Did you know? Studio One and Notion can run simultaneously, giving you the combined magic of both? This is true in no small part to Propellerhead’s ReWire. Here’s how to set it all up! Wait, slow down. First, let’s address what the heck ReWire is, and why you would want to take advantage of it.
ReWire is an industry-standard bit of software that serves as a communications platform between two DAWs. Having a couple DAWs (in this case, Studio One and Notion) allows them to stream up to 256 audio channels to one another. Furthermore, ReWire sees to it that both DAWs operate in precise synchronization, and provides shared transport functions between them. In other words, you only need to use a single set of play/stop/FFWD commands to control both DAWs simultaneously. ReWire has been getting DAWs to hold hands and play nicely together since 1998.
But why? A buncha reasons, including but not limited to:
- You can add Notion’s expressive samples to your Studio One compositions. Notion’s sound sets include playing techniques well beyond simple “vanilla” samples that vary on a per-instrument basis, that include techniques like pizzicato, natural and artificial harmonics, trills, stacatto, and much more. (The fact that many were recorded by the London Symphony Orchestra doesn’t hurt.)
- If you’re a producer/recordist who doesn’t know a lot about traditional music notation, integrating Notion into your Studio One workflow is an excellent way to start learning, hands-on.
- You will get to explore some potentially fascinating sonic territory blending traditional classical instrumentation with whatever dubstep or post-hardcore project you’re up to in Studio One.
- You can start a composition using Notion for iPad anywhere your inspiration strikes, open it in Notion for desktop, then rewire to Studio One to finish your tracks.
If you’re wondering “How do I get ReWire?” You’re going to like this answer. If you’ve already got Studio One (Producer or Professional editions) and Notion, then you’ve already got ReWire. Here’s how to get rolling with ReWire in Studio One and Notion.
- First, make sure that both Studio One and Notion are running in the same bit mode. They can both be in 32, and they can both be in 64, but they can’t each be in one or the other. Notion it will show you what bit mode you are running at the bottom of the About screen—choose Help >> About from the drop-down menu. In Studio One, this information is found at the bottom of the Home Screen. You can change what mode they start in through the following steps:Open Notion. In the Preferences >> Audio menu, check the “Enable ReWire” tickbox. You’ll only need to do this once.Close Notion.
- Mac: right click the application’s icon and choose Get Info. Next, check/uncheck the box to run as a 32-bit application.
- Windows: Run the installer for either Studio One / Notion again, and choose which version to install. You can install both 32-bit and 64-bit of the same application on the same computer if you wish.
- Launch Studio One.
- In Studio One’s browser, select “Instruments.” You’ll notice a listing for Notion alongside a familiar yellow logo (see upper right of this blog post)
- Drag an instance of Notion onto the Edit Window.
- In the dialogue that appears, click “Open Application.”
- That’s it! You’re good to go.
A couple notes: (See what I did there?) Unlike other notation software, you can output up to 32 pairs of audio from Notion. This means you can have full control over the whole mix right inside of Studio One. One example would be to use Notion busses to separate brass, strings and percussion, and then create separate channels for them inside Studio One.
While it’s pretty simple to get ReWire set up, we understand that computers are temperamental beasts from time to time. So if you run into a couple of bumps in the road through this process, check out our knowledgebase article on troubleshooting your ReWire setup.
The end result? Here’s Studio One and Notion, playing nicely together:
Category Studio One | 231 Comments »
Posted by Ryan Roullard
Like Nimbit, Kid Pan Alley is all about empowering people through music. But unlike Nimbit, Kid Pan Alley is quite an analog affair, and targeted to a suitably younger demographic evocative of the outfit’s name. KPA was founded some 14 years ago by Paul Reisler. His vision is to instill musical creativity, teamwork, and confidence in folks by getting them rolling early—while they’re still impressionable youngsters.
It’s working—and it’s not just kids who are taking notice. To date, the organization has fostered 2,500 original songs that have been performed by over 35,000 children. Some KPA projects have included world-renouned artists including Delbert McClinton, Sissy Spacek, Cracker, Amy Grant, Kix Brooks, Raul Malo, Suzy Bogguss, the Nashville Chamber Orchestra—and the organization sports recognition in the way of Parents’ Choice and NAPPA Gold awards, 6 ASCAP Foundation awards and a Grammy nom.
