Daniel “D-Pat” Patterson is PreSonus’ Web Application Developer. He is the architect of PreSonus.com as well as its chief maintenance engineer and bugsquasher. He’s also responsible for some of the behind-the-scenes work on shop.presonus.com.
In short, he is responsible for getting all of our zeros and ones in all the right places.
What’s your favorite thing about your job? Why did you choose to work here?
Getting to work with great people doing the things that I love. Johnny (McAndrew) had been a friend of mine for a while and mentioned that there was a need for a web developer, and I couldn’t pass up the opportunity to combine my two biggest passions in music and web development.
Why did you choose the Monitor Station as your favorite?
We’ve been doing a lot of tracking for Handsome Machines at my house for demos, so being able to use the Monitor Station V2 so the three of us can hear ourselves nicely in headphones and not annoy the neighbors too much is really great. I have it hooked up to my Eris monitors and another set of speakers running through a small PA, so we can quickly listen back to what we recorded in a few different ways.
Got any tips for working with the Monitor Station?
Double check your sources! With all the options it’s easy to have the wrong button pressed.
Anything else you want to share?
I like turtles.
We’re going LIVE on Facebook and YouTube May 23 at 10 am CST! Get your questions ready for us! VP of Sales, Rick Naqvi and QA Head Honcho Dominic Bazile, will be hosting and taking your questions. This broadcast is all about speed–smashing latency into the ground and leaving it in the dust.
And we have a Studio One secret to share–don’t worry, Tuesday is only a few days away.
Of course there will be prizes. RAD PRIZES. Don’t miss out.
Get Revoice Pro 3.3 – Vocal Tuning, Time Correction and ADR With Advanced Studio One Integration.
“Super-Natural Vocal Production” With Advanced Studio One Integration
If you need to improve the pitch or tightness of your vocal or instrument tracks in Studio One, Revoice Pro will save you heaps of time. Revoice Pro is the ONLY software that offers manual and automatic pitch and time modification with unbeatable, natural quality. Its unique tools include alignment, double track creation, and simple, artifact-free manual warping.
You can adjust the tuning, timing, and sibilants of a lead vocal, tighten or create backing vocals, rap or instrument doubles, and high-quality harmonies. What’s more, Revoice Pro 3.3 now supports advanced Studio One 3.3.4 integration and includes a Quick APT, Doubler and Warp workflow.
Revoice Pro is used worldwide by top audio professionals for the fastest, easiest and best-sounding adjustment and alignment of vocals, instruments, and ADR as well as double track generation. Revoice Pro 3 adds a powerful set of easy to use tools and workflow enhancements for Studio One. Major new features include a simple yet powerful toolset for manually adjusting audio timing and pitch. What’s more, users say that Revoice Pro 3 provides the most natural and transparent-sounding processing available.
At the heart of Revoice Pro is the unique Audio Performance Transfer (APT) process, that can gives the user the ability to take the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing and tuning, plus our highly-praised realistic Doubler process sounds great and is easy to use.
You can choose to work fast with automatic workflows or use the unique manual Warp process for pitch and timing. Now you have a one-stop, time-saving, high-quality solution for creative and corrective audio manipulation tasks.
“Revoice Pro let me tune a wildly out demo lead vocal (with a great vibe) and then match an equally out of tune double to this fixed lead instantly. It then was very simple to repeat and adapt this process with more background vocals AND also generate additional doubles! UNREAL!!! Worked great!!”
Emre Ramazanoglu – Producer, Engineer and Mixer (Shakira, Afrika Bambaata, Prodigy, Sia, Mark Ronson, Pulp, Jack Savoretti and Warpaint)
“We use Revoice Pro to align all the doubles and background vocals to a lead vocal which we’ve already spent quite a bit of time comping and tuning. But not only does Revoice Pro align doubles to a guide track, it also matches the pitch.”
John Hill – Producer, Songwriter, Remixer and Musician: Eminem, Florence and The Machine, Rhianna, SIA, Banks, Tune-Yards, MIA and Charli XCX
“Revoice Pro 3 saves an obscene amount of time. I find it an incredibly musical plug-in because it allows me to make stuff tight and in tune with the guide audio, but still have variance. So I end up with backing and lead vocals that I can really push forward in a mix. Killer to my ears.”
Francesco Cameli – Engineer: Queen, Genesis, Eric Clapton, Mariah Carey, Muse and Adele
“I like the speed of use with the APT AudioSuite feature. It allows me to quickly tune and time vocal stacks so that I can focus more on the music and mix instead of getting caught up with tedious tuning and timing processes. Revoice Pro 3 has become an essential tool in my digital toolbox. I highly recommend it!”
Ryan Nasci– Producer/Engineer: Tony Maserati, Jon Castelli, Isa “Machine” Summers (Florence And The Machine, Judith Hill and LP) and Tyler Johnson (Taylor Swift, Ed Sheeran, Mikky Ekko and Cam)
“Revoice Pro will save you high levels of frustration and even more man-hours when working on a project. Its workflow is much faster, and more accurate than anything before, allowing you to choose precisely how tight you align audio with very impressive sonic results. It has saved countless sessions since I’ve started using it.”
Dylan “3-D” Dresdow – Mix engineer (Black Eyed Peas, Michael Jackson, Usher)
Guitar Solos Need Delay
These new interfaces from PreSonus offer 192 kHz recording, MIDI I/O, Studio One Artist, and the sturdy build quality PreSonus customers have come to expect.
The latest addition to the StudioLive Series III Family: Meet StudioLive 16.
Looking for an all-in-one solution for studio and stage? We’ve never had the StudioLive AI mixers available at a lower price than this for customers in the USA. Check it out:
The above pricing is effective in the USA only. Pricing outside the US will vary by dealer and region.
If you’ve been considering a digital mixer but haven’t checked in on StudioLive AI for a while, it’s worth mentioning that the entire StudioLive line won the Musical Merchandise Review (MMR) Dealer Choice Award for Recording Equipment Line of the Year for 2015. Furthermore, recent firmware updates now allow the StudioLive AI Console Mixers to connect to StudioLive RM- and RML-series rack mixers in Stage Box Mode. And of course, StudioLive AI still offers the always-improving remote iPad control options that helped make them such a hit. All StudioLive mixers also include Studio One 3 Artist, our award-winning digital audio workstation.
But hey, don’t take it from us. Here’s what some StudioLive AI reviewers had to say. Click any of the quotes below to read the full review.
Need some more inputs in your studio? Check out the DP88, which is currently enjoying a reduced price. The exact amount will vary by location, but customers in the US will receive $100 off at the register.
The DigiMax DP88 is the latest innovation in the DigiMax line, offering digitally controlled analog preamps, unparalleled connectivity, flexibility, and professional sound quality to make it a perfect fit in any studio environment.
The DigiMax DP88 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 96 kHz. These converters provide 118 dB of dynamic range and are backed by a boast-worthy clock with sub-50 picosecond jitter to capture complex musical harmonics smoothly and naturally. You’ll hear every breath, transient, and detail of a performance in your recordings.