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Tag Archives: Studio One


Studio One Courses and Methods from MusicEd.PreSonus.com

Studio One Courses and Methods from MusicEd.PreSonus.com

There’s nothing short of a wealth of resources online for learning about Studio OneJohn Mlynczak recently compiled this great list of online educational resources from Lynda.Com, Groove3, Berklee School of Music, and more. It’s also available on MusicEd.PreSonus.Com, but we thought the whole PreSonus community should be aware of ’em as well.

There’s some great  info here that is available in many platforms, including books, videos, and entire online courses. These include options for every user, regardless of your level of experience with Studio One. Maybe you’re a seasoned producer who’s looking to dig deep? Perhaps you recently upgraded Studio One and want to learn more about the new features you’ve gotten access to?  Maybe you’re just starting out? No matter your level of experience with Studio One, there’s valuable information in here for you!

Courses


Up and Running with Studio One® (lynda.com)

Studio One Version 2 Explained (Groove3.com)

Studio One Version 2 Advanced (Groove3.com)

Studio One 101: Songwriters and Musicians Toolbox(macProVideo.com)

Studio One 102: Producers and Engineers Toolbox (macProVideo.com)

Studio One 103: Advanced MIDI Toolbox (macProVideo.com)

Studio One 104: Mixing and Mastering Toolbox (macProVideo.com)

Free PreSonus® Video Tutorials (Obedia.com)

Recording and Producing in the Home Studio (Berklee Online)

 

PreSonus LIVE Airs Today! 2 p.m. CST / 3 p.m. EST / Noon PST / 19:00 GMT

Come join us on PreSonus LIVE today and learn the basics of Studio One!
http://www.presonus.com/videos/presonuslive

#TeamPreSonus Collaboration: @BSWorship and @RayManuelMuzik

[I noticed a jovial exchange between two of our most vocal advocates on Twitter, @BSWorship and @RayManuelMuzik. Both are diehard Studio One junkies, and in discussing our software via Tweet, the two decided to collaborate on a remix of Brandon Scott’s “Do You Love Me?” The original track and remix are both available here for your listening pleasure, and the two artists were kind enough to spare a couple paragraphs about their experience.]

Brandon Scott:

“So, what happened was Ray heard my song “Do You Love Me” thought he could do a killer remix on the song that I could add as a bonus track to the EP coming out July 4th. We met on twitter through PreSonus releasing my new endorsed artist article. I listened to what Ray was doing himself in Studio One and thought, “I don’t listen to much Latin music, but his stuff is really good and sounds great! If he wants to have a go at making a remix of one of my songs, then I’d be honored to have him be a part of it!” So, we started talking more and more via Twitter (I never have met him in my life, FYI) and just hit it off. I stemmed out the mixes of each instrument for my song, dropped it in DropBox and he was good to go. Studio One makes online collaborating so easy it’s sick! I love how simple it is to send files to others around the world to collaborate on amazing music!  Music is what we feel, it moves us, and Studio One is the software that will move you into making amazing music with others around the world. It really is the game changer to music as we know it.”

Here’s Brandon’s original song:

 

RayManuel Perez:

“Brandon is pretty much in the ball park! We became friends because of how much we love Studio One and became good Twitter friends— its all about #TeamPreSonus! We decided to collaborate and make something crazy happen since sharing session and stems with Studio One is so easy. Studio One is the best DAW because we can do everything in one place;  producing,  recording,  mixing, mastering, and beyond—even uploading the music to the Internet! I actually got rid of all my other DAWs. Brandon and I just became PreSonus buddies and we are happy to share our music, our talents and our culture, using Studio One as our platform to make it happen! Like Brandon says, Studio One is a game changer. It definitely changed my approach—and speed—to making music.”

 

Here’s RayManuel’s remix:

PreSonus LIVE: Delays in Studio One is now up on YouTube

steadyb checks out all the diverse delay options in Studio One, including Groove Delay, Analog Delay, and Beat Delay. You won’t believe some of the sounds you can get out of these effects!

http://studioone.presonus.com/portfolio/beat-delay/
http://studioone.presonus.com/portfolio/analog-delay/
http://studioone.presonus.com/portfolio/groove-delay/

#TeamPreSonus Spotlight: Rhett Mouton!

