Good news for the home studio and live sound crowd—until May 31, 2016, we’re offering up to 17% (That’s $200 in the USA) off of our RM-series mixers. The RM-series mixers recently had cascading support added in the most recent firmware update, allowing you to get up to a 64-channel mixing powerhouse for not a lot of cash. Not to mention, the same firmware update also came with significant advances when using the StudioLive RM as an audio interface with Studio One 3.2, including remote preamp control and hybrid fat channel DSP for low latency recording with FX. And yes through cascading you can have up to 64 channels of I/O in your studio now.
What is cascading you ask? Cascading provides the ability to link two RM mixers together to create one integrated mix system, in this case via Ethernet. Which begs the next question: is this offer is good for only “one per customer.” No, you can take advantage of this offer on as many RM mixers as you’d like.
If you’re a StudioLive AI Console user, this offer will be of interest to you as well. That’s because the new firmware update also added a stagebox mode to the StudioLive RM for integrating it with your Trusty StudioLive 32.4.2 AI (or any console in the series) at front of house. We know, this all sounds great, but why choose the RM? Lots of other reasons… here’s what Front of House had to say about it, in part:
“Clearly there’s a lot here and I could spend the next 20 pages getting deeper into the possibilities of this versatile system. But for me, the bottom line here is that the RM mixers are affordable, with a solid build, great sound and an overflowing feature set with more to come, such as AVB integration. Unfortunately, my experience with this system left me with an seemingly incurable addiction for multi-touch, and it’s hard to break that habit.”
Worth noting is that this is a great opportunity to do the promo combo mambo. We’re also currently running a deal on the StudioLive CS18AI, the touch sensitive control surface for the StudioLive RM that includes a free backpack. So, if you’re looking to get a full-on 64-channel mix system (or even just a 16) while saving a significant amount of money, and get a useful, practical freebie while you’re at it—now’s your chance!
Check out this series of videos from Marcus Huyskens of Studio One Expert. He covers a bunch of the new stuff in Studio One 3.2 including Workflow Enhancements, Editing Automation, VCAs, the Console Shaper, and new Comping options. Awesome stuff!
Wow, there’s a lot going on today. This is a long post, so let’s jump right in!
Studio One 3.2 is available now! This is a FREE update to existing owners of Studio One 3, including Artist and Professional editions. Click “Check for updates” in Studio One to get it for yourself. Click here to visit the newly-updated Studio One site for even more details.
Read the full change log by clicking here, but here’s the short version of what’s new:
New firmware is available for the entire StudioLive AI line from your my.presonus.com account, allowing for control from UC Surface 1.5.
The new firmware for RM Mixers brings hotly-anticipated cascading to the RM series StudioLive Rackmount Mixers. Any two RM mixers can be cascaded via AVB to combine their channel counts. This update also adds a new Stage Box mode, in addition to the existing Remote I/O + Monitor-mixer mode.
This mega-release also brings a number of other new features and refinements, including a whole slew of bug fixes. To see the full rundown of new features and fixes, check out the UC Surface 1.5 Release Notes and the UC Surface 1.5 Release Addendum, available on your my.presonus.com account as well as on the Dowloads section of the Product page for each mixer at PreSonus.com.
This update adds support for cascaded RM mixers and Capture control—if you’ve installed the above-mentioned firmware and Capture 2.2. This update also adds support for USB 3.0 on Mac OS X 10.11.2 or higher. Get UC Surface 1.5 here.
Capture can now be remotely controlled by a StudioLive CS18AI and UC Surface. You can now control virtual soundcheck, transport, and Record arm; drop markers; and keep an eye on record times from anywhere in the venue—among other improvements and some bug squashing. Get it here.
Studio One Remote has been updated for Studio One 3.2 compatibility, and is also now available for Windows tablets! Studio One Professional owners can get the Windows version from their my.presonus.com accounts; Apple users can get it via this link to The App Store.
Startisan has taken the PreSonus StudioLive RM16AI on the road for their live shows, taking advantage of the unit’s digital inputs to incorporate sophisticated backing tracks and effects processing into their live shows. They can even run VSTs and virtual instruments live.
Using the same configuration, the band is also able to record all of their shows and rehearsals.
The result? Concerts that sound more like their records. Well, that, and ticket sales.
It’s always exciting to see where PreSonus gear shows up all over the world through social media and other various ways. But when PreSonus shows up at the biggest, most watched sporting event of the year, we can’t help but share! Here’s what PreSonus fan and sound reinforcement engineer Vic Thomas had to say about using PreSonus StudioLive at the the big game last week!
