Notion 6.3 is available now! It’s free to Notion 6+ users. Launch Notion and click “check for updates” in the drop-down menu to get it.
Notion ships with built-in presets for several popular VST libraries (including Vienna Symphonic Library, Miroslav and Garritan). And for those we don’t support out of the box, you can use Notion’s Rules Editor to quickly make your own. But what if you don’t have time to create a new one? Or you want to make changes to our built-in presets? Or you want to share your presets with a pal?
Notion 6.3 now adds:
Find it at: https://github.com/notionmusic/presets
Export for SMP Press
SMP Press from Sheet Music Plus, is a self-publishing portal for composers. If you’re ready to get your materials uploaded to SMP Press but not sure how to create a single PDF that includes your score AND all your parts AND need to make an mp3, then this is the new feature for you…
Rules Editor and VST’s
Explore 250 exciting presets for your Mai Tai synth engine in Studio One! EDM Synth Classics is the follow-up to our hugely successful Analog Model Machine from Ari Ahrendt.
Take your Mai Tai sound library to a new level with EDM Synth Classics, the follow-up title to the hugely successful Analog Model Machine! Modern, club-friendly, extreme and aggressive—these 250 presets are tailored for classic and contemporary EDM, electro house, minimal, psytrance, dance hall, chill, progressive, and hardstyle. These versatile presets include basses, mono and poly leads, pads, drums and effects that are right at home in clubs, festivals, soundtracks, videos, or radio spots.
EDM Synth Classics are made for ultra-fast editing and expressive live performance. Use the modwheel for drastic sound-shaping and morphing and create completely different sounds by saving a fixed modwheel position within your song. All presets are volume-matched for added usability and compatibility. Drum sounds are tuned to the General MIDI (GM) map (kick drums on C, snares on D), making it easy to create entire drum kits from either multiple instances of Mai Tai on separate tracks or inside a Multi Instrument (Studio One Professional only).
Create Virtual “Room Mics”
Room mics can add ambiance and enhance the stereo image, but with close-miking and direct injection recording, we lose that sense of space. The lack of room mics is particularly noticeable with an instrument recorded direct, when it’s mixed with miked acoustic or electric tracks; the direct track just won’t seem to mesh quite right with the other sounds.
Room mics add short, discrete echos. Splitting the audio into four Analog Delay processors as parallel inserts does a fine job of emulating room ambiance.
First, set up the Splitter for four splits, and choose Channel Split for the Split Mode.
Set the controls on the four delays identically except for the four time parameters; turn off Sync and choose 11, 13, 17, and 23 ms. These are prime numbers so they don’t create resonances with each other.
Now use the Channel Editor to create macro knobs for controlling the Mix, Feedback, and High Cut. Assign Knob 1 to the Mix controls on all four delays. Set this to go from minimum to maximum so that if you use this FX Chain as a bus effect, you can set Mix for maximum (no dry signal). Otherwise, when used as an Insert, you’ll likely keep the Mix at 50% or below.
The second knob controls Feedback level. I’ve limited the maximum amount to around 60% for each of the delays. Experiment with this knob depending on the audio source; more feedback gives more diffusion. With percussive instruments like drums, you’ll want more feedback than with sustained instruments.
The third knob controls the amount of High Cut for the delays. Set this so the High Cut doesn’t go much lower than 2.5 kHz.
To hear what this FX Chain can do, load a mono AudioLoop like Guitar > Pop > Dry > 01a Basement Jam E min. Set Mix and Feedback to around 40%, and High Cut to 7 kHz or so. You’ll hear the guitar playing in a room, with a lifelike stereo image.
And don’t forget to save the FX Chain—you’ll likely want to use it again!
The Percussion Bundle is the percussionist’s toolbox. The entire Notion Percussion bundle is a palette of drums, rhythm shakers, cymbals, noise makers and sound effects from around the globe.
