Further cementing their long-standing reputation as stewards of quality in pro audio journalism, Tape Op recently ran a flattering review of our Eris Monitors, which, coincidentally enough, are now in stores. Doublethanks to Eli Crews for the kind words.
A few of those words follow: “I found both of these monitor models very useful tools for the imperfect art of home-studio mixing… if you were to put them up in a very controlled environment, next to speakers you paid a bunch of money for, you would probably find things here and there about them you didn’t like – although you may be surprised. Setting them up in my humble (yet effective) home studio for a few months helped me hear things I wasn’t hearing previously and helped me to provide better mixes for my clients. At the end of the day, that matters much more than the price tag of the speaker or the label on the front. Job well done, PreSonus.” Click here to read the full review: http://tapeop.com/reviews/gear/96/eris-e5-active-studio-monitor/
Parents are always proud of their children, even the ones who have ornery rugrats who mark up the walls with crayon. We treat pro audio product development a lot like parenthood. Our gear is shaped by our experiences, and we instill in our offspring the virtues we hold dearest. It’s a labor of love. And of course, the fateful day must arrive when a product matures, is all grown up, and is released into the world—hopefully to live out the values shaped by our guiding, if solder-burned, hands.
However, that’s pretty much where the similarities end. If you ask a parent who their favorite child is, the universal standard answer is that the parent in question loves all their children the same.
Not so with us. The ADL 700 Tube Channel Strip is far and away our best, most favorite child, and now that it’s graduated from LSU and made it’s way into the world, it has started to reap the recognition we—and plenty of others—feel it deserves.
Some gems follow. Click the publication names to link to the full review, where available.
The ADL 700 is available via our Signature Dealers. Click here for a list of where to find the ADL 700 in the USA. If you live outside the USA, please contact the official PreSonus distributor in your area to find out where you can hear/obtain the ADL 700 for yourself. You can find your region’s distributor by clicking here.
Here are some artist opinions on the ADL 700. We’re flattered!
Our friends over at ProAudioDVDs.com have a brand new FREE training series targeted for Church Sound Teams. If your sound team needs some help in running and troubleshooting how to run live sound, this free video course is a must.
Hosted by David Wills (Michael Jackson, Whitney Houston, Phil Collins) this course heavily uses our StudioLive consoles so it’s a perfect way to master Live Sound.
Click here for more info: https://qi970.infusionsoft.
Hosted by David Wills (Michael Jackson, Whitney Houston, Phil Collins)
The most comprehensive Live Sound training on the planet featuring our StudioLive series. Over 6 hours of hands on training going into every aspect of Live Sound from designing and running your own system to advanced troubleshooting. Perfect for training Church Sound teams or anyone interested in nailing down Live Sound forever.
An interesting bit of recording industry foreshadowing, discovered in a thrift store by our own Carl Jacobson!
This pic is snapped from the back of 1963’s “Dave Brubeck Live at Carnegie Hall.” Tape splicing to edit a performance may seem downright quaint by today’s standards, but this raises a great discussion.
What would Teo Macero say about today’s editing practices in music?
And when it comes to editing a performance, where do you draw the line—if at all? What will you NOT do?
FREE LIVE WEBCAST!
PreSonus LIVE Airs Today! 2 p.m. CST / 3 p.m. EST / Noon PST / 19:00 GMT
Join PreSonus Technology Evangelist Justin Spence as he takes you on a guided tour of the StudioLive 16.0.2!
The 16.0.2 packs a lot of mixing power into a very portable package. Tune in to learn some of its innermost secrets.
Sonic Sense Pro Audio just posted this first-look (first-listen?) video of the Sceptre S8 CoActual monitors. They compared the Sceptre S8 ($749, each) to the much more expensive Genelec 8050A ($2195, each) and the Adam A7x ($699, each) monitors. All monitors involved in the shootout were cautiously miked and measured, and detailed frequency response and phase charts are presented for each.
Sonic Sense is very thorough, which I suppose makes for the “Sense” part of “Sonic Sense.”
Click through to the Sonic Sense blog post here to get their full review, but in the meantime here’s a snippet:
“As promised, the sound quality truly does stand up well beside high-end monitors that have become “household” names in the studio world including ADAM, Genelec, JBL, and Neumann.”
The kind folks at American Musical Supply just announced their incredible PreSonus giveaway, including a whopper of a $5,129 prize package that includes:
It’s easy to enter, just click here and fill out their form! This is an incredible chance to get a whole lotta stuff with minimal effort, which is always a popular proposition.
[This just in from Scott Szeryk!]
We multi-tracked the entire show via the Studio Live 24.4.2 into Capture. Great care was taken on ensure that the instrument sources all sounded top notch (drums, bass, guitar, keys) and appropriate mics and DIs were used to capture the sounds of the instruments.
Drum mics were as follows:
For post-production (mixing and mastering) we used Studio One, and things were kept pretty simple as the performances and sounds were good at the source. I’m not a “fix it in the mix” type of engineer, so the sounds have to be great to begin with. Also we didn’t use any drum samples whatsoever. The drums sounded great and basic EQing (cut some of the boxey mids) and slight compression (just a hint, 2:1 with slow attack to keep the bass response) were used on the drums, and that’s it. Guitars were plugged straight into the Fractal AXE FX2, bass and keys ran DI. The XMAX preamps on the StudioLive are so good that it helped the mix come together pretty quick!