Check it out—Lighting & Sound International has a great review of the StudioLive RM32AI. Click here or the image to the right to read the full review [PDF]—but here’s a quick quote:
“The StudioLive RM32AI offers a glimpse into the future of live mixing. There is a lot going on with this mixer. Although you can get going pretty quickly, as you live with the RM you’ll be able to invoke other capabilities and functionalities of the system. The RM was designed from the get-go to play well with other AI products from PreSonus, though practically any system where you would want a digital mixer is fair game for the RM. You just get the benefit of interoperability with the other AI gear. A list price of $2,499.95, allows you to be on the leading edge of innovation with a relatively small investment. Medium-sized houses of worship, nightclubs, local production facilities, and regional sound companies are all in the wheelhouse of this new product.”
Big thanks to LSI for the kind words. Give ’em a follow on Facebook for their trouble, why don’t you?
“Notion 5 is an ideal package for anyone wanting easy-to-use notation software on a budget. If you are using primarily for teaching score-writing or producing exam coursework then it has more than enough for your needs. And if you don’t need the full functions of the bigger market leaders, then it is a real winner!”
By now you should realize that we think the Sceptre High Definition CoActual Studio Monitors and the Monitor Station V2 Desktop Studio Control Center are a match made in heaven. And they are, but like all great couples, they are also amazing individuals in their own right… so amazing, in fact, that they each received back to back awards as part of glowing reviews of their character. I guess you could can start calling them our studio “power couple.”
“The first audible attribute I noticed on casual play of 24/192 music, was how accurate the Sceptres are. The speakers have an audiophile-class midrange and top end with a focused, tight bottom end in the 50Hz to 100 Hz range. Most powered pro speakers that sound this good are well above the $1,000 per speaker. I am impressed… Consequently, we have awarded it our Everything Audio Network Stellar Sound Award.”
“The Monitor Station is back with a new S/PDIF input and several improvements (speaker level controls on the rear), while preserving the features it’s known for. In practice, the Monitor Station revealed itself very pleasant to use. If you are looking for a somewhat advanced monitor controller with a talkback circuit for $300, you should definitely consider the Monitor Station”
Sceptre reviews are starting to roll in more commonly these days, but we were really flattered by this kind review from MusicTech.Net, which gave the Sceptre S8s a 9/10 and the S6 an 8/10. Tremendous thanks to MusicTech, we owe you guys.
From the review:
“First impressions are of tremendous clarity and a wide-open stereo picture. With acoustic recordings, the degree of air around the instruments is quite remarkable. Frequency response seems very even as well, with no discernible anomalies present in the midrange, and there is no appreciable change in timbre as you move around the listening position.”
For more on the Sceptre monitors, click here.
The nice folks over at BoKsis just posted this flattering review of the Central Station PLUS, awarding it 4.3/5 stars! Thanks, guys! We, in turn, would like to award you 5/5 stars. Readers can, and should, read the full Central Station review, and many other reviews of cool stuff from BoKsis, by clicking here. While you’re waiting for that page to load in another tab, here’s a taste of what’s to come:
“The feature count is high, the sound quality is very good and it is a thoroughly well designed and built unit.”
The kind folks at Resoution Magazine recently put the Eris E8 studio Montiors through one of their signature, exhaustive bench tests. We’re pleased to report that Keith Holland from Resolution liked not only what he heard, but also what he measured. Here’s a snip.
“Overall the PreSonus Eris E8 is an excellent performer, especially at low frequencies. The designers have managed to combine a protected, extended low-frequency response and low distortion with an accurate low-frequency transient response. The other aspects of the performance do not disappoint either, with good time and frequency domain responses and controlled off-axis behaviour.”
You can read the entire bench test in Resolution’s October issue, available in digital form here.
As anyone who uses it knows, with Studio One the hits don’t stop. We just discovered this incredibly flattering, video-peppered review from Ruprect at Recording Review. In it, they state: (among other things)
“I literally stopped using Logic after spending maybe 2 hours with Studio One. Granted, I was excited about learning something new but the switch was surprisingly painless. Fast forward a few months and I’m faster with Studio One than I ever was with Logic. The main reason is that simple tasks I perform numerous times in every mix are streamlined a little.”
Big thanks are due to the Recording Review crew. Their website is chock-full of many other reviews that you should read as well, and they also offer a number of great articles on all elements of the audio recording process. Check ’em out.
Click here to read the review in full and watch a batch of highly informative Studio One videos!
This kind review of our latest golden boy,the ADL 700 tube mic preamp, comes to us from the informed masterminds at Amazona.de. Naturally, this one is written with the German-speaking crowd in mind. If you don’t speak German but DO have Chrome installed, you’ve got a translator built right into your browser to help you out!
Amazona has gone a step above and beyond in this review by not only detailing all the nitty-gritty technical specs, but they’ve also included several audio demos of the ADL 700. Click here to read the review in full and hear it for yourself.
Roughly translated, you’ll find such laudatory praise as “The PreSonus ADL 700 is a professional device that costs less than it sounds. A suitable candidate to compliment a serious outboard collection. Sonically, a big thumbs up.”
In their incredibly thorough review, AudioFanZine put the Eris E8 through its paces and it would seem as though the monitor didn’t even break a sweat. I won’t waste any of your time getting all meta- and reviewing their review—suffice it to say that we’re flattered. Instead, a snippit:
“For their first attempt in the monitor speaker market, PreSonus start with an already technically mature product. The Eris E8 offers high-quality construction, comprehensive input connections and extensive setting possibilities (low-cut filter plus low, mid and high filters) at an affordable price ($250 for a single monitor). During our listening sessions, the speaker seduced us because it reveals no real weakness. The frequency response is very smooth, even smoother than the Mackie we liked so much two years ago, all frequencies are reproduced effortless. This also applies to the dynamic range and the stereo imaging. This E8 monitor speaker is the autumn hot deal in the lower mid-class market segment.”