This recognition and growth is due in no small part to the key element that that separates Kid Pan Alley from a lot of other youth music programs: the children are writing their own songs. Paul finds that kids are better collaborators than most adults—perhaps because they’ve yet to “develop” the sort of ego and self-importance we associate with a lot of adults; creatively, kids’ malleable brains are not yet bound by the rules-based blinders of adulthood. These children are encouraged to produce in an off-the-cuff, fun spirit—and even quieter kids are seen to light up like Christmas trees at the opportunity to contribute to a song.
KPA’s Nimbit store offers collected works from no less than 13 region-specific Kid Pan Alley residencies, as well as four collections, including the Grammy-nominated Kid Pan Alley Nashville, and the perhaps misleadingly-titled Unreleased Favorites.
Kid Pan Alley is Kids’ music, by and for kids—and once you’ve heard it, you may begin to feel that there’s something a little sideways about the notion of children’s music being written by adults.
Interested in getting Kid Pan Alley rolling in your neighborhood? Click here.
- Click here to keep up with Kid Pan Alley on Nimbit.
- Interested in Nimbit? Sign up for free here.
Check out this video for a ton of musical kids who are equal parts adorable and confident:
Category Nimbit | 234 Comments »
Posted by Ryan Roullard
Hey there, #TeamPreSonus, we figure you’re likely a musician, and that means you are probably a little used to getting into parties for free. It never gets old, right? Right. So, in keeping with what makes you comfortable, we’d like to give you and your little buddies a FREE PASS to the 137th Audio Engineering Society International Convention in Los Angeles. It runs Oct. 9-12, 2014.
What’s AES 137? Oh, only the biggest, best, pow-wow of sonic bigwiggery to ever an America. If you’re up for rubbing elbows with Craig Anderton and/or hailing a taxi with Alan Parsons, this is the show for you. Furthermore, there’s a quarter-tonne of exhibits, clinics, talks, and showcases on anything Audio Engineering-related, including but not limited to:
- Networked Audio
- Broadcast and Streaming
- Game Audio
- Live Sound Production
- Product Design
- Re-evaluating the role of the kazoo in the post-dubstep 21st Century
- Recording and Production
- Sound for Picture
I mean, really. Click here to take a look at the extensive presenter list. It’s like some hackers got Quincy Jones’ contacts list off of iCloud and just pressed CTRL+C, CTRL+V.
It’s really more than you can see in four days, but it’s still worth trying. Interested? Of course you are. Click here to get your passes, and be sure to visit us at Booth 1533 when you get to LA.
UPDATE 9/30/14: Stephen Marsh will be joining us! Come on by the booth at 2:00 on Saturday, Oct. 11, for a meet ‘n’ greet with Stephen and the team.
Here’s a video of Stephen opining on the Sceptre monitors.
Category Trade Show | 239 Comments »
Posted by Ryan Roullard
[This just in from John Taglieri from Dawg Pound Studios!]
Hey there, I’m John Taglieri from Dawg Pound Studios. Based in Hanson, Massachusetts, our studio boasts a 200 square foot live room full of drums, vintage amps, a ’64 Hammond, and close to 30 mostly-vintage guitars and basses to choose from. Our control room is full of great digital and outboard gear to help make sure we capture the music as accurately as it is performed—and make it sound amazing. I’ve produced close to 20 CDs for myself and clients, and as an engineer/producer have had two Billboard charting CDs (a #74 and a #112), a #1 single on Amazon, a total of 11 top ten singles on Amazon & iTunes, as well as a Best-Selling Alternative EP on iTunes. The studio has been touted as having a great-sounding live room, and a control room that sounds true. What you hear at the mix area is what it sounds like out in the real world as well.
One thing I’m proud of is that we use a lot of PreSonus gear in the studio. When I had my studio at its old location in New Jersey, it was very piecemeal. I started really working with PreSonus when I moved the studio to Massachusetts three years ago. I did the studio build from scratch and wanted the best gear that I would feel comfortable with. The room didn’t exist, so I worked with an acoustic engineer to get the design right, got some help from Auralex to tune it, and then chose PreSonus for workflow, live room monitoring and control room mixing. Currently I’m using the following;
- a StudioLive 24.4.2 mixer
- a FaderPort
- StudioOne Professional 2
- Four HP4 headphone amps in the live room
- an ADL 600 preamp (Coming soon!)
For my latest EP, Days Like These, we had a great and fun situation. We assembled top musicians from all over the country, including Kenny Aronoff (John Mellencamp, John Fogerty, Michelle Branch), Rich Redmond (Jason Aldean, Ludacris), Alan Bowers (Rachel Allyn), Chad Cunningham, as well as myself on drums. We also got Lee Turner (Darius Rucker) & Eric Ragno (Kiss, Alice Cooper) on keys and Greg Juliano on bass. Keith LuBrant, Joe Gilder & myself handled guitars, and we used writers from the US & Australia.