The entire bundle is available in this single convenient download, or you can pick and choose from the various collections available in the bundle. Get just the sizzle cymbal, bongo, or duck call that works just right for you and your project—for 30% less!
Tenor Drum, Side Drum, Piccolo Snare, Long Drum, Bongos, Bongos w/ Sticks, and Bodhran.
The drum samples were played by Neil Percy of the London Symphony Orchestra.
(53.7 MB download)
Splash Cymbal, Finger Cymbal, Sizzle Cymbal, and Chinese Bo.
The cymbal samples were played by Neil Percy of the London Symphony Orchestra.
(101.7 MB download)
Hand Clap, Champagne Bottle, Church Bell, Car Horn (low & high), Siren, Thunder Sheet, Wind Machine, Lead Pipe (low & high), Flower Pots, Hammer, Lion’s Roar, Cuckoo, Referee Whistle, Duck Call, Train Whistle, and Nightingale.
The effects samples were played by Neil Percy of the London Symphony Orchestra.
(42.3 MB download)
Tuned Gongs, Almglocken, Saw, Hand Bells, Wine Glasses, Whistling, and Whistling (Vibrato).
The pitched percussion samples were played by Neil Percy of the London Symphony Orchestra.
(148.4 MB download)
Cuica, Ocean Drum, Log Drum 1, Bodhran, Slide Whistle, Anvil, Sand Blocks, Rainstick, Drum Sticks, Agogo (low & high), Brake Drum (low & high), Ratchet (low & high), Whip Flexatone, Vibrastick, Vibraslap (low & high), Water Gong, and Bell Tree.
The percussion samples were played by Neil Percy of the London Symphony Orchestra.
(88.7 MB download)
Sample TEKK is an excellent producer of sample content for PresenceXT. They mix things up a bit and produce unique sample packs with character and definition; they stand out in a mix and don’t sound quite like anyone else’s. For example, they’ve got a sample set of a piano left out in the rain and exposed to the elements. SampleTEKK had the guts, in 2017, to create a sample pack of an old piano recorded to tape in an old studio on old microphones and release it in freakin’ mono. And they got the tapes from the original “I’m not in Love” Choir? Dope.
These sample sets are compatible with Studio One Prime, Artist, and Professional version 3.3.4 or higher—and are on sale this month! Check out the video demos below to hear and feel these collections for yourself.
The White Grand
Sample Tekk recorded The White Grand with the finest equipment available, using a specially-designed digital recording technique to give you unequaled performance and sound. Prepare to explore a tactile and expressive feast, not heard in many sampled pianos today.
Get the crazy ethereal choir sounds of “I’m Not In Love” by 10CC with INIL Choir! These choirs are unique—the combination of voices and the way they were produced have given them a sound that’s truly one of a kind. Now, SampleTekk, in cooperation with Eric Stewart of 10CC are very proud to release of The INIL Choir, thus taking one of the most famous analog samples into the digital era.
Great-sounding Rhodes for Studio One, recorded through a Fender Twin as the Rhodes was intended to be heard. Sample Tekk didn’t go for 80s sheen and gloss with lots of tines and overtones. The Tubed Rhodes is more representative the 70’s: a gritty, hard-core rythm’n’blues kind of sound.
The Rain Piano
Somber sounds of a piano that has been left out in the rain and elements. Musical, but with extra overtones and character. The Rain Piano has become a kind of a synonym for character pianos. It has been used and is still used on countless productions where you want something that adds a different flavor rather than using a normal piano.
Old School piano recorded with vintage mics, tape, and preamps. In glorious MONO!
Available in digital, plate, and spring flavors, this triple-pack of incredible vintage reverbs from Convology work with Studio One 3 Professional’s Open AIR convolution reverb plug-in. Just download and install, and you’ll have all of the tone and mojo of real-deal vintage ‘verb vibe… with none of the disadvantages:
These Add-ons, available at shop.presonus.com, have been meticulously modeled from many hard-to-find plate reverbs, spring reverbs, and digital reverb processors from across the globe. We can’t really overstate what a significant undertaking this was! The Convology Vintage Reverbs are available in a bundle pack, as well as individually, and all of them are on sale for 30% off in December 2017.
