Eric’s the tour manager/live sound engineer/roadie for a regional touring act. StudioLive has been there for every broken-down van, every 8×10 bass cab hauled up a flight of stairs, and every sold-out, screaming crowd.
Eric is StudioLive. Are you?
Tell us your story HERE!
Last season’s StudioLive AI mixer and StudioLive 16.0.2 mixer rebate offer was so popular that we decided to stop making it a limited-time thing, and just lower the price down on these StudioLive Mixers once and for all. Here’s the latest pricing:
This price drop is effective in the USA only. Pricing outside the US will vary by dealer and region.
If you’ve been considering a digital mixer but haven’t checked in on StudioLive for a while, it’s worth mentioning that the entire StudioLive line won the Musical Merchandise Review (MMR) Dealer Choice Award for Recording Equipment Line of the Year for 2015. Furthermore, recent firmware updates now allow the StudioLive AI Console Mixers to connect to StudioLive RM- and RML-series rack mixers in Stage Box Mode. And of course, StudioLive AI still offers the always-improving remote iPad control options that helped make them such a hit. All StudioLive mixers also include Studio One 3 Artist, our award-winning digital audio workstation.
But hey, don’t take it from us. Here’s what some StudioLive AI reviewers had to say:
The StudioLive AI Console Mixers have garnered a lot of praise in the time they’ve been around. Click any of the quotes below to read the full review.
It’s been a long road since Bryce Avary first started putting out music under the name The Rocket Summer 16 years ago. With roots in pop and alt-rock, Avary showcases his talent by writing, producing and playing instruments on all 6 of his albums. The Rocket Summer is currently on tour for their newest record Zoetic which was released in February. We recently caught up with him to see how the tour was going and how the RM32AI Mixer was working for them.
Avary’s assembled a killer live band to take his songs on the road! They’re using the RM32AI Mixer for their in ear monitoring system and mixing everything on their own. Hear more of Avary’s thoughts in the video below.
The RM32AI is obviously a perfect fit for The Rocket Summer and it may be just what you’re missing. All summer long (and then some) select dealers in the USA are offering discounts of Kozmic proportions on StudioLive mixers – See more HERE!
All summer long (and then some) select dealers in the USA are offering discounts of Kozmic proportions on StudioLive mixers. These deals include savings of up to $700, which is enough to get you and several high school friends into the Guns’n’Roses reunion tour, and almost enough to get you and a friend to Oldchella in October.
Just so things aren’t all purple-hazey, let’s be clear. This includes the following StudioLive Mixers:
One of these is the right mixer for you. If you haven’t checked in on the StudioLive mixers for a while, take a look at the below. We’ve done a lot to add features to these boards in the last few years via firmware and software updates. Some recent feature additions include:
Click here to find a dealer in your area, or shop online at:
It’s always exciting to see where PreSonus gear shows up all over the world through social media and other various ways. But when PreSonus shows up at the biggest, most watched sporting event of the year, we can’t help but share! Here’s what PreSonus fan and sound reinforcement engineer Vic Thomas had to say about using PreSonus StudioLive at the the big game last week!
“The PreSonus StudioLive was used by the NFL Network at their Digital Media Set, The Huddle, in Super Bowl City,” says Vic. “Our set was located at Justin Herman Plaza in the heart of Super Bowl City in downtown San Francisco. We were one of four sights that did interactive hits back to NFL Network’s control room at Culver City for integration into all there social networking channels.”
On set, the large crowd proved to create somewhat of a challenge. With 34 years of experience, Thomas knew exactly what to do. “We had up to four talents on set, using RF microphones, which had to be routed directly to Culver City to be mixed into the show. The XMAX preamps proved to be vital, as I had to send each microphone, with no EQ or processing. For this I used the direct out function of the insert point of each channel. The quality and headroom of the preamps handled the changes of the talent’s levels masterfully. You can imagine with the cheering crowds behind them how their levels fluctuated.”
Thomas goes on to say, “I also had four mix minus, IFB feeds coming to me from Culver City. An IFB feed is an Interruptible Fold Back that is fed to the talent via an earpiece so they can hear program minus themselves, as well as the producer in Culver City directing them. You can probably call it an in-ear monitor mix with a cueing function.”
“The StudioLive proved great for this as I could mix each individual IFB to the talent’s taste and send it to their IFBs using the group outs. This gave me the option of having compression and EQ on each incoming feed. This was critical, as I needed to safeguard each of the talents’ hearing. They appreciated that.”
Thomas’s experience in San Fransisco highlights the ease of use and versatility of the StudioLive family. “The StudioLive made a long week very easy and definitely made my job a lot less complicated.”
[This just in from Lucy Willar, Co-Founder of iCanStudioLive. She took the time to answer a Q&A from Laz Harris, our very own Asia-Pacific Sales Manager, to tell us a bit about what makes iCanStudioLive lead the A/V production industry in Jakarta—and how PreSonus is a part of it!]
