way to make it even better—by adding free stuff! If you’re looking to upgrade your recording interface to a Studio 192, you’ll be upgrading your workflow as well, as we’re offering a free FaderPort with purchases of the Studio 192 for a limited time.
The FaderPort is a mainstay of the PreSonus line, and has remained one of our best-selling items since we introduced it. You get intuitive, motorized fader control of Studio One of your DAW of choice in a tiny desktop footprint that doesn’t eat up your valuable, ever-decreasing desktop space. Once you’ve tried a FaderPort, there’s NO going back to mix-by-mouse. A FaderPort will usually set you back around $129 USD, but with this deal you get the following for FREE:
Interested? Find a dealer in your area and take home a Studio 192 and FaderPort. This combo can’t disappoint.
Note that the Studio 192 Mobile is not eligible for this offer.
A new month means new deals and new freebies from PreSonus, including a FREE backpack when you purchase the StudioLive CS18AI before May 31, 2016!
Equipped with 100 mm, touch-sensitive, motorized faders and AVB networking, the StudioLive CS18AI control surface provides a compact, intuitive mixing solution for PreSonus StudioLive RM16AI and RM32AI rack-mount digital mixers and Studio One 3. Doubly cool is that we have a significant rebate offer going on for the Studiolive RMs, and you can combine both offers to get a mix system of up to 64 channels, all controllable from the CS18AI. Click here for more details on the RM mixer offer!
The black and grey, backpack-style gig bag will keep your also black and grey CS18AI safe and sound on the road, and is stylistically compatible with both casual and formal attire. Portable and comfortable, this bag provides tons of internal storage and two external pockets. All you need to do is fill out and submit a simple rebate form with proof of purchase of your CS18AI.
Not sure if the CS18AI is right for you? Here’s a video overview to persuade you.
This deal is available worldwide until May 31, 2016.
Wow, there’s a lot going on today. This is a long post, so let’s jump right in!
Studio One 3.2 is available now! This is a FREE update to existing owners of Studio One 3, including Artist and Professional editions. Click “Check for updates” in Studio One to get it for yourself. Click here to visit the newly-updated Studio One site for even more details.
Read the full change log by clicking here, but here’s the short version of what’s new:
New firmware is available for the entire StudioLive AI line from your my.presonus.com account, allowing for control from UC Surface 1.5.
The new firmware for RM Mixers brings hotly-anticipated cascading to the RM series StudioLive Rackmount Mixers. Any two RM mixers can be cascaded via AVB to combine their channel counts. This update also adds a new Stage Box mode, in addition to the existing Remote I/O + Monitor-mixer mode.
This mega-release also brings a number of other new features and refinements, including a whole slew of bug fixes. To see the full rundown of new features and fixes, check out the UC Surface 1.5 Release Notes and the UC Surface 1.5 Release Addendum, available on your my.presonus.com account as well as on the Dowloads section of the Product page for each mixer at PreSonus.com.
This update adds support for cascaded RM mixers and Capture control—if you’ve installed the above-mentioned firmware and Capture 2.2. This update also adds support for USB 3.0 on Mac OS X 10.11.2 or higher. Get UC Surface 1.5 here.
Capture can now be remotely controlled by a StudioLive CS18AI and UC Surface. You can now control virtual soundcheck, transport, and Record arm; drop markers; and keep an eye on record times from anywhere in the venue—among other improvements and some bug squashing. Get it here.
Studio One Remote has been updated for Studio One 3.2 compatibility, and is also now available for Windows tablets! Studio One Professional owners can get the Windows version from their my.presonus.com accounts; Apple users can get it via this link to The App Store.