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Tag Archives: PreSonus Audio


Friday Tip: Back to the 60s with Preverb

Reverse audio was a common technique back in the days when doing it was a challenge (flipping tape reels over, recording, flipping them back). Now that reverse audio is easy to do, it’s uncommon…go figure. But let’s revive reverse audio with preverb—reverb that swells up to a sound, instead of decaying after it. We’ll first look at a method that requires having some silence before the clip to which you want to add preverb, then cover what to do if the clip starts at the beginning of a song. Note: the screen shot shows each step, but you’ll end up with only the two yellow clips to create preverb—the other clips are for illustration only (i.e., you don’t need to keep copying the clip).

 

Step 1. Start by copying the clip or track to which you want to add preverb. Use the Paint tool to draw a silent section in front of the copied clip that’s equal to or longer than the anticipated reverb decay tail you’ll add in the next step, then bounce the silent part and the copied clip together. Tip: Consider rolling off some of the low end on the copy so the kick is less prominent. Kicks don’t get along with reverb all that well, and preverb is no exception.

 

Step 2. Select the bounced clip and type Ctrl+R, or right-click and choose Audio > Reverse Audio. Insert your reverb of choice (the Open Air 480 Hall preset from Halls > Medium Halls is a good place to start) into the copied/reversed track or clip, then set the reverb’s Mix control to 100% for an all-wet mix.

 

Step 3. After your reverb sound is as desired, right-click on this clip and choose Mixdown Selection. This clip contains only the reverb sound.

 

Step 4. Reverse this clip, and now you’ll preverb when you play it along with the original clip. You can also try nudging the preverb left or right to play with the timing—for example if the reverb has pre-delay, the kick and reverberated kick might argue with each other.

 

To add preverb before the entire song starts so that the preverb leads up to the first sound, select all tracks and shift them to the right to open up a few measures at the song’s beginning. Now you can extend the copy of the track or clip you want preverbed to the project start so it includes silence. Continue by copying the original track, reversing, and following the steps detailed previously to add preverb, then shift the tracks back to the their original position.

 

To hear preverb in a musical context, go to https://store.cdbaby.com/cd/craiganderton and click on the free preview of song 2, “The Gift of Goodbye.” The preverb is on the guitar solo toward the middle of the song and then occurs again at the end, during the fadeout.

 

Friday Tip: Reverb Chord Progressions? Why Not!

The more I play with Harmonic Editing, the more I find it can do things I never expected. Check this out…
One very useful Studio One feature is being able to record a track output into another track’s input. I take advantage of this sometimes by recording effects like reverb or envelope filter (set to effect sound only) into a track. This allows using Inspector features like transpose and delay, as well as have easier control during the mix.

 

So imagine my surprise when I set the reverb-only track to follow the Chord Track—and ended up with a tuned reverb chord progression! The following audio example gets the point across. The first four measures have the original reverb sound, the second four measures have the reverb processed by the Chord Track…pretty amazing.

 

 

There’s one caution: The only Follow chords mode that works for this is Universal. The Tune Mode doesn’t seem to matter, so I just use Default.

 

Extra bonus coolness tip! Drums can follow the Chord Track, again in Universal Mode, for a “drumcoded” effect (i.e., similar to drums “vocoding” something like a pad). Although there’s no way to do a wet/dry balance of the melodic and non-melodic components, you can copy the track, have only the copy follow the Chord Track, and adjust the mix between the dry and Chord-Track-following track.

 

The mind boggles.

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New from PreSonus – Tom Brechtlein Drum Loops

Tom Brechtlein is a drummer’s drummer—a seasoned vet with a versatile skill set that is evidenced by the broad array of talent that has chosen to work with him. Tom’s client list boasts names like Chick Corea, Wayne Shorter, Jean-Luc Ponty, Christopher Cross, and Robben Ford. So when it came time for us to make a diverse drum library that could serve nearly any need of our user base, Tom was our first call.
The result of Tom’s sessions? He pulled out all the stops: Delivering brutal rock grooves, sludgy blues, Louisiana-worthy funk, and tasty jazz and fusion licks that will quickly make this library your secret weapon.
Available in Stereo and HD Multitrack editions. Both include over 320 loops, two kits for Impact, and unique Double Drum loops for synchronized two-drummer sounds!