Tracks were cut in eight different studios around the country, as well as at Dawg Pound Studios, and on all different DAWs. We then used DropBox to get the .WAVs to Dawg Pound Studios, where Studio One Professional 2 was used to assemble and mix all the tracks. Dozens of tracks were done in-house as well as sent in. All songs started at my studio with acoustic guitar, vocals, and click tracks, and ended with final mixes. The workflow was effortless. Working with Studio One and my FaderPort, mixing was a great experience. I had just added the FaderPort to the system and I can’t tell you how much it streamlines mixing. It makes subtle mix, pan and FX moves far easier than using my trackpad. I run a tricked-out Mac Mini with a Bluetooth keyboard and trackpad. We must have done something right because the EP debuted on release week on the Billboard Independent Album chart at #112, which was quite an honor.
Running PreSonus in my studio has brought my studio up to a level of quality that I can truly be proud of. I am putting out sounds rivaling any other studio thanks to the quality of my inputs, the workflow, the ease of mixing, true quality stock plugins, great preamps, and I know my clients love the custom monitoring setup in the live room during tracking. Stop by the studio’s website and Facebook and check us out!
Category StudioLive 24.4.2 | 219 Comments »
Posted by Ryan Roullard
It’s been a good couple years for Boston’s Adam Ezra Group. They’ve successfully engineered a brand of country rock that is simultaneously rootsy and forward-thinking. The formula is paying off, as the band were the worthy recipients of the 2013 New England Music Awards “Band of the year,” and also earned “Album of the Year” and “Song of the Year” from the same committee in 2012.
Ezra and his six-piece Group are the kind of guys who are more than just pro musicians. They’re the sort of rare-blood all-or-nothing types who truly believe in music as a force for change. That’s well in-line with what we’re about here at PreSonus and Nimbit—so, hats off, guys. When not touring and recording, all of the guys are activists and community leaders, whose efforts include volunteering for relief effort in Kosovo and practicing environmental geography in South Africa.
While they’ve demonstrated a reliable and consistent recording output—ten full-length albums since 2000—at the end of the day, Adam Ezra Group is all about the live experience. Their impassioned performances have drawn deserved comparison to guys like Bruce Springsteen, and have found them touring in quite good company: Rusted Root, Jason Mraz, Goo Goo Dolls, Blues Traveler, Los Lobos, and Dwight Yoakam, to name a handful.
AEG is currently touring with a StudioLive 24.4.2 and recording their live shows for release, so when you see them live be sure to scream real loud so that you can hear yourself when the recordings are released!
From a marketing perspective, Adam Ezra Group’s Nimbit store is full of good stuff—their offering includes four full-length releases and a couple singles. But they really shine in the merch department, including nearly a full wardrobe of Ramble-themed apparel. One notable non-wearable offering: custom purple beer coozies! In terms of non-Ramble Adam Ezra merch, there are no fewer than nine custom t-shirt choices available, stickers, and my personal favorite—AEG temporary tattoos! Furthermore, they’ve got their concert calendar kept completely up-to-date, so give it a gander and see when you can catch Adam Ezra Group when they roll through your town—looks like they’ve got a handful of east coast shows booked at the time of this writing.
Category Nimbit | 230 Comments »
Posted by Ryan Roullard
Introducing Ceres: rich, high fidelity with recording-studio sound.
PreSonus studio tools are used worldwide by recording engineers who need to hear every audio detail. Now you can, too. Ceres active monitor speakers give your home or office the sound of a studio listening environment and provide flexible connection options, professional controls, and the convenience of wireless streaming audio from any Bluetooth source.
Based on the technology found in our widely used studio monitors, but with the ease of use and convenience of Bluetooth, PreSonus Ceres speakers let you hear audio with the same accuracy and detail of the original performance right in your own home.
For more info and to find a dealer, visit http://hear.presonus.com
Category Ceres | 140 Comments »
Posted by Ryan Roullard
Here’s producer/songwriter Joe Solo hanging out with Matt Conrad, PreSonus Quality Test Lead, at the PreSonus booth back at NAMM. Joe was kind enough to spend some time sharing his thoughts on the Temblor T10 subwoofer and Sceptre S8 monitors. This isn’t so much a review as much as an enlightened conversation that offers a wonderfully complimentary set of perspectives; that of of a seasoned producer and a quality control expert. Check it out!
