[This just in from Thomas Koritke of e-instruments, who shared some valuable insights on the creation of our new eBass Add-ons for Studio One 3! These sample packs include VERY meticulously sampled recordings of a 1975 P-Bass in various styles. They’re available for all editions of Studio One 3: Artist, Professional, and Prime, and can be purchased on shop.presonus.com website or directly from inside Studio One.]
We are really happy to see our eBass released! I hope the following gives you some valuable information on our instruments.
We recorded a 1975 Precision Bass in a studio here in Hamburg—actually the same studio that we used to record our Session Strings, Session Horns and Session Keys instruments. It is one of the few facilities left with a large and great sounding room.
We used a Millenia TD-1 tube channel for the Vintage Bass instruments, and an Avalon DI preamp for the Classic Bass. We also recorded the bass via an Ampeg SVT top with 112 speaker, just as a sound reference. However, we ended up using only the DI signals for our eBass instruments. The DI signal provides great flexibility for additional processing with amp simulators and EQ, so the reference amp recording was a tremendous help when we designed the Instrument+FX presets—we could always compare them to the real thing. Strings were medium 045-105 round-wound for the classic and the same gauge flat-wound strings for the vintage. The pickup set was the original from 1975.
The bass was performed by a completely unknown, but extremely patient bassist here from Hamburg. Sampling requires a very special skill set and what we ask a musician can be quite hard or boring for a famous virtuoso. The player has to be able to have great control over dynamics and sound as well as keeping a certain dynamic throughout the entire tonal range. He has to be very patient and controlled, should not produce any noise, should not move, and has to repeat notes several hundred times… it’s a painful process, but it’s worth it: with both flatwound and roundwound strings and two playing styles—pick and finger—for each string type, eBass provides THE classic Precision Bass sounds.
Despite the previously mentioned attention to details, I think the most interesting part of the product is in its scripting, sound design, and music loops. Our goal is to provide very flexible and easy to use great sounding bass sounds. As such, we designed these Add-ons with presets for different use cases. Some people love to perform a bass line on a keyboard. The performance presets are designed specifically for that. They include an intuitive legato function (legato on the same string–within a fourth interval), velocity switching for dead notes or harmonics, pitch bend control to trigger slides and hammer-on/pull-offs and even control over the left hand position on the neck via mod wheel. All articulations are instantly available.
Other producers are used to selecting different articulations via key switches. We have created the production presets for them. Here, all articulations are accessible via dedicated keyswitches. The production presets also feature left hand position control via mod wheel. Both preset types are available as “dry” Presence XT presets, or as Instrument+FX presets including a chain of Ampire, EQ and Compressor.
Finally, some musicians may just need some inspiration or use an existing bass line and modify it. Each eBass includes Musicloops in different styles, genres and complexity levels – from fairly basic to quite busy. They all come with a dedicated effects chain setting to match that specific style or genre.
All the best,
The 3.0.1 update to Studio One released today, adding Italian localization, an updated reference manual, enhanced multi-touch performance, support for the StudioLive CS18AI, and much more, including bug fixes.
All you need to do to update is launch Studio One 3. If your computer is connected to the Internet, Studio One’s start page will prompt you to install the update.
New features and improvements:
• Italian localization added
• Updated reference manual with improved layout and navigation
• New teaser Sound Set “Prime Selection Loops and Sounds” for all versions
• USB installation support for optional USB thumb drive
• Multi-touch support for 3rd party plug-ins
• Multi-touch support for context menus
• Multi-touch vertical zooming improvements
• Improved multi-touch performance
• Change: TUIO support now disabled by default
• Improved visibility of selected events
• Improved toolbar button alignment (optimized for smaller screens)
• Improved automation curve handling
• Support for Studio One Remote and PreSonus CS18AI moving fader controller (UCNET remote)
This update also fixes many bugs. Click here for the full list of fixes.
PreSonus® Studio One® 3.0.1 contains more than 50 fixes and improvements.
