PreSonus Blog

Photo Credit: Mark Wolfson

Continued from Part 2…

All of the inputs were routed into a StudioLive™ 32.4.2AI console. Besides doing the live mix, the other half of my job was to ensure that every note was “Captured” during both rehearsals and filming.

Here’s how we did it:

Neil Citron, Mark Wolfson, and I wired the stage and then set up two recording systems. The first was set up on my MacBook Pro, running Mac OS X 10.8.5 and connected to the console using FireWire. I was running Universal Control-AI (with Virtual StudioLive-AI control software) and recording with Capture 2.0.

We connected the DB25 outputs of the 32.4.2AI to a Tascam X48 recorder because we needed to track SMPTE time code. This way, we also had two copies of each recording; as anyone who has ever lost a file knows, you need to back up, back up, back up.

The great thing about recording with Capture™ is it is literally effortless. Once my FireWire connection was secure and I knew the computer and console were talking to each other, all I had to do was open Capture and make one mouse click, and we were rolling! Of course, it helps to have the drive path set and the files named. I find that, given the option, it helps to set this up in advance, although the only really crucial setting is the file path.

We noticed that, according to the X48’s meters, the DB25 analog output was 6 dB lower than the digital signal coming into Capture. I’m not sure why the levels were different but comparing the WAV files in Studio One confirmed the difference.

Jeff Pullman, C.A.S, was the Production Sound mixer for the film and was a pleasure to work with. He also was very helpful in getting some sound isolation products so we could have a cleaner recording.

We did some test tracks with Neil playing so we could make sure the rig was running; then we started rehearsals.

Category StudioLive PA Systems | 0 Comments »
Posted by Phil Garfinkel


The five musicians that make up the band Ricki and the Flash are all top shelf players. Their credits are the stuff of legends; you hear them on the radio every day. Of the five, only bass player Rick Rosas and drummer Joe Vitale had played together before, as the rhythm section of the reunion tour for the legendary Buffalo Springfield (no relation to Rick Springfield).

Bernie Worrell is a visionary funk keyboardist and a member of the Rock ‘n’ Roll Hall of Fame. His credits include Parliament/Funkadelic and Talking Heads. Rick Springfield is a fantastic guitarist who also played Dr. Noah Drake on General Hospital.

Meryl Streep, of course, is one of the most renowned actresses in the world.

To get them to be Ricki and the Flash, we set up in the World Famous Rodeo Bar in the Murray Hill district of Manhattan. The Rodeo Bar is a long, narrow room with a brick wall behind the band. We were in a small space, and they were very LOUD.

We set up the band in an authentic club configuration and laid out the monitors for them. We used three StudioLive™ 312AI cabinets for the vocalists and keyboard position and a StudioLive 315AI for the drum wedge.

When we first set up the wedges, we decided to just use them in the standard DSP configuration. The speakers use Dave Gunness’ TQ™ (Temporal Equalization) settings to correct for the acoustical issues that arise in a coaxial design. In addition, each box has DSP settings designed to assist the user in different acoustic situations. There are four settings on the back of the speaker, accessed by a small button. The settings are: Normal (full range for front-of-house), LBR Source (for low-bit-rate digital audio, such as MP3 playback), Floor Monitor (for stage wedge), and a custom User preset.

Neil Citron is a long-time studio engineer, guitarist, and all around great guy. He ran the Mothership for Steve Vai for 15 years and is a member of the Sapphire Group, a bunch of audiophiles in Los Angeles. Neil has incredible ears and was brought in to teach Meryl guitar, be the music director, and record the performances.

Neil and I set up the wedges, supervised by Mark Wolfson, and we ran some program material through them. We really liked the sound of the default Normal setting, so we left it. As soon as the band showed up, we quickly realized that the stage mix just wasn’t “there.” A quick button-push, and the boxes were in Stage Monitor mode; they sat perfectly in the mix, with no additional EQ required.

We used one StudioLive 312AI plus one StudioLive 18sAI subwoofer per side of the “house” PA. We put the top boxes on using the SP1BK subwoofer pole; this also allowed us to steer the top box to reduce reflections off of the brick walls.

Thanks to Brad Graham, Rapco generously provided us with microphone cable and snakes to wire the stage. We wired the guitars using Radial JDX DIs to get the sound of the amplifier, not the guitar. We used Radial JDIs on the bass and keys. Thanks to Roxanne Ricks of Audio-Technica, we had A-T mics on the Leslie and hi-hat. We also used the fantastic A-T ribbons for ambient room miking. We had triggers on the drum kit; more about that later.

Here were the basic challenges:

  • Make sure the musicians can hear each other and the singers can hear their voices.
  • Make sure the levels into the recordings were right.
  • Get a good balanced mix for the audience.
  • Make it feel like a real show, which it was.

I’ll get into the recording aspect in the next part.

