This is one of the better episodes of PreSonus LIVE that we’ve done for a while—no bandwidth problems! Amazing! In it, PreSonus tech support guru Dominic “TicToc” Bazile takes us on a tour of the new Temblor T10 Subwoofer and Eris 4.5 studio monitors. This combination is an ideal way to bring some real rumble to a modest home studio—if you want it. The Temblor’s foot-switchable bypass can tone things down when the neighbors start complaining.
For more on these products, watch the video—duh. But for even more more, click the following links:
When Tiny Frog Media is involved, the hits can’t/won’t stop. Here, Greg takes a close look at the entire line of StudioLive AI PA Loudspeakers. His talk-through is pretty handy if you’re trying to decide exactly which StudioLive AI PA speaker is right for you and your applications. While he addresses high-tech matters such as power, DSP, and software integration, he also addresses some of the equally-enthralling low-tech features offered by these speakers, including threaded pole-mount adapters, dollies, and dust jackets. Give a look-see.
Mixer aficionados the world over could always stand to learn a new trick or two, and at the rate that technology changes, sometimes we all find ourselves with a little catching up to do. Good thing, then, that Alfred Music has recently released the StudioLive Mixer handbook, which has a little something for everyone. If you’re using one of the classic StudioLive mixers or the new AI mixers, you will find something of value as the book covers both! Furthermore, it’s broken down into a simple three-tier arrangement: a general overview, live sound, and studio recording—including a nice bonus chapter on mic placement.
You’ll also find info on getting the most out of using your StudioLive with external devices like your laptop and iPhone, feedback elimination, remote iPad control, and recording your shows.
Here’s a couple freebies to get ya hooked:
With the publication of this tome, renowned engineer/producer Bobby Owsinski has cemented his stature as a dyed-in-the-wires StudioLive expert. After all, he wrote the book on it, right?
Check it out—here’s Dave Bryce, showing you the best way to set up your Temblor T10 Subwoofer in your studio. While a lot of subwoofer marketing verbiage talks about “room-shaking” bass, the fact is that’s not all hype. Subwoofers REALLY DO shake the room, and can resonate the environment at specific frequencies, creating sounds that aren’t actually coming from your speakers. This makes mixing critical low-end frequencies impossible, as you aren’t hearing an accurate representation of what you’ve recorded.
The solution is to systematically test your sub in YOUR environment, and work out the kinks to get the most accurate-sounding configuration possible. The Temblor T10 makes this very easy, and Dave is here to help. Take a look!
[This just in from Shane Simpson of Express AV / Steele Creek Studios! These guys are using just about every product we make. I, for one, am impressed!]
In my opinion, PreSonus is the most forward-thinking company in the industry! They care not only about functionality, but also about workflow, ease of use, and cost! If you run a live production company or a recording studio, PreSonus offers many cost-effective solutions to our every-day needs. When it comes to signal flow, pre-amps, user-friendly layout, EQs, versatility, and price, the StudioLive mixers are some of the best desks on the planet.
The StudioLive package stands out for me for many reasons:
We received a pair of PreSonus Sceptre studio monitors a few weeks ago—Wow! I never thought a co-axial monitor would even work, let-alone be some of the best sounding I have ever heard! They sound like monitors several times their cost, clean and powerful! That is not to discount the Eris series monitors, as they are awesome as well. Our local PreSonus rep demoed a set of Eris for us, and although we wound up with the Sceptres, the Eris blew us away for sounding so good at that price.
We have also been using the PreSonus Monitor Station; man is this thing cool! It makes switching between adjustable audio sources and monitor sets a breeze—we have our subs on one of the outputs, so we can bring them in or out with the touch of a button. The built-in talk-back mic is awesome, and the adjustable Dim feature is really cool as well.
Using the Presonus HP60 headphone amp has been very helpful to us as well. We were using a diffferent brand before we got the HP60, and we were not very happy with it. The HP60 is very clean with lots of headroom.
We also use the AudioBox 22vsl, which has been a great portable interface. We look forward to acquiring an ADL-series preamp (or two), some new A.I. series mixers, a set of Eris near-field monitors, a Temblor T10 Subwoofer, PreSonus StudioLive speaker cabs for our live production, and all the other goodies PreSonus has to offer. PreSonus is a great company that cares about its customers. Our PreSonus rep came to our shop and spent two days with us educating us on PreSonus products and getting to know our needs and our business so he could better serve us and help us grow. He offered invaluable information and insight and showed us how PreSonus products can help us succeed as a business.
Thanks, PreSonus. We appreciate a company that cares enough to spend time with a small company like us—keep on doing what you are doing: Providing us with useful, innovative products, and the help and know-how to implement them.
Senior Audio Engineer
Steele Creek Studios / Express AV
PreSonus Artists Royal Teeth brought their signature sounds to the big time last week, appearing on none other than American Idol, performing their hit, “Wild.” We can’t begin to express how proud we are of these good friends from just over in Layfayette.
Good work team, you’ve earned this.
Here’s Royal Teeth’s Idol appearance…
This just in from the globetrotting portion of our crew that spent some quality time at Musikmesse in Frankfurt, Germany, last week. We saw a lot of old friends, shook the hands of new friends, and shot some admittedly shakey-cam videos. But hey, that’s “from the trenches,” right? it’s just like being there!
Featured in this trifecta of Cinéma vérité are the Monitor Station V2, the Music Creation Suite, the Sceptre monitors, and—perhaps most important—our incredible #GetYourHooksIn contest. Click around the video below to get all the details.
We apologize in advance for the poor audio quality.
David “5aint” Gledhill on the #GetYourHooksIn contest:
PreSonus StudioLive 32.4.2AI Wins MIPA 2014
Music Creation Suite:
Introducing The Monitor Station V2:
Dave Bryce on the Sceptre Monitors:
5aint and Luke Mourinet talk Studio One at Musikmesse 2014:
If you ask me, the real answer to the analog vs. digital debate is “let’s stop arguing and make some music,” and Alberto Schettino of FuseRoom Studio agrees. In fact, he’s got an audio workshop coming up on March 22 & 23, that focuses on exactly that—balancing fuzzy analog yin with precision analog yang.
He says, “This is a 2-day workshop at Fuseroom Studio in Tuscany, Italy, where I will transform a raw recording session in PreSonus Studio One to a final mix, integrating all of my high-end analog gear and digital plug-ins into the ultimate hybrid mixing experience!”
Sounds great! Why not use the best of both worlds? Click here to learn more and register for the event.