PreSonus Blog

Tag Archives: StudioLive


You’ve Got it Covered

 

We'd prefer a photo of the mixer, not the box, but if your photo is this awesome it just may qualify.

We’d prefer a photo of the mixer, not the box, but if your photo is this awesome it just may qualify.

Over on our Facebook page, one of our most popular albums is our ever-growing collection of PreSonus User Studios. There’s some great comment threads there in addition to some cool photos, obviously.

So, in the spirit of all things social, we’d like to share your photos of your handsome face and your StudioLive mixer with our Facebook community. If you’re glad to be a StudioLive owner and feel like representing accordingly, now’s your chance!

We want to see some photos of smiling StudioLive owners. If you kind folks are feeling shutterbuggy, we will pick a user-submitted photo for our Facebook cover graphic—once every couple of weeks or so. If we pick yours, we’ll get in touch—and we just might send you a highly fashionable PreSonus T-shirt.

It’s easy to be a contender. Here’s all we ask:

  • Post a photo of you and your StudioLive mixer to your Facebook Wall. It’s important that you are in the photo, too.
  • Tag Yourself in the photo.
  • Share the photo to our Wall.
  • A comment or description indicating that you’d like the photo set as our cover graphic would help.

Keep in mind that in order to qualify for the cover photo treatment, the image must be at least 850px wide by 315px tall.

Photos that are really interesting, funny, or astonishing will of course be given preference.

Have fun!

FIVE New Smaart Videos Featuring John Mills!

Check it out! Paul just wrapped up this great set of five videos describing the latest and greatest Rational Acoustics technologies that can now be added for FREE to the StudioLive 24.4.2 or 16.4.2 mixer that you already own… or the one you’re thinking about getting.

Try each of these features once, and you’ll wonder how you ever lived without them.
John Mills on The Smaart System Delay Wizard:

John Mills on The Smaart Spectra Spectrograph

John Mills on Smaart Real Time Analysis

John Mills on The Smaart Room Analysis Wizard

John Mills on The Smaart Output Check Wizard

MI7 and PreSonus at Inter BEE 2012!

[This just in from MI7, our distributors in Japan!]

We exhibited at Inter BEE 2012. Recognized as a professional show for audio, video and communications, Inter BEE has established itself as an international exhibition showcasing top-level domestic and overseas broadcast, video, audio and lighting equipment as well as peripheral applications and solutions all under one roof.

We displayed two sections for music production solutions: medium-format live solution and small-format live solution. StudioLive and Studio One was most popular! The visitors enjoyed the sound and hands-on experience. We obtained approximately 700 leads! I attached some photo for your reference. Thank you for your support.

Scott Szeryk Opines on the StudioLive

[This just in from Scott Szeryk, composer, six-string virtuoso and Royal Conservatory of Music gradate!]

“Since switching over to the PreSonus StudioLive 24.4.2 Scott Szeryk has never sounded better in the studio or on the stage…  Szeryk’s latest release “Guitar Manifesto” is evidence of just how good the PreSonus Studio Live sounds!” Give it a listen!

Since the mid-90s, I had been using the Tascam M3500 as my main mixing desk for the home studio, but was becoming a bit weary of its compatibility with modern-day recording setups.   When I heard how great the XMAX preamps sounded on a StudioLive, I was instantly sold.  Not to mention the insane power and functionality of the board, especially for live FOH!  Changing over to the StudioLive 24.4.2was an easy, practical decision…The StudioLive not only shines in the studio but also in live applications!  We were able to do spot- on monitor checks, even before the band had arrived at the venue for sound check, by playing back program material from shows previously recorded in Capture. The integration of Universal Control also meant that the onstage players could also control their own monitor mix via iPad SL Remote.   There were a few times when we were able to Mix FOH on the iPad when there was a less-than-ideal location for the board at the venue. We rely heavily on the PreSonus StudioLive for recording all of our shows.  Check out the latest DVD “Scott Szeryk live at Aeolian Hall!”

 

