[Sven-Erik Seaholm, Executive Wordsmith over at San Diego Troubadour, flew out to Baton Rouge for PreSonuSphere and created a nice writeup on his experience.]
As my flight lifts off from the Baton Rouge runway, a silvery trickle of sunlight glints along the plane’s wing (of which I have a perfect view) and suddenly splashes into my eyes with the blinding sting of organic hotel shampoo. Lying back, I think about the events from the last two days and wonder if I’ll ever be able to digest all of the info and experiences I feasted on like Thursday’s jambalaya…
Regular readers of this column know that in addition to the techniques and philosophies discussed here, we also cover a lot of different gear from a variety of manufacturers. Microphones to headphones, keyboards to plug-ins; if it helps you make better music and recordings we try to cover it. That said, there are a few companies whose products have been featured here numerous times. None more so than those from PreSonus (www.presonus.com).
Most recently, we looked at their StudioLive 16.0.2 mixer and StudioOne 2 digital audio workstation software. We highlighted these particular products for three specific reasons: the amount of power being placed into the hands of the “average” musician or recordist, the company’s very reasonable price points and the ingenuity and elegance with which their solutions are rendered.
When I heard they were hosting a two-day event called PreSonuSphere, an interactive conference where users would not only attend information-drenched presentations and receive hands-on training with PreSonus’ line of mixers and software solutions, but would actually be able to interact with the developers of these products as well, I knew I had to go.
[More after the jump. Read the complete article over at San Diego Troubadour.]