It’s Kyle Poehling for #PreSonusFAMFriday!
What’s your favorite thing about your job? Why did you choose to work here?
Everyone has a side gig, what’s yours?
Why did you choose this as your favorite?
Tell us about a successful event you worked with PreSonus products. InfoComm, NAMM, Install somewhere….
Check out these new loop bundles over at shop.presonus.com—demo tracks are available to listen before you buy.
Culprate returns to Loopmasters for his second sample pack of a series which feature fully produced loops and sounds taken from previously released productions. This time out Culprate has chopped and mutated samples from the incredible 5 Star EP and includes all the best basses, tones, drums, FX and more from Ono, Tentacle, Finger and My Rock which can all be used in your productions 100% royalty Free.
5 Star Glitch Hop packs some serious weight, with a fine selection of loops, one-hits and multi samples. The loop content includes filthy basslines, epic digital synths and hard-hitting drums broken down into tops, percussion and full drums. Every musical loop is key-labeled for instant studio sound swapping and easy integration into your tracks.
The one-shot samples feature tough bass hits, hard kicks and snares, cinematic FX, synthetic synths and edgy vocals. You’ll find every one in the pre-formatted sampler patches. The collection is delivered with tempos ranging between 100-140BPM offering content for genres including glitch hop, downtempo, electronica, breaks, techno, dubstep and EDM.
Deep Trap from Loopmasters is a soulful collection of trap samples, with heavy bass, haunting musical elements, rich vocals, and incisive drums. Provided 100% royalty-free for your music, let Deep Trap take you on a wonky walk along the deep and chilled boundaries of Trap!
Deep Trap has over 300 loops including drums as full loops, kick/snare and hat variations to build upon. An abundance of musical loops feature organs, synths, plucked instruments, leads, and keys to enrich the mix—while solid bass, warped vocals, and filtered FX loops will fill out the sonic spectrum alongside 135 one-hit samples.
Deep Trap comes from the producers who brought you Chilled Trap and is heavily influenced by old school deep house and RnB tracks. We then extracted the essence from these two classic styles and blended them together with modern trap drums for an original take on Trap music.
Expect to hear extended jazzy sounding chord loops, classic FM bass sounds mixed with 808 bass sounds plus catchy lead melodies inspired by classic RnB tracks from the past. Also included is a special collection of chopped vocal loops to add depth to your mix. The drum loops section features multiple rhythm and sound variations plus tasty organic percussion loops to nicely fill out the space between kicks and snares. Add you also get one-shot drum samples to embellish your beats and create long, moving arrangements. Just experiment and have fun!
The collection has was designed with Trap in mind, but with wide-ranging applications for house, ambient and minimal genres. Deep Trap ensures every musical element is key-labeled.
Loopmasters present Future Bass Generation: a full-throttle collection of sounds for a fresh Future Bass sound, featuring tough synth lines, sharp beats and booming bass. Provided for you 100% royalty-free by Dan Larson, this collection of storming sounds will deliver that sleek Future Bass sound direct to your DAW!
Future Bass Generation Is a heavy pack with tons of loops, hits, sampler patches, and MIDI files. Over 300 loops are included with drum loops sharper than a razor’s edge–provided in full drums, tops, percussion, builds, fills, kicks, snares, and tom variations to make the beat kick! A load of fat synth loops including pads, keys, plucks, arps and xylophones feature, played in chordal and monophonic combinations, which perfectly compliment the earth-shattering bass loops. Build and drop FX are included, as well as chopped vocal loops for added chaos and atmosphere!
