Notion 6.7 Maintenance Release
Notion 6.7 is now available, adding compatibility with the new Score Editor of Studio One 5.0 and our new PreSonus Sphere membership. Notion 6.7 is a free update for Notion 6 owners that can be obtained by clicking “Check for Updates” within Notion, or download from your MyPreSonus account. Please note the new minimum requirements for installation on both macOS and Windows.
Support for Studio One 5
You can now transfer your score from Studio One’s new Score Editor to Notion or vice versa. To see more about Studio One 5 and its new Score Editor, click here.
PreSonus Sphere
PreSonus Sphere membership benefits include licenses for the complete collection of PreSonus’ award-winning software solutions for recording, mixing, scoring, and producing, including Studio One Professional and Notion, plus over 100 libraries of samples, effects, and loops. To see more about PreSonus Sphere and to join, click here.
In addition to these creative tools, PreSonus Sphere members are also given Cloud collaboration tools and storage, chat with Studio One and Notion experts from around the globe, access to exclusive promotions, training, and events, with much more being added each month—all for a low monthly or annual membership.
New Minimum Requirements
Support for Studio One v5
PreSonus Sphere
Handwriting
Languages
Documentation
General
Notion iOS 2.5.2 Maintenance Release
An update is now available to the recent 2.5 release for Notion iOS, the best-selling notation app on iOS. This is a free update for Notion iOS owners that can be obtained by visiting Notion in the App Store on your device, or checking your available updates in the App Store.
All the changes are below – if you missed all the major news for v2.5 itself, check it out here.
And while you’re here, please join us at our new official Facebook user group: https://www.facebook.com/groups/PreSonusNotionUsers
Notion iOS 2.5.1 Maintenance Release
An update is now available to the recent 2.5 release for Notion iOS, the best-selling notation app on iOS. This is a free update for Notion iOS owners that can be obtained by visiting Notion in the App Store on your device, or checking your available updates in the App Store.
All the changes are below – if you missed all the major news for v2.5 itself, check it out here
And while you’re here, please join us at our new official Facebook user group: https://www.facebook.com/groups/PreSonusNotionUsers
Documents
UI
Devices
Handwriting
iOS9/10 only
General
Notion 6.6 Maintenance Release
Notion 6.6 is now available. It’s a minor maintenance update that adds compatibility with multi-core Windows machines and fulfils the upcoming security requirements of Apple’s Catalina operating system. Handwriting, MusicXML and MIDI import enhancements that were made for the recent Notion iOS 2.5 update have been inherited too, plus there’s some good news for 5-string banjo players…
This is a free update for Notion 6 owners that can be obtained by clicking “Check for Updates” within Notion.
Operating System Compatibility
Handwriting
MusicXML
Notation
Audio
General
Notion iOS 2.5 Major Maintenance Release
Notion iOS 2.5 is here, a major maintenance update for the best-selling notation app on iOS. This is a free update for Notion iOS owners that can be obtained by visiting Notion in the App Store on your device, or checking your available updates.
And while you’re here, please check out our new official Facebook user group: https://www.facebook.com/groups/PreSonusNotionUsers
NEW: Document Handling
(iOS11 and later) Notion now directly supports Apple’s built-in document opener. This allows you to create, open and save scores directly in the location of your choice, whether on the device, in Notion’s iCloud folder, or via the linked cloud folders of your choice (such as Dropbox, Google Drive or OneDrive for example)
Note – If you are running iOS9 or 10, then there is a document opener built in to Notion that will allow saving to the device, or to Notion’s iCloud folder only.
NEW: Export as MP3
Now you can export your score as an MP3 audio file, alongside the existing options of WAV and AAC formats. Just choose MP3 as the Export file format, and it will save an MP3 in the same location as your Notion document.
NEW: Export for SMP Press
Export as SMP Press File is a simple process that creates a single PDF containing the full score and all the parts in score order. SMP Press, from Sheet Music Plus, is a self-publishing portal for composers. Its free to join, and you earn a commission for every sale.
For more info, click here: https://smppress.sheetmusicplus.com/
NEW: Save as Template
Now you can save a document you are working on as a new template. Go to Export, make sure Notion File is selected, then Save as Template. This will ask you to give it a name—your new template will be available from the New Score dialog next time you create a new document.
Change in Minimum Requirements
iOS Device Improvements
Handwriting
Audio
MusicXML
MIDI
General notation and note entry
Slash Notation
Tremolo
Text
Paste
Languages
General
NEW FEATURES in Notion 6.4!
Notion 6.4 is here, adding integration with the just-released Studio One 4, and a bevy of other new features! This is a free update for Notion 6 owners that can be obtained by clicking “Check for Updates” within Notion.
Enhanced integration with Studio One v4
With Studio One’s new Chord Track & Key Signature, the integration with Notion has become more powerful than ever. See all the details in the updated User Guide here.
Receive Chords from Studio One’s new Chord Track
Quickly make a lead-sheet, complete with Studio One’s new chords, all with the right formatting and transpositions!