 

[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do? 

Rhett Mouton: Producer, engineer, writer/composer.

How were you introduced to PreSonus?

Years ago I was asked by a young band to go to their rehearsal studio to help them record a song. That rehearsal studio turned out to be in Jim Odom’s back yard.

What PreSonus software/hardware do you use and for what purpose?

I use the Central Station for monitoring, ADL 600 for obvious reasons, StudioLive 24.4.2 for live sound and multitracking, Studio One 2 Professional for writing, composing, producing, mixing and mastering.

What’s so great about PreSonus, anyhow?

They always seem to be thinking a step ahead of the curve when developing new products.

What’s the last big project that you worked on using PreSonus gear?

I produced, mixed, and mastered a band called Meriwether’s debut album titled, “Make Your Move” which resulted in a distribution deal and record deal with Suretone/Interscope records.

What are you working on now—or next?

I am currently mixing and mastering projects for clients. I am also composing/writing original music with the intention of licensing for placement in film, television and video games.

Where can our readers learn more about you online?

rmmaudio.com

Facebook.com/rmmaudio

Facebook.com/rhettmouton

Mastering with Stock Plugins in Studio One from @RecordingRev!

Good old Graham. We can always count on this guy to create some of the best audio tutorials available online. This time around, he’s created a pair of videos focusing on mastering in Studio One using stock plug-ins, including Studio One’s Compressor and ProEQ. Watch and learn!

Compression:

 

ProEQ:

 

 

Voting is open for the “Why I Switched” video contest!

Voting is open for the “Why I Switched” video contest! Pick your favorite, the winner gets a StudioLive 16.0.2 and Studio One Professional.

Click the link below and then scroll down to check out the submissions. If you entered the contest, thank you. We got a ton of really incredible submissions. Please share this link with your friends and start watching your votes roll in!

https://www.facebook.com/PreSonus/app_214224245382377

Mixing in Studio One with third-party plugins and without!

Check out these incredibly thorough videos from Vision Studios’ David Vignola and Home Studio Trainer’s Johnny Geib!

These guys have teamed up to create an exhaustive video series illustrating the differences and similarities between mixing with Studio One‘s native plugins as compared to mixing via third-party plug-ins. Many users have asked questions about which approach is superior, including “Is it even necessary to purchase third-party plug-ins, given the quality of native plugins available?”

To answer this question, these guys took two different approaches to mixing the same exact song, (Jordy Searcy‘s “Fences”) both using Studio One. David is using third-party plug-ins, and Johnny is using Studio One’s native plugins. David’s series is a synopsis of his approach after the actual mixing was completed, while Johnny’s series shows us a step-by-step walk-through of his entire mixing process. You will see and hear their different styles, methods and approach to this song. Enjoy and share your thoughts in the comments!

David’s videos: Mixing using third-party plug-ins only:

Part 1:

Part 2:

Part 3:

 

Johnny’s videos: Mixing using native Studio One plug-ins only:

Part 1:

Part 2:

Part 3:

Part 4:

Part 5:

Part 6:

Part 7:

 

#TeamPreSonus Spotlight: Spud Too Tight of The Producer’s Corner!

[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do?

My name is Spud Too Tight based out of Minneapolis, MN, I’m a producer/keyboardist and host of The Producer’s Corner with Spud Too Tight—A celebrity-driven music production & tech talk show since 2009. It’s the new hot spot where Billboard chart-topping, award-winning, Grammy-award winning & platinum-selling icons sit down and discuss their craft. I’ve interviewed some of the biggest names in the business such as George Duke, Jeff Lorber, Larry Graham, Brian Culbertson, Gerald Albright, Fourplay, Marion Meadows, Gloria Loring, Mindi Abair, Joyce Cooling, DJ BattleCat, The Justice League, Cool & Dre, and a long list of others.