I need to give major props to Gary Goetzman, the producer, who took five musicians who had not played together before (with the exception of the rhythm section) and turned them into a real band in two weeks. Everyone was at the top of their game, and the professionalism of the band and producer really shone through.

Category StudioLive PA Systems | 0 Comments »
Posted by Phil Garfinkel


Ricki and the Flash poster (1)Hello everyone, I’m Phil Garfinkel, the Special Projects Liaison for PreSonus® Audio Electronics. I’m writing about the shooting of a new movie, Ricki and the Flash, discussing the PreSonus products that we used and how we used them.

First, a little about the film: Ricki and the Flash stars Meryl Streep as Ricki, an aspiring rock star who leaves the Midwest to “make it” in California. Her band, The Flash, features the talents of Rick Springfield on guitar, Bernie Worrell on keyboards, Joe Vitale on drums, and Rick Rosas on bass.

We set up the band in an authentic club configuration, with plenty of PreSonus equipment to reinforce their sound. We recorded with Capture™ and used Studio One® to create reference recordings. I was on site as the PreSonus tech, mixing the live show.

Here is a quick overview of what we used from PreSonus:


The movie is directed by Jonathan Demme and produced by Gary Goetzman and Marc Platt, all Oscar winning veterans. Jonathan and Gary wanted the band to play, not just pretend to play along to tracks; I was brought in to mix front-of-house and monitors and to take a 32-track feed to capture the music as it happened.

We faced some unusual challenges. Thanks to teamwork and a mutual obsession for excellence (and some pretty great gear), Mark, Neil, and I worked through it to help Jonathan and Gary make an excellent soundtrack for the film.

Special thanks to Roxanne Ricks at Audio-Technica for helping us get high quality microphones and wireless systems, Peter Janis at Radial Engineering for getting us some fantastic Direct Boxes, and Brad Graham at Rapco-Horizon for helping with cable needs.

Thanks also to my cohorts in audio-land, Mark Wolfson and Neil Citron, who led the charge for this journey. Also Jeff Pullman, C.A.S, the film’s Production Sound Mixer, who worked with us.

Ricky and the Flash opens in theaters everywhere on August 7.


Click here for part 2!

Category StudioLive PA Systems | 2 Comments »
Posted by Phil Garfinkel

Click here to watch:



Category PreSonus LIVE | 0 Comments »
Posted by Ryan Roullard


OK, OK, we heard you. See, we got a handful of comments on our Facebook ads for our recent RM16AI rebate that—ahem—very politely inquired as to our rationale for excluding the StudioLive RM32AI from the rebate program. Thanks for checking in, guys—you raised an excellent point, and we’re sorry if those of you excited for the RM32AI felt left out.

So, with our CEO on a personal holiday for a couple weeks, and our arms sufficiently twisted by the proletariat strong-arming of Social Media, we decided to give you want you want and sneak this one under the radar. So, from now ’til the end of September, you can save $200 on the StudioLive RM16AI AND the StudioLive RM32AI. 

If you’re on the fence, read more about the RM-series by clicking here, and you can read an excellent review from FOH Online here.

“The RM-Series mixers break through the touch barrier with a compact, affordable rig that can double as a stage box (no snakes required), while offering a versatile, flexible merging of hardware and software control to form a powerful mix solution.”

This is an instant rebate with no forms to fill out because, hey, everybody hates forms.

  • To find a dealer and save a buncha money on a StudioLive RM digital mixer, click here.


Category StudioLive RM Series | 0 Comments »
Posted by Ryan Roullard


As we head back to school, PreSonus is giving back an instant $50 discount on our most popular solutions for students and teachers. These recording and composition tools are all easy to use and many include free resources! These savings last through September 30, 2015, so contact your favorite retailer right away.

The AudioBox iTwo Studio is perfect for individual home recording or practice rooms. The portable AudioBox iTwo recording interface will record to a Mac PC with included Studio One Artist software, and record to an iPad with our free Capture Duo recording app. With the microphone and headphones includes, this package includes everything you need to get started right away. Plus, PreSonus offers a free video series on recorded practice:

The AudioBox Stereo bundle is designed specifically for ensemble recording and includes all needed condenser mics, cables, and accessories. This is ideal for recording small ensembles, choirs, jazz ensembles, or full concerts bands and orchestras. We also offer free tutorials on school ensemble recording:

Notion music notation software is easy to use, includes amazing live sounds from the London Symphony Orchestra, and integrates all of your scores on any iOS device with the Notion App. Quickly compose, hear, print, and share your scores! Notion is also great for learning or teaching composition and theory.

