PreSonus Blog

Friday Tip: The Imaging Phaser

I’ve been experimenting with phasers lately, and found some interesting tricks. This week we’ll create a mind-melting phaser-meets-stereo-imager. Next week, we’ll create a super-customizable phaser with continuously variable peaks and notches, so you can obtain specialized vintage sounds like the original Electro-Harmonix Polyphase.


You can reproduce the sound of a phaser with several tracking notch filters, so instead of using a phase shifter per se, we can use the Pro EQ.

The five parametric stages are set up as notch filters one octave apart, with a sweep range of four octaves. The FX Chain Frequency control sets their frequencies. If you download the multipreset, I highly recommend reverse-engineering it to see how to control multiple filter stages from a single knob.

The FX Chain Q control sets the phase effect’s resonance/sharpness by altering the Q for all five stages simultaneously. Broader Q settings reduce volume, with a less focused, gentler phasing sound. High Q settings are sharper, with a more pronounced phasing effect.

But the secret ingredient here is splitting the signal path into the Pro EQ-meets-phaser and the Mixtool. Inverting the phase for the Mixtool’s left and right channels cancels out any remaining dry signal from the Pro EQ “phaser,” which accents the phasing sound.


If you compare this to the sound of the PreSonus Phaser, it’s like the PreSonus Phaser supplements the audio with the phasing effect, while the Imaging Phaser replaces the audio with the phasing. They both have their uses.



The real mind melt happens if you run program material through the Imaging Phaser and then click the Image Xpand button. This swaps the right and left channels, which because they’re out of phase, creates insane imaging effects. The first time I tried this was on a laptop, and clicking on Image Xpand made it seem like the speakers were located somewhere else in the room. The effect is less dramatic with signals that don’t contain a lot of stereo information and ambiance, or on headphones, but it still makes a difference.



The first part showcases the phaser effect. After the word “Reunited” appears, you’ll hear an unprocessed version of the track for four measures. After that, it’s Image Xpand time, with the FX Chain control being varied to alter the sound somewhat.


And for those without the patience to build their own Imaging Phaser, here’s an FX Chain multipreset you can download. Have fun!


Click here to download the multipreset! 


  • B. Landry

    I do both, listen, then download and tweek. Ex Cakewalk Guy soaking all this in like a sponge. Thanks Craig! Love that…”Presetto!” so musical.

  • Craig Anderton

    Glad to help! I’m happy to share whatever I learn. With V4 out, there’s also some new stuff to talk about.

  • OSAR

    Craig, I enjoy and appreciate both the audio samples and the preset’s for download. Thank you for all of the awesome tips!!! I’m new to DAW recording so these tips really help me to understand the capabilities of Studio One. THANK YOU, THANK YOU, THANK YOU!

  • Great tip!

  • Craig Anderton

    Hi Jeff, the 4 unprocessed bars happen right after the first time you hear the word “Reunited” (where the phase shifter goes up to its highest point). Probably in future examples it would make sense to leave a very brief gap.

  • Jeff Evans

    I think the audio is good to hear. I am not sure where the start of the 4 unprocessed bars is meant to be. I get all the effects in the last half. Very cool. Not sure its an all the time thing but in part very powerful. And on stems too it could be adding lots of interest within a mix.

  • Craig Anderton

    Cool! Thanks. Hey, quick question…did you listen to the audio example, or just download the preset and try it out? I’m trying to figure out what’s of the most value to people. It’s clear people like having a downloadable preset, but I’m wondering if the audio examples are useful.

  • Nr1killer

    Love this one! Grate Presetto!