Over 150 hits come complete with urban synths, big kicks, tight snares and sparkling percussion to sequence in Studio One. 55 patches are ready for deployment in your favorite software sampler. A bonus collection of 150 MIDI files allow you to use the existing content in your sequencer, then flip, reverse and transpose it to fit your music.
For fans of Slushii, Flume, San Holo, Marshmello, The Chainsmokers, Illenium and more, this is the definitive Future Bass sample pack. At tempos between 160-175 BPM, this pack is ideal for up-tempo Genres including future bass, hardcore, drum & bass, and jungle.
Immersion is an electronic landscape of sound from Loopmasters – featuring rich instrumentation, lush vocals, lo-fi drums and dreamy synths. This pack is 100% royalty-free, and comes with loops, hits, MIDI and sampler patches for your musical productions– so bring your scuba gear and dive deep into Immersion!
This pack features over 256 loops, including fat bass, sharp drums [kicks, snare, hat, percussion, clicks, snaps, and claps], atmospheric FX, pitched vocals and diverse musical elements: synths, arps, piano, pads, and strings. The 294 one-hit samples included feature bass hits, drums, FX, and synths—with an awesome selection of multi-sampled instruments to play over a number of octaves, as originally intended.
60 sampler patches are formatted for Studio One, as are over 40 MIDI Loops which give you the freedom to edit, transpose and reverse existing sequences for more melodic experiments. Immersion comes at 140BPM, making it ideal for trap, chillout, electronica and downtempo genres. All musical content is key-labeled.
A couple of weeks ago Dominik Scherer posted this amazing video of him drumming live underwater. He used a Studio 192 for the tracking, and an RML16AI and FaderPort 8 for the production. I had never heard or seen anything quite like it, and while the video is plenty interesting on its own, I reached out to Dominik to answer a few more questions about some of the unique challenges when one chooses to record drums aquatically. As if tracking live drums on dry land wasn’t difficult enough…
What microphones were used?
1x DPA 8011 hydrophone, mounted over a rack right at center of the drumset.
What sort of waterproofing was required?
We used acrylic drums and made them water proof. I also got water proof in Ear systems from In Ear Germany.
And we designed light sticks that were waterproof with Rohema Percussion.
Did the drums require any special care/tuning?
We tuned the drums very high and tuned the snares upside down to get a nice snare wire sound. I also used the wires for “scratching” sounds.
What sort of post-processing of the recording was required, if any?
We did some compressing and EQing as also some side chain processing with special delay sounds and room emulations to get a very special and unique sound.
What challenges came up that you didn’t expect?
Well – actually everything was a challenge. First of all I never used oxygen to dive. So I was very afraid of the effect it would have and if I could play with it. Playing underwater is completely different. You gotta plan every movement exactly and do a perfect stroke to hit the drum or the cymbal at the right time. And the pressure under water and the flowing body makes it even harder. As I always do no edits on my videos as far as the drum takes go, I had to play it all as a one take. That was really hard to stay focused, play perfectly and also try to perform in a visually good way… We also did a quite nice making-of video. Click here to watch it on Facebook.
Big thanks to Dominik for making this happen. Some drummers work hard and really go the extra mile… but this is the first time I’ve seen a drummer go an extra nautical mile.
What’s your favorite thing about your job? Why did you choose to work here?
Everyone has a side gig, what’s yours?
Playing, producing and writing music.
Why did you choose this as your favorite?
Simply put, this product inspires me to be creative, makes me want to make music and sounds amazing—recording an alto saxophone can be difficult as there are a lot of high frequencies that are difficult to reproduce/capture unless you have high quality mic pres and converters, the Quantum and Quantum 2 capture my sound perfectly and makes me sound great. I practically like the Quantum 2 because of the size and portability and I don’t need more than 4 mic pres.
Got any tips for working with the Quantum 2?
Plug it into your Thunderbolt port, open Studio One or your favorite app and hit record, then watch what happens!