[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series.]
Steve Savanyu. Hudson Ohio, I am the educational services director at Audio-Technica and teach at Kent State University. I teach microphone and wireless workshops at universities around the country and have taught at all of the PreSounSphere events… In my spare time I operate Buford T. Hedgehog Productions, a local production company that does live sound, studio recording , live remote recording, video production and lights just for giggles. I also participate in really big events such as Presidential Debates, Papal visits, and Inaugurations….
How were you introduced to PreSonus?
Through a friendship with Rick Naqvi, at a church sound seminar where I was teaching a microphone class. I assisted with a live recording at the event where we used 3 FirePods aggregated together on my Mac laptop. It was a fun experience and we learned a lot. Ask Rick about hot patching into a non-transformer isolated 48-channel stage snake splitter. It made a big noise on a really expensive NEXO line array…. Oops.
What PreSonus software/hardware do you use and for what purpose?
Where shall I begin? I currently own 5 StudioLive 16.4.2’s, one StudioLive 24.4.2, and 1 StudioLive 16.0.2 which I use primarily for live gigs. I also have been known to carry the 16.0.2 out as the front end for remote tracking sessions using Capture. (I have recorded the orchestral score for two Kent State Student films this way). My original location rig is a FireStudio with 2 Digimax Pres to give me 24 inputs. (I multitracked a basketball game with it for an Audio Technica project. We were showing how different mics and positions affected game sound for broadcast.) In the studio I have a Central Station with remote for speaker management, and a FaderPort which I use as a controller for the audio part of my video edit rig. I picked up an AudioBox 44VSL for location video work (tied into a MacBook Pro laptop). I run a legacy Pro Tools rig in the studio with a DIGI-003 interface (back when ProTools required Digi hardware) with DigiMax D8 mic pre. The band I work with uses two of the 16.4.2s and performs about four nights a week on average (in different locations). The ease of operation on the StudioLive console and the ability to save scenes makes it a snap for the band to use.
On the software side, I use Capture to record almost every live event we do. The low overhead of capture allows me to use some pretty basic computers to record up to 32 tracks via two linked StudioLive 16.4.2s. In the studio, I have been using Studio One Professional 2.5 as my main edit software. I like it, as it’s intuitive and has low computer processing overhead so it runs great on a laptop. As an experiment, I mixed a seven-song EP of a band I work with on a flight from LA to New York! I was burning out the CD as the flight attendant was saying power down your electronic devices for landing. Of course my Audio-Technica ATH-M50 headphones made accurate monitoring possible in the plane’s less-than-fancy mixdown environment.
I have dabbled with iPad control on my larger rig, but not implemented it completely due to the expense of buying seven iPads, computers and routers. I am looking forward to the StudioLive 32.4.2AI with its built-in networking. I can beta test… 🙂
What’s so great about PreSonus, anyhow?
First and foremost is the people! I have called Justin and Rick on weekends and evenings with questions and they always get back to me promptly. I have participated in both PreSonuSphere events and like the camaraderie of the entire PreSonus Family.
Second, is the products just work and sound good. They are intuitive to learn making it easy for me to train a band’s engineer on using a digital board. We like the fact the processing is built-in to the StudioLive consoles. The presets sound great, and make it easy to get a mix up even if you have never done sound for the band before. True story: Early on we did a gig for a band who was unfamiliar with the power of a digital console. It was an outdoor event so I had the 16.4.2 out front with the snake and a power cable for FOH stuff. Their diva lead singer, who knew everything about sound and told me so, was being a pain in the butt. He walked out to FOH, looked at the “smallish” console and said “dude where is your effects/EQ rack?” I hesitated for a moment and looked him in the eye and said: “Dang, I knew we forgot something…” The look on his face was priceless…
And third of course, is the jambalaya…
Where can our readers learn more about you online?
First and foremost, check out the Audio-Technica.com website. A-T makes great studio and live mics that pair up well with PreSonus hardware. Our new AT5040 with its revolutionary capsule design and “pure, simple signal path” would pair up well with the ADL 700 Channel Strip (hint hint, I have the mic…) Our Artist Series and Artist Elite live sound mics are second to none.
As for me, check out my website www.bufordthedgehog.com and visit me on Facebook. I try to post a FOH picture of every gig I do either on my page or the PreSonus user group page. I am on LinkedIn but don’t do the Twitter thing.
You can see some of my video work on the A-T YouTube channel as well as other audio companies’ YouTube channels. I have several published articles about doing audio for video and I am the audio expert on the FilmSkills online training series produced by Jason Tomuric.
I attend all of the major trade shows: NAMM, INFOCOMM, NAB, etc. and do microphone and sound workshops at universities, church conferences (with my good friend Doug Gould) and trade shows. You can’t miss my distinctive look…. just ask for the blonde guy!
John Mlynczak, Education Market Manager for PreSonus, shows us some of the basic ins and outs of recording your school band’s rehearsals via the AudioBox 44VSL. He also shares a bit about the best way to mic the band.
Aptly-named Jam in the Van travels around in a a KILLER tour van that includes a StudioLive 24.4.2 and a sweet, sweet, paint job. They record all their in-the-van performances, shoot some killer video, and post the results online for the benefit of all musiciankind.
Here they talk a bit about their use of the StudioLive and QMix in getting their productions done. Hot stuff comin’ through!
Learn more about Jam in the Van at—wait for it—www.JamInTheVan.Com!
Mix recently ran a fascinating piece on exterminating pests. Not nutria or bollweevil, but pesky snakes, who have continued to envenom audio production despite our release of Virtual StudioLive and QMix. We’re trying our best, and appreciate Mix calling attention to the good fight!
Here’s a snippet:
“I work in live sound, and I’m done with audio snakes. No, I don’t mean I’ve switched from copper to Cat 5. I mean that I’m done, totally, forever. And my mixer? I have one, but you won’t see it. It’s behind the stage. And my iPad? No, I’m not playing Angry Birds, I’m mixing the band from the best seat in the house, right next to my wife and kids. I don’t even think about monitors anymore, the band takes care of them on their own. And because there’s no snake, stage racks or separate monitor system, everything takes less than 20 minutes to set up. Just put the mixer near the stage, connect the band and powered speakers, and go. Even crazier, an entire system for a 600-seat venue can fit in a Honda Civic. Oh, did I mention I’m doing all of this with a $1,999 mixer and some free apps? Welcome to the future of portable sound.”
Derrick Jeror is the founder of Housetop Media in Corning, N.Y., where he specializes in system design for houses of worship.
Apple fanboy Rick Naqvi should probably be hitting up Tim Cook for a sales commission. Here, he extolls the virtues of the iPad and Mac Mini… but it doesn’t end there. This isn’t just another “Wireless control of the StudioLive via iPad” video. This is something else. This has bells and whistles.
First, Rick sets up his Mac Mini to auto-launch VSL on boot. So, assuming proper connections and having everything powered up, his Mac Mini will auto-connect to his StudioLive seconds within powering up.
But keep watching… it gets real interesting. Via the iPad, Rick uses VNC Mocha Lite to connect to his Mac Mini desktop: no monitor required! This configuration allows you to run and interface with both VSL Remote and also access Capture or Angry Birds during the show. Rick keeps it simple and thorough at the same time—but you might wanna make sure you know what an IP address is before viewing.