Lucy: iCanStudioLive is the leading audio/video live recording producer in Indonesia. We produce quality content every day, and provide a one-stop solution from creative design to pre- and post-production and digital distribution. Our production team works very closely with quality talent to create unique programs to attract the global netizen. We’re located in Jakarta. Please feel free to visit our fully-equipped studio!
The inspiration for the name came from our ability to do everything at one place—integrated and digital. Once you enter our studio, you will immediately think, “I can do this! I can do that! I can do everything I want!” Also, coincidentally, our other founder, Irsan Wallad’s nickname is “Ican.” So it was a perfect match with his vision on live recording, too. Then we named our studio “iCanStudioLive”—all one word, please!
Lucy: We specialize in live recording, and help with concept and creative design for both audio and video. We are the first, and now leading the industry in live recording. We cater to skillful musicians, younger musicians, and prodigies. Case study: Joey Alexander, who is now becoming very popular in the USA.
Lucy: We have full team: A General Manager who takes care of all studio activities, a Program Manager who take care of all programs—existing and future ideas. We’ve also have a Creative Manager who takes care of production, and a Post-Production Manager who takes care of post-production audio/video. Last but not least we have a two-person editor team, five production assistants for audio and video, general affairs, security, etc. All told, we are 16 people.
Lucy: It’s Ican’s vision. He started this dream 15 years ago while doing his own business in multimedia.
Lucy: PreSonus offers a single integrated control system for both live performance and recording.
Lucy: Capture 2.0 makes for easy multi-tracking and routing channels from the StudioLive to the DAW. For live use, we make heavy use of the Fat Channel in the StudioLive console mixer—it allows us to control Gate, EQ, and Compression when used for front-of-house. Furthermore, we can color the live sound with the StudioLive’s built-in FX. On the other hand, for studio recording—we need everything kept FLAT at the source, and the StudioLive’s clean preamps provide excellent clarity with no audible coloration. It’s great for both applications.
Lucy: Ican fell in love with music when he was nine years old, and got started with multimedia when he was 13. His parents worked at a multinational company (Mobil Oil) as a joint venture between Japan, Indonesia and US. After getting a degree in architecture, he started doing live recording in 2007, and was eventually invited to record the local Symphony Orchestra in 2011. He built iCanStudioLive in the same year. Now he’s recording almost every day!
Thank you Laz! It’s great to be one big family and we are looking forward to work closer for years to come.
Eric Welch, House Engineer at PreSonus HQ, discusses some of the projects we’ve recorded here at home. He discusses his use of the Studiolive 32.4.2 AI, QMix, Studio One, and myriad other PreSonus technologies.
For more on the StudioLive 32.4.2AI, click here: http://www.presonus.com/products/StudioLive-AI-Series
For more on Studio One, click here: http://studioone.presonus.com/
David Gibbs is the Executive Director of The Blue Devils, the best drum and bugle corp in the world. They’ve come to rely on the StudioLive AI digital mixers as well as the StudioLive AI PA Loudspeakers.
Our free StudioLive training series has been such a smash that it’s been extended due to popular demand—and this time around, we’re upping the stakes. One attendee at each of these training seminars will receive a free upgrade to Studio One Professional—and a single lucky winner who attends an SAE training in January, February or March of 2015 will be entered to win a StudioLive RM16AI digital mixer! You must be present to win.
SAE Institute branches in New York, Atlanta, Miami, Los Angeles, Nashville, San Francisco, and Chicago have free classes coming up on the following dates:
[This just in from the Press Office of MIDIMusic ProAudio, our distributor in Italy!]
Today, Midi Music has hosted an important event for the Italian key dealers featuring the two main new products recently introduced by PreSonus: The new generation of StudioLive RM Series Rackmount mixers, and the new range of StudioLive AI PA Loudspeakers. About 50 retailers and operators, as well as journalists from Italian commercial audio magazines attended the event.
Francesco Galarà, Midi Music’s new product advisor for the Pro Audio division, described the philosophy and technical characteristics of the RM series, focusing on the unique features and intuitive ease-of-use offered by UC Surface. He also addressed the versatility that makes StudioLive RM16AI and RM32AI suitable for applications in different fields: live sound, studio recording, radio and TV Broadcast, and system integration.
After going deep into the specific details of CoActual and Temporal Equalization technologies, it then has been the turn of the set of StudioLive AI PA speakers.
We conducted a listening test, covering various genres of music from pop to rock, from the classics to jazz and then—the icing on the cake—Tchaikovsky’s famous “Waltz of the Flowers,” which was very suitable for highlighting the magnitude of the StudioLive AI Loudspeakers’ dynamic response, linearity and definition playback—all without compromise at any listening level. The clarity and definition immediately captured the attention and curiosity of the audience, who remained long after the demo with many questions and insights about the features and capabilities of both products.
The event was followed by a nice dinner party, with typical Italian seafood and a fine Piedmont Hills wine selection, offering the participants another opportunity to continue to deepen the discussion about technical and commercial aspects of PreSonus products.
Midi Music ProAudio