This is a triumph. Imogen Heap recently showed up on Dara O’Briain’s Science Club, and she brought her otherworldly Power glove 2.0 MIDI gyro-accelerometer Kinect-handwear with her. We’re flattered and honored that she’s entrusted the StudioLive 16.0.2 to corral her abstruse mad-science signal chain.
Seriously, how many different technologies do you think are collaborating in tandem here?
It’s official, the ADL 700 Channel Strip is on the loose, and superlative preamp processing power is spreading across the USA by land and by air. It is soon to arrive in the care of PreSonus dealers, and subsequently in your studio rack, from where it will reach its final destination—your dreams. The ADL 700 has its roots in Anthony DeMaria‘s ADL 600 preamp circuit, but replaces its younger brother’s second channel in favor of a dynamite compressor and EQ section, creating a monster of a single-channel preamp/EQ/compressor/plug-in-to-this-and-you’ll-sound-goooood-machine.
Click on any of the dealers below to be taken to their online store. Or, if you’re feeling analog, hop a ride and get yourself to one of their brick ‘n’ mortar versions.
|Sam Ash #59 – San Antonio, TX|
|Sam Ash #51 – Charlotte, NC|
|Sam Ash #45 – Nashville, TN|
|Sam Ash #44 – Tampa, FL|
|Sam Ash #33 – Miami Lakes, FL|
|Sam Ash #07 – New York, NY|
|Sam Ash #07 – New York, NY|
|Sam Ash #03 – Carle Place, NY|
|Dale Pro Audio – New York, NY|
|Full Compass – Verona, WI|
|American Musical Supply|
|Rock & Roll Rentals – Austin, TX|
|Sonic Sense – Sheridan, CO|
|Sweetwater – Fort Wayne, IN|
|Swift Music – St Paul, MN|
|Vintage King – Ferndale, MI|
|Pure Wave Audio – Tucson, AZ|
|Washington Music Center – Wheaton, MD|
|Sound Pure-Durham, NC|
|B&H Photo and Video – New York, NY|
I type too much, and there’s nothing I can say about this video that it doesn’t already say for itself. So here ya go.
[This just in from Graham Cochrane, Grand Mixologist and WhizAdult over at The Recording Revolution. He put Studio One 2.5 Professional’s mastering features into an opinion toaster, and a few minutes later this tasty, crispy review video popped out. Dig in, but bacon is extra.]
Hope you are well. Just a heads up that I posted a video review of mastering in Studio One with the Project Page. Enjoy! Really enjoying working with S1 for mastering. You all have done an excellent job with this! Hope to see some of you at NAMM.
[This just in from Marcus Marshall, production wünderkind with a heart of gold.]
I wanted to tell you about this video we’re proud of. This year a partner and I produced a song for Grammy-nominated artist Carolyn Malachi. The song is titled “Free Your Mind,” and it’s fully produced and recorded in Studio One.
The track is gaining momentum! It’s currently available on Google play, and will hit iTunes and Amazon in a couple of weeks.
[This just in from Paul Fattahi, Executive Director, International Music Software Trade Association. ]
Dear IMSTA Members and Friends,
As you may know, every year IMSTA conducts the “Let’s Talk Piracy” Survey in order to obtain a better understanding of the motivators behind software piracy. We then analyze the data and provide our findings, along with any observed trends to our members. It would be much appreciated if you could send this to your marketing, web, and social media teams and to ask them to promote the survey as much as possible. With your help, we could receive plenty of responses and have the results analyzed and prepared for our meeting at NAMM.
As software is of incalculable importance not just to PreSonus, but also our entire industry, Please click here to take the survey. It won’t take but a minute.
Also, feel welcome and encouraged to share your thoughts on software piracy in the comments section below. That will take as little or as much time as you like.
Rick Naqvi is anything but lazy. I mean, why go pay $90 for a half-dead tree sold by the local Cub Scout pack when you can venture into the great outdoors and get a tree yourself?
I’m not sure how he found an evergreen in Baton Rouge. And we almost NEVER see this much snow, but whatever.
Joe Crabtree, Live Sound Engineer for Wishbone Ash, picked up a StudioLive 24.4.2 for Wishbone Ash’s most recent tour. He’s running front-of-house from his StudioLive, and—like many StudioLive owners before him—was able to offload a rack full of old compressors, reverbs, gates… the usual suspects.
Furthermore, he’s really using the board to its fullest. He records every show to Capture, and his band is taking advantage of the remote in-ear monitor control features available via QMix.
Enough chit-chat, just watch his vid. Joe, thanks so much for this!
Hey PreSonus, I finally got my multi-pin panel built and installed. The rack panel sits in a road case that serves as a stand for the StudioLive 24.4.2 mixer. The road case also has a power conditioner, a couple of drawers, wireless in-ear transmitter, etc, and the stage snakes are stored in the bottom of the case during transport.
The big cable on the left in the photo below feeds a fan-out to the mixer. The two smaller multi-pin cables feed 12×4 stage boxes. The XLRs are main outs, sub outs, and Auxes 9 and 10. (Auxes 1-8 are fed to the stage boxes. The mixer sits in a Gator case with the doghouse. Setup is a snap. The large multi-pin cable is stored in the doghouse for transport, so I never have to mess with plugging things in to the back of the mixer!
I play guitar in a band made up of weekend warriors like myself. We play small venues, mostly bar gigs and winery gigs, with an occasional barn party thrown in for good measure. In addition to my guitar playing duties, I’ve also fallen into the role of ‘sound guy’, audio engineer, roadie, booking agent, transportation coordinator, finance manager, and marriage counselor. 😉
When we roll in to a gig, we merely open the doghouse of the mixer case where the fan out snake is stored and always stays connected to the StudioLive. We plug in the big multi-pin to the rack panel, and then roll out the two 35′ sub-snakes and stage boxes that are stored in the bottom of the road case for transport.