These new interfaces from PreSonus offer 192 kHz recording, MIDI I/O, Studio One Artist, and the sturdy build quality PreSonus customers have come to expect.
The latest addition to the StudioLive Series III Family: Meet StudioLive 16.
Looking for an all-in-one solution for studio and stage? We’ve never had the StudioLive AI mixers available at a lower price than this for customers in the USA. Check it out:
The above pricing is effective in the USA only. Pricing outside the US will vary by dealer and region.
If you’ve been considering a digital mixer but haven’t checked in on StudioLive AI for a while, it’s worth mentioning that the entire StudioLive line won the Musical Merchandise Review (MMR) Dealer Choice Award for Recording Equipment Line of the Year for 2015. Furthermore, recent firmware updates now allow the StudioLive AI Console Mixers to connect to StudioLive RM- and RML-series rack mixers in Stage Box Mode. And of course, StudioLive AI still offers the always-improving remote iPad control options that helped make them such a hit. All StudioLive mixers also include Studio One 3 Artist, our award-winning digital audio workstation.
But hey, don’t take it from us. Here’s what some StudioLive AI reviewers had to say. Click any of the quotes below to read the full review.
Need some more inputs in your studio? Check out the DP88, which is currently enjoying a reduced price. The exact amount will vary by location, but customers in the US will receive $100 off at the register.
The DigiMax DP88 is the latest innovation in the DigiMax line, offering digitally controlled analog preamps, unparalleled connectivity, flexibility, and professional sound quality to make it a perfect fit in any studio environment.
The DigiMax DP88 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 96 kHz. These converters provide 118 dB of dynamic range and are backed by a boast-worthy clock with sub-50 picosecond jitter to capture complex musical harmonics smoothly and naturally. You’ll hear every breath, transient, and detail of a performance in your recordings.
2016, we hardly knew ye. Say hello to the new year with some new gear, and save a buck while you’re at it. Note that all of the below deals end when 2016 does—get them before Dec. 31 2016—after that, they’ll be gone!
25% off Notion and all Notion Add-ons
Never a better time to buy Notion—along with an entire symphony of add-ons! Everything from sopranino saxophones to cowbells is available from the Notion Add-on library, every single one of them is 25% off. And Notion itself is 25% off, as well. Start building your personal orchestra for cheap! Hurry, ends Dec. 31, 2016!
Get an AudioBox iTwo Studio for $199
Customers in the USA can get the AudioBox iTwo Studio for a significant discount, down to $199 from QQQ. Get everything you need to get started in recording, including an audio interface, Studio One Artist, the M7 Microphone, HD7 headphones, and… ALL REQUIRED CABLING! That’s like including batteries—it just never happens!
*Batteries are not included, because this product does not use batteries
30% off Convology Reverb series
Add some vintage mojo to your workflow with this incredible reverb series from Convology for Studio One. They painstakingly modeled tons of old reverbs from old reverb devices both analog and digital. All members of the family are available for 30% off, including Vintage Plate Reverb, Vintage Digital Reverbs, and Vintage Spring Reverbs. Get ’em all and you’ve got every reverb you’ll ever need and then some.
Notion has been updated to version 6.1! Check out the full changelog below. This is a free update to all Notion 6 owners. To get it, just launch Notion. It will check for updates and download automatically.
Notion 6.1 Changes:
[Ryan Louder is a multi-platinum music producer and songwriter. Having studied at the Royal College of Music as a composer, Ryan went on score films and produce music, working with a multitude of artists including Troye Sivan, Pixie Lott, Claudia Kane Katherine Jenkins, Alexandra Burke and Dido.]
• What PreSonus products have you used and which do you currently use?
I have two studios with identical setups: 2 Studio 192s and Studio One 3 in both. I also have a Studio 192 Mobile and laptop when out of the studio which works great.
Recording, songwriting, production, mixing—everything I need to write and produce high-end productions for high level artists is in Studio One. I’m blown away by Studio One, and it has served me well in very high-pressure situations.
Word of mouth. A lot of people in the industry are talking about studio one being the DAW of the future…
• Having used Studio One, what do you like most about it?
The usability and reliability! The people deciding what goes where know what they’re doing, where other DAWs seem to have no clue of a producer’s needs. For example, one DAW manufacturer keeps going on about “The Cloud,” which no one wants or needs… and they keep going on as if it’s something significant while there rubbish software crashes several times a day. Studio One is the polar opposite and the reliability is incredible.
I can drag and drop preset instruments—so quick!
My biggest tip is “Do not believe anything other than your ears.” Do blind tests on comparing quality—for example, I chose the Studio 192 converters clocked to my Black Lion audio clock over audio gear that cost five times as much. I chose the Studio 192 six times out eight of blind tests. Do blind tests on everything from plug-ins to hardware. You’ll save yourself money big time.
With 8 touch-sensitive, motorized, 100 mm faders and 57 buttons covering 78 different functions, you can quickly zoom in on audio files for editing, adjust your click-track tempo with a simple tap, modify plug-in parameters, manage aux mixes—and, of course, control track levels with the touch of a finger. With the FaderPort 8, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.
WHAT?! We’re seriously cutting the price of our coolest monitors in half for Black Friday? Cutting things in half is usually more of a Halloween thing. This offer is available for customers in the USA, and ends 11/28/16.
Eris MTM Monitors:
While MTM technically stands for “Midwoofer—Tweeter—Midwoofer,” you ought to know that they’re good from Mixing-To-Mastering. The MTM speaker configuration allows the MTM studio monitors to deliver the widest stereo field available in their class. You get a more consistent listening experience from varied listening perspectives. They’re also louder than they look, since the combined signal of the two relatively small drivers propagates forward like a single waveform. This mutual coupling provides a highly dynamic output in a compact footprint. And if footprint’s not an issue, mount them horizontally. We’ve designed them to sound just as good in either configuration.
PreSonus R-series R80 and R60 AMT Studio Monitors:
The R-series contrasts from the MTMs in a couple ways. While the singular woofer approach is a more traditional, the Air Motion Transformer (AMT) tweeter is the star of the show. At the core of AMT is the astonishingly thin (< 0.01 mm!) Kapton® membrane voice coil, which moves at the same instant as the current that drives it, with no dampening applied to negatively affect the tweeter’s transient response time.
As a result, the R-Series faithfully reproduce the highest frequencies that can be heard by the human ear—and the vast majority of human microphones. The sonic result is a greater sense of air, space, and imaging that is characteristic of audiophile recordings and off-the-charts transient response. Furthermore, the AMT’s design inherently offers 8 to 13 times the projection area of a typical dome tweeter. This widens the stereo image considerably, while keeping problematic vertical dispersion in check. Consequently, the R80s sound consistent regardless of what room you place them in; a versatile choice for audio recording studios and post-production.
Here’s Mike White on the R-series.
Finally, both the R-series and the MTMs offer all the Acoustic Space tuning and connectivity options you’d ever need, and include RCA, 1/4″, and XLR inputs.