This is not a question, but you can try the full version of Studio One Professional 3 for thirty days by clicking here.
No. You will, however, soon be able to get a version on a USB stick installer directly from us or at your local PreSonus dealer. CDs are old hat. Studio One looks to the future!
No, because Studio One 3 is not a magazine or dessert-of-the-month club. Buy it and receive five activations that can be installed cross-platform.
Existing owners can upgrade for the following USD prices. International prices will vary.
We would like you to do this, too.
If you can show us proof of purchase of another DAW, we will sell you a crossgrade to Studio One 3 for $299 USD. More details on can be had by clicking here.
Qualifying DAWs include:
If you registered Studio One 2 between April 1, 2015 and May 20, 2015, we will upgrade you for FREE.
We understand that it sucks when you put your hard-earned money down on something only to have the new model come out a short time later. As such, we’re offering a grace period that extends back to April 1, 2015. If you registered Studio One between April 1, 2015 and May 20, 2015, we’ll upgrade you to Studio One 3 at no charge. Simply log into your my.presonus.com account after the launch on May 20th, and you will find a Studio One 3 notification that will lead you to your free upgrade.”
If you received Studio One Artist as a pack-in with one of our hardware products, simply register the product at my.presonus.com. Instead of receiving Studio One Artist 2 in your account, you will get Studio One Artist 3, automagically.
Studio One Free has been re-named Studio One Prime, and will be available in June. Producer edition has been discontinued in favor of giving you the ability to buy only the features you need via our online store.
La Carta Perfecta – En Vivo fue una gran grabación realizada para Danilo Montero en 2014—tan grande, de hecho, que ganó un premio Grammy Latino al Mejor Álbum Cristiano. El álbum en vivo fue mezclado por Abraham Martínez en Studio One Professional 2. (En la foto debajo)
Martínez es ingeniero de audio FOH de tiempo completo trabajando para Marcos Witt, un muy reconocido líder de adoración y músico cristiano en Latino América. Cuando no trabaja con Witt, Martínez pasa su tiempo libre apilando premios Grammy Latinos. El ha obtenido tres galardones en solamente cuatro años:
Hemos tenido la chance de intercambiar algunos e-mails con Abraham para obtener algunos detalles adicionales. Como Abraham ha estado usando Studio One—y otros productos PreSonus—por algunos años hasta la actualidad, este es su primer Grammy Latino obtenido como galardón por un proyecto mezclado en Studio One. Abraham llegó a Studio One de la misma forma que muchos usuarios—a través del hardware PreSonus.
“Antes, cuando grababa más, usaba un preamplificador M80 y un ACP88”, dice Martínez. “Más recientemente he usado un ADL 600 para la grabación de pistas de voz y bajo. También uso una consola digital de mezclas StudioLive por su calidad de sonido y facilidad de uso para el trabajo en nuestra iglesia. Tengo siempre asociado a PreSonus con valor, pero nunca los había considerado como desarrolladores serios de una aplicación DAW hasta que probé Studio One!”
“Ahora uso Studio One exclusivamente para todas mis mezclas en mi estudio de mezclas personal AMmix”. Martínez continúa, “También lo usamos en nuestra iglesia para grabar y mezclar nuestras obras. Lo que me atrajo principalmente hacia Studio One es que el flujo de trabajo es muy intuitivo. Se sintió natural de inmediato, sobre todo para la mezcla. Recuerdo que tuve que volver a mi viejo DAW para terminar un proyecto antiguo y lo comencé a odiar ya que se sentía primitivo en comparación. Lo que me mantuvo trabajando en Studio One, sin embargo, fue su calidad de audio y sus características profesionales. Eso es algo a lo que yo no estaba dispuesto a renunciar”.
“Studio One no defrauda”, afirma Martínez. “Las funciones de edición de percusión y de cuantización son las mejores por lejos. Me encanta que nunca hay problemas con clics y pops y todo permanece perfectamente en fase. La calidad del sonido y facilidad de uso son las fortalezas de Studio One”.
