[This just in from John Taglieri from Dawg Pound Studios!]
Hey there, I’m John Taglieri from Dawg Pound Studios. Based in Hanson, Massachusetts, our studio boasts a 200 square foot live room full of drums, vintage amps, a ’64 Hammond, and close to 30 mostly-vintage guitars and basses to choose from. Our control room is full of great digital and outboard gear to help make sure we capture the music as accurately as it is performed—and make it sound amazing. I’ve produced close to 20 CDs for myself and clients, and as an engineer/producer have had two Billboard charting CDs (a #74 and a #112), a #1 single on Amazon, a total of 11 top ten singles on Amazon & iTunes, as well as a Best-Selling Alternative EP on iTunes. The studio has been touted as having a great-sounding live room, and a control room that sounds true. What you hear at the mix area is what it sounds like out in the real world as well.
One thing I’m proud of is that we use a lot of PreSonus gear in the studio. When I had my studio at its old location in New Jersey, it was very piecemeal. I started really working with PreSonus when I moved the studio to Massachusetts three years ago. I did the studio build from scratch and wanted the best gear that I would feel comfortable with. The room didn’t exist, so I worked with an acoustic engineer to get the design right, got some help from Auralex to tune it, and then chose PreSonus for workflow, live room monitoring and control room mixing. Currently I’m using the following;
For my latest EP, Days Like These, we had a great and fun situation. We assembled top musicians from all over the country, including Kenny Aronoff (John Mellencamp, John Fogerty, Michelle Branch), Rich Redmond (Jason Aldean, Ludacris), Alan Bowers (Rachel Allyn), Chad Cunningham, as well as myself on drums. We also got Lee Turner (Darius Rucker) & Eric Ragno (Kiss, Alice Cooper) on keys and Greg Juliano on bass. Keith LuBrant, Joe Gilder & myself handled guitars, and we used writers from the US & Australia.
Tracks were cut in eight different studios around the country, as well as at Dawg Pound Studios, and on all different DAWs. We then used DropBox to get the .WAVs to Dawg Pound Studios, where Studio One Professional 2 was used to assemble and mix all the tracks. Dozens of tracks were done in-house as well as sent in. All songs started at my studio with acoustic guitar, vocals, and click tracks, and ended with final mixes. The workflow was effortless. Working with Studio One and my FaderPort, mixing was a great experience. I had just added the FaderPort to the system and I can’t tell you how much it streamlines mixing. It makes subtle mix, pan and FX moves far easier than using my trackpad. I run a tricked-out Mac Mini with a Bluetooth keyboard and trackpad. We must have done something right because the EP debuted on release week on the Billboard Independent Album chart at #112, which was quite an honor.
Running PreSonus in my studio has brought my studio up to a level of quality that I can truly be proud of. I am putting out sounds rivaling any other studio thanks to the quality of my inputs, the workflow, the ease of mixing, true quality stock plugins, great preamps, and I know my clients love the custom monitoring setup in the live room during tracking. Stop by the studio’s website and Facebook and check us out!
Hey PreSonus! My name is Antony BEDEZ and I’m a French studio and live sound engineer. Recently, my bassist brother and I made a
CD from a concert given in France with drummer Steve Ferrone, who has worked with Michael Jackson, Average White Band, Eric Clapton, Slash, and others. I’ve taken care of all
the audio process from the live sound to the mastering.
After his participation on my brother’s last album, Investigations, we decided to invite him to France and
play with him live. With many friends of ours…
You can hear sounds and learn about the project, musicians here:
We’re very proud of the sound and quality of the music, considering the time we had to organize the project!
Doug Gould of WorshipMD talks about how to make the best use of your sound check time and the band’s rehearsal. Prioritize accordingly and don’t lose sight of the big picture—dial in the entire band one at a time, but don’t spend too much time on little details—do that during their rehearsal.
For info on the StudioLive AI digital mixers, click here.
For more from Doug Gould and Worship MD, click here.
Mixer aficionados the world over could always stand to learn a new trick or two, and at the rate that technology changes, sometimes we all find ourselves with a little catching up to do. Good thing, then, that Alfred Music has recently released the StudioLive Mixer handbook, which has a little something for everyone. If you’re using one of the classic StudioLive mixers or the new AI mixers, you will find something of value as the book covers both! Furthermore, it’s broken down into a simple three-tier arrangement: a general overview, live sound, and studio recording—including a nice bonus chapter on mic placement.
You’ll also find info on getting the most out of using your StudioLive with external devices like your laptop and iPhone, feedback elimination, remote iPad control, and recording your shows.
Here’s a couple freebies to get ya hooked:
With the publication of this tome, renowned engineer/producer Bobby Owsinski has cemented his stature as a dyed-in-the-wires StudioLive expert. After all, he wrote the book on it, right?
PreSonus’ Rodney Orpheus and Sonic Sense’s Nick Batt had a great little Q&A bro-down at PLASA 2013. This was the first-ever hands-on public showing of the new StudioLive 16.4.2AI and 24.4.2AI.
Rodney covers the AI part of the StudioLive AI series in great detail here, and closes with a touch on the new StudioLive AI Loudspeakers. Definitely worth a watch! Thanks to Sonic Sense for bringing Nick, as well as the camera.
Sonic Sense Pro Audio is SO GOOD to us.
In this new video, they open with a nice breakdown of the workflow and feature upgrades in the new StudioLive 32.2.4AI as compared to the original StudioLive 24.4.2. They touch on Active Integration, computer-free wireless connectivity, Capture 2.1, Mute Groups, Scenes, Fat Channel updates, and more.
But they don’t stop there. They run a multi-track recording from the FoxField Four through BOTH mixers, and provide an A/B test of the stereo mix from both mixers, so you can hear the sonic improvements in the StudioLive 32.4.2AI for yourself!
Great work, guys, and thanks for your support!
The StudioLive mixers are an ideal choice for running audio for your theate productions!
StudioLive mixers are ideal for the theatre because they are easy to use, allow you to save and recall production scenes, and the integrated software tools allow anyone to run sound. This video demonstrates how school and community theatres can benefit from using a StudioLive to enhance their production and rehearsals.
The kind folks at American Musical Supply just announced their incredible PreSonus giveaway, including a whopper of a $5,129 prize package that includes:
It’s easy to enter, just click here and fill out their form! This is an incredible chance to get a whole lotta stuff with minimal effort, which is always a popular proposition.
The StudioLive family of digital mixers have become a sonic solution for houses of worship around the globe. We recently compiled this great series of testimonials from live sound engineers who rely on the StudioLive for their events. Thanks much to everyone who had a hand in this!
Who are you, where are you, and what do you do?