I’m totally into big, awesome guitar sounds but my favorite instrument to record is drums. I love  capturing all aspects of the drum set with the right mics, and experimenting with their creative possibilities. When working with the whole kit, I’m adamant on new skins top and bottom and experimenting with different tunings—how the top head is tuned in relation to the bottom head in particular.
As a starting point, I also like to have the toms tuned in fourths. I have favorite mics for certain drums. An SM57 will always sound great on the snare top, and a nice condenser mic on the bottom to blend in some of the articulation. Shure KSM 32 or 44 on the Toms, and AKG 414 for overheads…   A good sounding room is a must and does make a huge difference in the way the drums sound…   I will also add in room mics to add some cushion and depth into the drum mix…   Like anything if the drums sound great in the room and the drummer is playing well you can get great results with basic micing, but not the other way around…  Using a photography analogy, if the talent is not looking good and the lighting is poor, you can have the greatest camera in the world and the results will be poor…
It’s not about having the best gear, it’s about a great performance and knowing your gear.  What I love about the PreSonus StudioLive is just how great the XMAX preamps sound. We actually did a comparison with some API and Neve preamps, and the difference was extremely minimal when the tracks were soloed. I use minimal compression on the snare and kick, just to even the attack out. I apply minimal EQ to remove some of the boxy frequencies inherent with kick drum and toms.  If the room sounds great I will not use reverb, so the drums are kept pretty simple.  It’s all up to the musicians to deliver a top notch performance. I’m not into samples. if the drums don’t sound good, it’s because they don’t sound good at the source, so we will change things up until the sounds are great, once again at the source.

Smaart Measurement Technology Now Available for StudioLive Mixers

It’s here! It’s here!

Rational Acoustics’ highly regarded Smaart Measurement Technology™ is now available in PreSonus’ Virtual StudioLive™ remote-control/editor/librarian software for StudioLive™ mixers.

These astonishing technologies are now available FREE from PreSonus.Com! Get the Smaart Wizards and shoot the room!

To add these free features to your StudioLive mixer, grab the latest version of Universal Control, with all its wizardly goodness. Click here for details on this significant, free upgrade.

Universal Control v1.7 – PC

Universal Control v1.7 – Mac

 

 

Korean Markets Hungry for StudioLive 16.0.2, Jambalaya

Winner winner gochujang dinner!

Dear PreSonus team,

I would like to let you know that we had a successful StudioLive 16.0.2 launching and Studio One seminar. Thank you so much for all of your support!

All marketing materials and gift packs were very helpful, especially the jambalaya mix!  Following your request, we cooked and served jambalaya to the attendees. We were going to cook from the scratch at first before you sent us the mix. It saved tons of time and efforts. People just liked the taste of it.

The launching show was presented in two parts. In the first, we showed how to live mix and record multi-track audio using StudioLive Remote with an acapella group, The Maytree. They are our new endorsement artist of the StudioLive 16.0.2!  Serin, who is our Studio One specialist, was in charge of the second part, demonstrating useful features of Studio One Professional 2 with Melodyne.

I have attached some pictures for you!

Thank you again.  We couldn’t do this alone without your support.

Regards,
Hojo

Scott Szeryk Live at Aeolian Hall w/ the StudioLive 24.4.2

 [this just in from Scott Szeryk!]

Hey PreSonus!

Check this out: We are in the process of a live DVD, “Scott Szeryk Live at Aeolian Hall,” from his Manifesto Tour from summer or 2012. This was recorded on the one and only StudioLive 24.4.2! Note the iPad on the mic stand, which was used for i- ear monitor mixing via SL-Remote. Totally awesome!

Coming Soon in Universal Control 1.7…

PreSonus Universal Control 1.7, which will be released soon, will add three Smaart® System Analysis Wizards to Virtual StudioLive—for free! These System Analysis Wizards include a Smaart Room Analysis Wizard, Smaart Output Check Wizard, and Smaart System Delay Wizard for StudioLive™ 24.4.2 and 16.4.2 consoles.

Of course, you still get the Smaart Spectragraph and Smaart Real Time Analyzer (RTA) that were added to VSL earlier this year, and they work with all three StudioLive models.

These Smaart tools enable you to vastly improve the quality of your sound system—and your effectiveness as a live-sound engineer! You can even interface with them via StudioLive Remote on your iPad.

With these tools in your arsenal, you should probably start charging more for gigs. Just sayin’.

 

PreSonus at Broadcast India 2012

This just in from Sudhin, our partner at ProMusicals, our distributor in India!

“Just back from Broadcast India show! (Oct 10th-12th, 2012) It was a decent show, and featured some serious cameras and lights. Hereare a few pics of the mixers on demo at the show. We demoed the new Smaart features, capture for broadcast studios, etc.  All visitors without exception were impressed with the simplicity and user-friendliness of this mixer!”

Follow ProMusicals on Twitter

 

Halocene: PreSonus-Powered From the Garage to the Warped Tour

Halocene has been using PreSonus since their first purchase of a FireStudio years ago. Of late they’ve picked up a StudioLive console, a Eureka, and Studio One Professional 2… and in-between they’ve opened for Jimmy Eat World and Blink-182.

Lesson learned: You don’t need to be signed to a major with world-class studio access to open for a band who is. Just get some PreSonus.

Oh, also be sure to write good songs and be young and enthusiastic. That helps, too.