Get Tom Brechtlein’s Drums HERE! 

 

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Studio One, Metal and Shepherd’s Pie

You may be wondering what Studio One, Metal music and Shepherd’s pie have in common.

Well, her name is Linzy Rae. Linzy and her band, The Anchor, are the masterminds behind the viral video YouTube series “Metal Kitchen.” With over 1.3 million views on their first video, and 35K followers on Facebook, they caught our eye–and ear.

Check out her first video “The Ghost Inside makes Shepherd’s Pie” from December 2015.

The Ghost Inside makes Shepherd’s Pie” from December 2015.

Linzey is the lead vocalist for The Anchor, a Melodic Metalcore band based in Denver, CO. They’re also big fans of PreSonus so we figured we could trade them an interview for some Cajun recipes. They agreed and everyone wins!

  • What PreSonus products have you used and which do you currently use?

The band started out with an Audiobox USB 2X2 with a free version of Studio One 2 Artist. We eventually upgraded to the producer version because we loved it so much.  Now we have Studio One 3 Producer.

  •  For what applications are you using Studio One Pro?

We have used Studio One Pro for our first two EPs in my band, The Anchor. We have used Studio one for our entire YouTube channel as well.  It has worked great in our home studio.

  • What led you to choose Studio One? Was it the company’s reputation, audio quality, ease of  use, specific features, price, other factors?

We originally used it because we needed a USB interface.  We were told the Presonus Audiobox 2X2 would be a great start!  It came with Studio one Artist and we loved it because of its user friendliness.  Also the all the tutorials have been extremely helpful.

  • Having used Studio One, what do you like most about it?

We love it’s user friendliness, compatibility with vst’s and plugins.  It also comes with great mixing tools as well as the Project Page is such help with some post mixing/mastering things.

  • What Studio One features have proven particularly useful and why?

The project page is particularly helpful in putting final touches on songs.

  • Any user tips or tricks or interesting stories based on your experience with Studio One?

Go watch the tutorials and Studio One Experts!  It is so helpful!

  • Any final comments about PreSonus and Studio One?

Studio One 3 is a great expansion to the already awesome Studio One 2 we had previously. We will never switch, and can’t wait to see what the future holds for PreSonus.

  • Tell us about yourself!Linzey

I started uploading some covers to YouTube about a year ago. Now we consistently upload covers on a weekly or biweekly basis.  We have videos such as Metal Kitchen, Scream It Like A Girl, and Pop Goes Metal.

  • Where did you get the idea for Metal Kitchen?

We were in the studio and someone was going to order Chinese food for dinner. While I was in the recording booth, they asked me what I wanted to eat and I screamed “crab cheese wantons,” which created a running joke. Afterwards, our friend made a joke saying that I could write a recipe into one of our songs and people wouldn’t know the difference (Since the common opinion of metal music is that you can’t understand what the vocalist is saying). Then the idea sort of grew from there.

  • It went viral–what’s that like?

The video completely caught us off guard it was amazing and also scary at the same time.  We have never had so much attention on us all at once!

  • What’s next for Metal Kitchen?

We just released a Metal Kitchen about making Black Bean Burgers featuring Miss May I’s song, IHE. For the next metal kitchen we are thinking about making Tacos to an All That Remains songs.  Metal Kitchens format probably won’t change that much but we have a lot of other cool ideas that we can’t wait to try out!

Try out Studio One for free like these guys did HERE!  Who knows, you may be the next YouTube sensation! Stranger things have happened…

Chewy

 

Studio 192 Quick Setup Guide

Looking to hit the ground running with the Studio 192? Look no further! Justin shows you all you need to do to get rolling with your new interface and take advantage of low-latency monitoring, Fat Channel processing, speaker switching, and more via UC Surface.

You’ll also learn how to use Studio 192’s integration with Studio One for remote preamp control, Fat Channel DSP, and Z-Mix outputs.

 

For more on the Studio 192, click HERE!