Martínez habla desde la experiencia cuando compara Studio One con otros DAWs y flujos de trabajo.
“Encontré mi flujo de trabajo mucho más rápido y fluido en Studio One, a diferencia de Nuendo, con el que he trabajado anteriormente por muchos años. Hace poco hice una comparación trabajando completamente ‘en la caja’ (Computadora) con Studio One contra mi sistema híbrido hardware/software —y honestamente puedo decir que las diferencias fueron mínimas. Ahora me siento completamente cómodo trabajando ‘en la caja’ cuando tengo que hacerlo!”
“No puedo esperar ver que tiene Studio One en las tiendas para nosotros en la versión 3”
Mire el video “Dios es Amor” de Danilo Montero a continuación:
The kind geniuses over at Northern Sound and Light recently got their mitts on a StudioLive 32.4.2AI and cranked out this great overview video. This is an excellent primer for anyone who is considering getting a new StudioLive AI digital mixer and would benefit from a quick feature rundown.
Big thanks to Northern Sound and Light for their support!
Our recent “Why I Switched to Studio One” video contest was such a smashing success that we decided to kick it up a notch.
So, here’s your contest. Prime directive? Extrapolate! The whole human race deserves to know why you chose the StudioLive mixer out of the billions and billions of mixers available in our little blue corner of the galaxy. The best video, as chosen by PreSonus galactic overlords, will receive the flagship mixer of our next generation, the StudioLive 32.4.2AI—a $3,999 value.
So, again, we want videos. Billions and billions of videos! This contest shares much in common with the last contest, but with the following upgrades:
Here’s the rest of the guidelines.
Create a video detailing why you chose the StudioLive mixer over the universe of mixers available.
Here’s what we’re NOT in search of:
The grand prize winner will receive a StudioLive 32.4.2AI, and a free upgrade to Studio One Professional 2.5. If you’re already running Studio One Pro 2.5, we can connect you with the PreSonus product of your choice as long as it’s under $300 in value.
The second place winner will receive a pair of Sceptre S8 monitors.
All video content submitted becomes the property of PreSonus Audio Electronics. Winner will be announced on or around October 2, 2013
Full lawyer-appeasing legalese can be found here.
The 32.4.2AI is light years ahead of previous StudioLive consoles, offering:
Free tutorial on using Melodyne with Studio One Professional
MacProVideo recently created a great free tutorial on using Melodyne as integrated into Studio One Professional 2, including free sample videos from their full Studio One course. If you’re interested in using the most powerful pitch correction software available—and what recordist isn’t—this is definitely worth a read. Experienced users of Melodyne may find some of this material to be a valuable refresher, as well.
Also, Studio One users of all levels will find value in the Studio One Producers and Engineers Toolbox from AskVideo. This 22-chapter series focuses on 102-level audio engineering topics like freezing tracks via Track Transform, submixing and busses, and more.
Perhaps “Transforming Audio” isn’t the ideal nomenclature. In the DAW sense, “Transforming” is all about rendering your malleable, time-stretched, VST-, reverb- and Melodyne-saturated audio track down to a single, elegant WAV. Draw parallells less with Optimus Prime turning into a truck and more with flattening layers in Photoshop.
Transform your audio once you’ve dialed in the effects to juuuuust the way you like them—this process frees up your rapidly aging CPU from thinking about all those heady, pitch-shifty convolution-reverberizing plugins you threw at it. Freeing up RAM in this way means you can apply heady pitch-shifty convolution-reverberizing plugins to some other track. Or you can transform to MIDI.
Fortunately, if you checkmark the right li’l boxes, Transformation is non-destructive. If you’re unhappy with the changes you’ve committed to, you can always bring it back to the way it was before, much unlike my relationships with women.
Our dudes over at Obedia stay busy. Visit them!