I am also the Inventor of V.S.C. (Virtual Studio Configuration) A new studio wiring configuration that allows musicians to stream audio directly from any DAW (PC or MAC) or analog setup over the Web in stereo without any feedback or audio looping issues. I use WebRTC chat services that provide real-time communication. As musicians, we can run into obstacles preventing us from making rehearsal or recording sessions that may require us to fly out of town. The traditional days of playing music over the Internet would consist of either using your internal microphone on your laptop or desktop, or using a USB microphone. It’s an instant turn-off to collaborate online effectively without good audio clarity. As musicians, we need to be able to hear what’s going on in the song. If we are going to collaborate online, we need to be able to hear the low end of the bass, some nice punch from the midrange and brightness from the high end of the mix. When your studio is configured with V.S.C., you will be able to stream and monitor music online directly through your studio. I also use various screen sharing and remote desktop control programs to give me more of an interactive experience working as a virtual musician.

 

How were you introduced to PreSonus?

I had the pleasure of chopping it up 1×1 with legendary music producer Teddy Riley. He introduced me to PreSonus and Studio One. Teddy Riley is my biggest influence as a keyboardist, producer and tech expert, so I was all ears when he started sharing with me what PreSonus had to offer! Our conversation got really HEAVY on production and engineering—and at that time, I was using another DAW for all of my work but I wasn’t truly happy or inspired to create. After my conversations with Teddy, I was eager to make a big change including switching from Mac to PC as well, which was a hard sell. So I purchased Studio One Pro and Teddy advised me for starters to first create some generic test tracks, tracking with my hardware and software MIDI instruments. He recommended to quantize them and listen to the timing of tracks on playback and compare it with my other DAW. The difference was night and day and worlds apart. I was immediately sold!

What PreSonus software/hardware do you use and for what purpose?

I use Studio One Professional for all of my tracking, recording, editing, and sound design projects. It is my main platform for all of my musical ideas. Studio One has changed the way I create as a composer. I feel more inspired as a musician than ever before. I have over 100+ plug-ins so the drag-and-drop functionality and the search bar in the browser for my VST’s and samples really helps me narrow the search down. The automatic time stretching feature and Melodyne integrated right in the DAW: priceless! I also use the PreSonus FaderPort to assist with my editing and recording tasks. I love having the layout and the feel of the FaderPort, excellent build quality, quick access to my Mix, Edit, and Browser windows, and adding a motorized fader was the icing on the cake! I also converted A.Rapheal, (film and music producer as well as my beta tester for V.S.C.)  from another DAW over to Studio One and he hasn’t looked back since.

What’s so great about PreSonus, anyhow?

I see nothing but passion behind the extraordinary PreSonus products. From interfaces, mic preamps and headphone distribution amplifiers, and now the new Eris & Sceptre studio monitors, finally we have the perfect tools for musicians and recording engineers created and built by some of the most prolific tech experts, musicians, and recording engineers. It’s always exciting to see new product releases and it’s so easy to recommend PreSonus to other musicians… a true one-stop shop. I look forward to their new lines in the future!

Where can our readers learn more about you online?

http://www.spudtootight.com   

https://twitter.com/spudtootight   

http://www.linkedin.com/in/spudtootight

New Photos from Camp Jam in Atlanta!

[This just in from Steve Freeman, National Director of Camp Jam, far and away the rockinest summer camp that kids have ever known. A great guy, and a great organization that we are proud to have a hand in.]

These kids are growing up right, using Studio One and the StudioLive mixers to learn recording and mixing. The  StudioLive 16.4.2 is being used to mix and record performances from both the campers and visiting artists! Studio One Artist continues to be the DAW format for our recording/songwriting class.

The features and simplicity of StudioLive and Studio One have our camps running smoothly, and make a real difference in the sound of the recordings and performances. Campers are all being given a PreSonus code to download Studio One Artist.  We could not be happier with PreSonus and their efforts to support Camp Jam and music education!

THANKS TO ALL OF YOU. YOU ARE INCREDIBLE! These are pictures from Atlanta—we will send from other cities as we move through the summer. If you’re interested in Camp Jam, please contact us, summer classes are filling up fast!

 


Sincerely,
Steve Freeman
National Director
Camp Jam, LLC
(800) 513-0930

www.campjam.com