“The PreSonus StudioLive was used by the NFL Network at their Digital Media Set, The Huddle, in Super Bowl City,” says Vic. “Our set was located at Justin Herman Plaza in the heart of Super Bowl City in downtown San Francisco. We were one of four sights that did interactive hits back to NFL Network’s control room at Culver City for integration into all there social networking channels.”
On set, the large crowd proved to create somewhat of a challenge. With 34 years of experience, Thomas knew exactly what to do. “We had up to four talents on set, using RF microphones, which had to be routed directly to Culver City to be mixed into the show. The XMAX preamps proved to be vital, as I had to send each microphone, with no EQ or processing. For this I used the direct out function of the insert point of each channel. The quality and headroom of the preamps handled the changes of the talent’s levels masterfully. You can imagine with the cheering crowds behind them how their levels fluctuated.”
Thomas goes on to say, “I also had four mix minus, IFB feeds coming to me from Culver City. An IFB feed is an Interruptible Fold Back that is fed to the talent via an earpiece so they can hear program minus themselves, as well as the producer in Culver City directing them. You can probably call it an in-ear monitor mix with a cueing function.”
“The StudioLive proved great for this as I could mix each individual IFB to the talent’s taste and send it to their IFBs using the group outs. This gave me the option of having compression and EQ on each incoming feed. This was critical, as I needed to safeguard each of the talents’ hearing. They appreciated that.”
Thomas’s experience in San Fransisco highlights the ease of use and versatility of the StudioLive family. “The StudioLive made a long week very easy and definitely made my job a lot less complicated.”
It’s true–we like you. A lot. So much so we’re offering the PreSonus AudioBox Stereo recording kit for just $139.95!
This steal of a deal includes:
Whatever you’re recording–rehearsals sessions, live performances, podcasts, worship gatherings– the AudioBox Stereo kit has everything you need. It’s simple, reliable and portable. And it won’t miss a beat or slow you down!
This is a no-fuss, no-muss, temporary price drop for customers in the US of A all because we like you. Don’t wait to add this to your PreSonus collection. Offer ends March 31, 2016.
TUNE in on February 25th at 10 AM or for the 2 PM rebroadcast at: http://www.presonus.com/videos/presonuslive.
UPDATE 2/16/16: we’ve added more prizes to this show! You’ll receive a prompt to enter the giveaway via e-mail when you view the show on Feb 25. We will also have a separate giveaway for our Twitter audience.
It’s time for another FREE mind-blowing update to Studio One 3! Tune in on Feb. 25 at 10:00 a.m. CST for interviews with several accomplished producers, where they will be showing off everything new in the forthcoming update to Studio One 3. We’ll also run a rebroadcast at 2:00 pm CST.
What ARE the new updates, you ask? What are the new features? And when are they coming?
Tune in on Feb. 25 to find out, at: http://www.presonus.com/videos/presonuslive. We’ll be giving away a StudioLive RM16AI to a viewer of the first broadcast.
Pre-register via this Eventbrite ticket to receive an e-mail reminder on the day of the show!
This year at #NAMM2016, Notion for iOS took home a prestigious award from School Band and Orchestra (SBO) Magazine. We’re flattered, and thrilled to be recognized.
Of course, we love Notion, so of course we have nice things to say. But here’s SBO’s opinion:
Most Innovative Teaching Tool: Notion for iOS
“Our panel really liked the features of Notion, for teaching notation on iOS devices. Notion for iOS is the notation software for iPad, iPod and iPhone that allows composers to sync music files across multiple devices. This awesome app from PreSonus, allows users to compose, edit, and play back scores using audio samples performed by the London Symphony Orchestra. Also available as an Mac or Windows computer application, you can even use DropBox or iCloud to sync Notion for iOS with its desktop/laptop cousin. Notion for iOS features a a user-friendly interface; simple, interactive piano keyboard, guitar fretboard, and drum pad; and an abundance of advanced functions that make it easy to compose music. You can find it on the Apple AppStore, where it’s the bestselling notation app.”
Big thanks to SBO for the kind words!
Check it out—Lighting & Sound America has a great review of the StudioLive RM32AI. Click here or the image to the right to read the full review [PDF]—but here’s a quick quote:
“The StudioLive RM32AI offers a glimpse into the future of live mixing. There is a lot going on with this mixer. Although you can get going pretty quickly, as you live with the RM you’ll be able to invoke other capabilities and functionalities of the system. The RM was designed from the get-go to play well with other AI products from PreSonus, though practically any system where you would want a digital mixer is fair game for the RM. You just get the benefit of interoperability with the other AI gear. A list price of $2,499.95, allows you to be on the leading edge of innovation with a relatively small investment. Medium-sized houses of worship, nightclubs, local production facilities, and regional sound companies are all in the wheelhouse of this new product.”
Big thanks to LSA for the kind words. Give ’em a follow on Facebook for their trouble, why don’t you?