The Music Creation Suite offers a complete composition and recording solution, with free lessons and tutorial videos! With both Notion and Studio One Artist software, along with an AudioBox recording interface, condenser microphone, 49-key MIDI controller, and headphones, this package is ideal for any serious music student or composer and works equally well at home and in class. Our extensive free curriculum provides all the lessons and videos needed to start composing:

Most importantly, you must listen to your music with clear, accurate, and powerful speakers. The Eris E5 Studio Monitors are the perfect addition to any of the above solutions, and you will enjoy hearing your music like never before.

This special back-to-school sale is easy! No rebate forms and no coupons, just instant saving from any US retailer.

Category Promo / Discount | 0 Comments »
Posted by Ryan Roullard


Here’s the deal… when you buy and register an AudioBox iOne you automatically get Studio One 3 Artist, which is a tremendous value. But now through September 30th, 2015 you will also get Progression 3.

That’s a screamin’ deal…you basically get the audio interface for the price of the software…and it’s the perfect recording solution for guitarists and singer songwriters.

The AudioBox iOne allows you to record your vocals and guitar (or anything else) at a sterling 96 kHz. You can use it with Studio One 3 on your laptop or desktop computer, or record directly to your iPad using Capture Duo (which is a free download from iTunes). Capture Duo also allows you to wirelessly zap your recordings over to Studio One 3 for editing and mixing.

Once your recording is in Studio One 3, you can add all kinds of distortion, amp simulations and effects via Ampire and our other Native plug-ins. And thanks to Impact, and a nice collection of backing loops, you’ll even be able to create drum tracks and produce full songs.

Last but not least, for the more tablature-minded set, Progression 3 will allow you to create guitar and bass tablature, lead sheets, and standard sheet music with an intuitive fingerboard interface.

All told, this is a lot of power for not a lot of cash.

Category Studio One | 0 Comments »
Posted by Ryan Roullard


From August 1 through October 31, 2015, customers who buy any StudioLive AI console mixer will also get automatically upgraded to Studio One 3 Professional. If you’re looking for a professional studio solution (even in your very own home), this is the way to go.

StudioLive AI Mixers make a great choice for studio production work for 3 reasons: great sound, flexibility, and software integration.

Let’s Start with Great Sound

  • 96 kHz HD Recording Mode
  • XMAX Preamps
  • Burr Brown Converters
  • The same 64-bit summing, eq, and compression as Studio One 3 Professional


Flexibility For Every Studio Environment

  • An integrated FireWire 800 Audio Interface with LOTS of channels (48 x 34 with a StudioLive 32.4.2)
  • Inserts on each channel for integrating external gear
  • 14 Auxes for independent headphone mixes
  • Dedicated Fat Channels and effects processing processing for getting a great sound while tracking (with no latency).
  • Independent Solo Bus
  • Summing Control Room Bus
  • Talkback and more


Tight Software Integration

  • QMix for every player, so they can control their mix levels from their iPhone while recording
  • Make your mix environment more accurate through Smaart analysis and StudioLive’s EQ on the master bus
  • Use Spectral Analysis to head off Phase problems
  • Now with Studio One 3 Artist…and through October 31st, Studio One 3 Professional! (more on this below)


Benefits of the Studio One / StudioLive Connection

The StudioLive AI mixers and Studio One 3 play very nicely together. In fact, any settings you make in the StudioLive’s Fat Channel during recording are non-destructive—these settings can be imported into your Studio One session for additional tweaking during your mix process. Furthermore, StudioOne includes template configurations for all of our mixers and interfaces, so once you’ve connected the StudioLive to your computer and fired up Studio One, you’ve only got to make about two clicks before you’re recording. Smart stuff!  

With all the additional effects, instruments, editing and Sound Design capabilities (like parallel processing FX chains) that come with the auto upgrade to Studio One 3 Professional.  The StudioLive Production Suite is the ultimate solution for your recording studio (while still an incredible solution for live sound production and recording).

This offer is available worldwide. Just get yourself a StudioLive AI before October 31 2015, and you’ll receive a download link for Studio One 3 Professional in your account when you register your mixer.



Category StudioLive 32.4.2AI | 12 Comments »
Posted by Ryan Roullard

Studio One 3 Launched on May 20, 2015. Marketing Director Carl Jacobson sat down at Burbank, California’s Legend Studio with a panel of engineer, DJs, and producers including Sak Pase, AG, KATFYR, Chaka Blackmon, and DJ Faust to talk about why they’ve chosen Studio One over other DAWs.

Learn more about Studio One 3 and try the demo here:

Category Studio One | 0 Comments »
Posted by Ryan Roullard

Studio One 3 Launched on May 20, 2015. Marketing Director Carl Jacobson sat down at Burbank, California’s Legend Studio with a panel of engineer, DJs, and producers including Sak Pase, AG, KATFYR, Chaka Blackmon, and DJ Faust to talk about why they’ve chosen Studio One over other DAWs.

Learn more about Studio One 3 and try the demo here:

Category Studio One | 0 Comments »
Posted by Ryan Roullard

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