When not talking shop at our NAMM booth, Joe offers a ton of valuable insight for making it in the music business. To sign up for Joe’s FREE Music Success Video Nuggets and weekly tips email, go to www.joesolo.com. You can also get more info via the Music Success Workshop on Facebook.
Category Temblor | 233 Comments »
Posted by Ryan Roullard
Join Mark Williams—PreSonus’ Director of International Sales, and Martin Atkins—Music Business Department chair, entrepreneur, label owner, and producer, for an in-depth clinic at SAE Chicago on how to record, mix, master, digitally release, market and sell your music with Studio One recording software, PreSonus StudioLive mixers and recording interfaces, and Nimbit direct-to-fan online marketing and sales tools.
We’ll record Blake Novia‘s stunning vocals LIVE, mix them, and have them available online for sale by the end of the presentation. Attendees will leave with a copy of Studio One Artist and a three-month subscription to Nimbit Premium—you’ll be able to repeat the process and have your own music for sale online, direct-to-fan!
Not only that, but attendees will also be entered to win a pair of Eris E5 studio monitors!
Sept 26, 2014
10:00 a.m.—1:00 p.m.
820 North Orleans Street, Suite 125/135, Chicago, IL
Category Event | 152 Comments »
Posted by Ryan Roullard
The StudioLive RM32AI and RM16AI created the most significant online buzz in our history of product releases. We were up to a whopping 16,000 views of our release videos for these products in mere days, and responding to the Facebook and YouTube comment threads on the matter have seen Ray Tantzen, our Sr. Product Manager, seriously distracted from bringing his next stroke of genius to store shelves, venues, and studios. Don’t worry, he’ll catch up—and thanks for all your great questions. With the cat out of the proverbial bag, we’ve done our best to keep up with customer interest. Fact is, if you really want to get to know one of these things, the best thing you can do is get one of these things. But where? When? Who?
- Where: Several online and brick-and-mortar retailers are currently taking pre-orders for the RM32AI and RM16AI mixers. Most will allow you to pre-order online, but this will vary by dealer.
- When: Whenever! That’s what makes it a pre-order. In terms of arrival dates, RM-Series mixers are currently on planes, trains, and slow boats, and will be in dealer hands, and subsequently customer hands, in early October.
- Who: You!
Click any of the icons above to get the ball rolling on a preorder!
If you’ve heard the RM-series mixer buzz but don’t yet understand what all the fuss is about, take a look at the videos in the playlist below to learn a bit more.
Here’s a couple videos regarding the RMAI line from Sweetwater and Full Compass.
Category StudioLive RM Series | 241 Comments »
Posted by Ryan Roullard
A few months ago a dear friend of mine sent me a text that read ‘I have a crazy idea I want to discuss with you’. I’ve known Jeff Brown for over 15 years, and we’ve shared many stages together, traveled halfway around the world to play music, and he was the best man at my wedding. So when a text like that comes in from Jeff, I’m anxious to hear what he has to say. With me, the crazier the better.
Jeff explained his idea to me. He wanted to have musicians come over and jam. Just jam, with no prewritten tunes, no egos, and no boundaries. He wanted the players to inspire each other and stretch out past their usual gigs and comfort zones. Nashville is a hotbed of activity right now with musicians migrating to town from LA and New York, and from all genres of music. Jeff thought it would be cool to have all these different cats come in and play, record the whole thing, and edit the video into webisodes.
The logistics of everything together was a slight challenge. The biggest obstacle was scheduling of the players, since all have busy touring and recording schedules. The easy part was the selection of the recording platform: Studio One Professional. I use Studio One in my setup exclusively, as does Jeff. For Players Din, we connected using two FireStudio Project units. The pres sound fantastic, and Studio One makes life simple with easy setup and editing. And for those wondering, no, there is no musical editing. When you watch and listen to the show, you get wrong notes and all. In the future there may be discussions of getting jams on Nimbit that didn’t make the web shows, to give you more material from some eclectic players.
In the pilot episode, there is some huge talent joining Jeff. Tyson Rogers, Travis Vance (Thomas Rhett), and Reeves Gabrels (David Bowie, The Cure) jump in for some pretty interesting stuff. Future episodes are already being conceived, and if you want to learn more, have suggestions of musicians you’d like to see, or even jump in the mix, reach out to Jeff via his website.
We’re pretty excited about this new project, and happy that the PreSonus team is with us from the beginning. Thanks to all of you for checking out Players Din, and we hope that it not only inspires you to jam and record with friends, but to remember that crazy ideas can become reality.