Receive Studio One’s new key signature—This means imported note data can now be “spelt” properly, with the correct enharmonic.
Receive any customised markers from Studio One’s marker track, and display as Rehearsal Marks
Paste enhancements
New text box behaviour
Rules, Presets and Sequencer Staff
Language/International Fixes
General
Notion user Michael Josephs is an award-winning American film and television score composer. He has written and conducted musical scores for many notable films and television programs including Wild Kingdom, National Geographic, and many PBS specials. Recent projects include scores for HBO, BBC, PBS, NBC, CBS, ABC, The History Channel, and many others. Michael received a National Primetime Emmy Award nomination for Outstanding Main Title Theme Music for his score for the series Thoroughbred. He has received numerous other awards. He received a National Primetime Emmy Award nomination for Outstanding Main Title Theme Music in 2001. He has received numerous other awards.
I compose and conduct music, mainly for long-form documentaries and TV series, and the occasional independent feature film. My first scoring job was doing a brand-new series called America’s Most Wanted for Fox Television. I did that full-time for a few years right at the start of my composing career, which was a great education because it was on the air around 50 episodes per year, so I was always writing and recording. Most shows only run maybe 8-10 episodes a year, so for Fox I was constantly writing and recording every week, which was a great learning experience, especially because I tried to treat every week like a completely unique score instead of just generic “crime music.”
From there I branched out and started to work for other directors and networks and do other shows like “Wild Kingdom”, “National Geographic”, HBO, a lot of PBS stuff, etc.
I rarely have the luxury of seeing something before it’s handed to me to start writing. I do try to take a day or two at the beginning and just work on thematic material at the piano, some of which, and sometimes none of which, will end up in the film, but it gives me a moment at least to close my eyes and think about what kind of score it will be. The deadlines are always very tight so it’s nice to have a little space to imagine before diving into the mechanics of writing.
From there, I put the film up and start writing from the first frame. I tend to write sequentially, so I go cue by cue straight through the film, rather than jumping back and forth to different scenes. Sometimes themes develop as you work, so I’ll jump back some times and incorporate things or hints of where things may lead.
I started my career before computers, recording live directly to 2” tape for many years, so the computer and digital-video still seem like an incredible luxury to me! Some of the sequenced parts stay in, and I write and copy charts for everything that will be played live.
If it’s a smaller score, I do most everything at my own place, including a lot of overdubs, and then I’ll mix here. I’m set up for 5.1 mixing, and it’s very comfortable working in my own space. If it’s a larger ensemble I’ll do some tracking and mixing at a commercial studio because room is just too tight here. I also conduct the sessions too.
When I track somewhere else I’ve started a new thing lately, which is to just use their physical space and microphones and cue-system, but record right into my own portable rig and rack, which saves time and confusion transferring files back and forth.
Most of the time, at least with documentaries, there are no temp scores or preconceived notions. Directors want me to come up with the concept, direction, vibe, really everything. It’s the opposite of people loving a temp-track…there is no guidance at all, so I really try to give each film something completely different and unique.
As far as directors and producers, it really doesn’t matter how much or how little they know about music, but rather what kind of creative spirit and vision they have. I work with people who know absolutely nothing about music and are wonderful and creative to work with, and others who know a lot about music but have bad instincts with it. It’s really all over the place! I don’t feel it’s their job to know a ton about music. If they could compose music, they probably would!
Notion is AMAZING! I love it. I own both Finale and Sibelius, but they have to be the most difficult, not-intuitive programs I’ve ever encountered. Just doing some little tweak requires me to pull out the manual, and even then I still can’t figure it out!
From the day I tried Notion, I was hooked. It is completely intuitive, and I have never looked at the manual. When you want to do something, it is always very obvious how to do it quickly. It can go pretty deep if you need it to, but the basics are right there and not hidden fifteen deep in some hidden sub-menu. For day to day trying to get work done, it is unparalleled. With the budgets I have, I need to do my own orchestration and copying, and the last thing I would want to do is take three days off of precious writing time to do charts. Film music usually has a ton of key, meter and tempo changes, so this further complicates that process.
Sure. I do a quick clean-up of the music before I export a midi file from my DAW. I then import that file into Notion. I also open my empty “template” file in Notion that is set up the way I like, add the relevant instruments to the staff, then do a mass copy / paste of the imported midi file into the template. This is great because Notion reads all of the key and meter changes beautifully. From there I quickly add articulations, dynamics, clean stuff up, and extract the parts. It all goes very fluidly with Notion.
I did a really good film recently called Dateline Saigon, which both has a score and also arrangements of period music. I dove right in with Notion on that, and it was fabulous. I compose 99% of the time, so doing arrangements was a little different for me, and Notion made it possible to do the charts and also change them up and re-print them really quickly when there were re-edits of the film.
I also did another terrific IMax film right after that, but it won’t be released until next year… so watch this space!
Where can we find more about you and your music?