PreSonus Blog

Category Archives: Preamps and Processors


The ADL 700 Channel Strip, and Where to Get it.

[UPDATE: Here’s a handy PDF of all the ADL 700 dealers. You’re welcome!]

 

ADL-700-800px

No compromises. This is, hands-down, our finest tube preamp to date. And while we hope you believe us, fact is that “must be heard to be believed” really is true. So, we’d like you to check out the following video starring PreSonus Artist Briana Tyson her cadre of usual suspects from around the PreSonus office. This video, a very special episode of PreSonus LIVE, feature the entire band running through ADL 600 and ADL 700 preamps. Guitars, keys, bass, overheads—everything.

We recognize that YouTube’s streaming audio quality is going to be a bottleneck here, so we are encouraging those interested in the ADL 700 Channel Strip to find one at their nearby US PreSonus dealer. We’ve arranged an elite team of dealers who have agreed to set up in-store demo units of the ADL 700 so you can pop in and experience it for yourself. They are:

Arizona:

Pure Wave Audio
Tucson
248 W. Elm St, 85705
(520) 622-3895
www.purewaveaudio.com

 

California:

Westlake Audio
North Hollywood
4101 Lankershim Blvd.
(323) 845-1145
www.westlakepro.com

GC Pro
Sherman Oaks
14209 Ventura Blvd.
(818) 990-8332
www.guitarcenter.com

GC Pro
West LA
10831 West Pico Blvd.
(310) 475-0637
www.guitarcenter.com

GC Pro
Hollywood
7425 Sunset Blvd.
(323) 874-1060
www.guitarcenter.com

 

Colorado:

Sonic Sense Denver
1500 West Hampden ­Avenue, Suite 3H
(303) 753-0201
www.sonicsense.com

Sweetwave Audio
Louisville
1795 Plaza Drive
(303) 258-0563
www.sweetwaveaudio.com

 

Florida:

GC Pro
Hallandale
1101 W. Hallandale Beach Blvd.
(954) 456-7890
www.guitarcenter.com

Sam Ash Tampa
Tampa
7726 Cheri Ct.
(813) 888-7876
www.samash.com

Sam Ash Miami Lakes
Miami Lakes
5360 NW 167th St.
(305) 628-3510
www.samash.com

 

Georgia

GC Pro
Atlanta
1485 Northeast Expy
(404) 320-7253
www.guitarcenter.com

 

Illinois

GC Pro
Central Chicago
2633 North Halsted
(773) 248-2808
www.guitarcenter.com

 

Indiana

Sweetwater
Fort Wayne
5501 U.S. Hwy 30 W
(800) 222-4700
www.sweetwater.com

 

Massachusetts

GC Pro
Boston
1255 Boylston St.
(617) 247-1389
www.guitarcenter.com

 

Maryland:

Washington Music Center
Wheaton
11151 Veirs Mill Road
(301) 946-8808
www.chucklevins.com

 

Minnesota:

Swift Music
Saint Paul
771 Raymond Ave
(651) 330-4738
www.swiftmusic.net

Missouri

Springfield
Audio Acoustics, Inc.
800 N. Cedarbrook
(417)869-0770
www.proaudiosuperstore.com
 

New York:

Alto Music
Middletown
180 Carpenter Ave
845.692.6922
www.altomusic.com

B&H Photo and Video
New York
420 9th Ave. at 34th St.
(800) 606-6969
www.bhphotovideo.com

Dale Pro Audio
New York
22 W 19th St
(888) 462-7828
www.daleproaudio.com

GC Pro
Manhattan
25 W. 14th Street
(212) 463-7500
www.guitarcenter.com

Sam Ash Carle Place
Carle Place
385 Old Country Rd
(516) 333-8700
www.samash.com

Sam Ash Manhattan
New York City
333 West 34th
212) 719-2299
www.samash.com

 

North Carolina:

Sam Ash Charlotte
Charlotte
5533 Westpark Drive
(704) 522-9253
www.samash.com

 

Tennessee:

GC Pro
Nashville
721 Thompson Lane
(615) 297-7770
www.guitarcenter.com

Sam Ash Nashville
Madison
1647 Gallatin Pike North
(615) 860-7475
www.samash.com

 

Texas:

Rock & Roll Rentals
Austin
1420 W Oltorf
(512) 447-5305
www.rocknrollrentals.com

Sam Ash San Antonio
San Antonio
25 NE Loop 410 at ­McCullough
(210) 530-9777
www.samash.com

GC Pro
Dallas
814 N Central Expy
(214) 692-9999
www.guitarcenter.com

 

Wisconsin:

Full Compass Madison
9770 Silicon Prairie
Parkway
(800) 356-5844
www.fullcompass.com

 

Quebec:

Studio Economik
215 St-Augustin
Montreal, Quebec
Canada, H4C2N7
(514)-937-2000
www.economik.com

 

 

 

Online Only:

American Musical Supply
(800) 458-4076
www.americanmusical.com/PreSonus

Musician’s Friend
800-449-9128
www.musiciansfriend.com

Sound Pure
(888) 528-9703
www.soundpure.com

Vintage King
(888) 653-1184 ext 3
www.vintageking.com

 

 

Fluff from Guitarist Facts Chooses PreSonus Interfaces to Bring the Heavy

Fluff

[This just in from Fluff, AKA GuitaristFacts, who has an absolutely KILLER YouTube channel full of heavy metal riffage, gear demos, facial hair, and all the endeavors where the three coincide. He produces his videos as skillfully as produces his music, and he’s chosen some PreSonus gear to help him along the way. He was kind enough to share a few paragraphs about his recording tricks and experiences with PreSonus gear.]

Hello, my name is Ryan, but my friends call me “Fluff.” I make guitar-related gear demos on YouTube in my home studio for companies all over the world. Pickups, speakers, guitars, pedals, microphones, you name it. I also produce the occasional record and re-amp guitars for rock albums, and record about five days a week. For all of this work, I rely exclusively on couple of pieces PreSonus gear that I simply would be lost without.

I should probably mention that I try to capture every kind of guitar tone, from brutal to chiming. In order to produce a wide array of tones, I need an interface that offers flexible signal routing, low latency and high-quality instrument inputs, as well as low noise on the outputs. The PreSonus FireStudio Project is perfectly suited for all of these needs. Two instrument inputs, (I keep one set for guitar, one set for bass) loads of inputs and outputs and +48V power when needed to run my condenser microphone for when I do voice work. WIN!

I also use the PreSonus Studio Channel as my go-to mic preamp. The built-in EQ and compression make it extremely versatile for clean guitar tracks, vocals, huge distorted guitars, and bass cabinets. I am also a tube nut, and I find that replacing the stock tube (a high-gain tube with good midrange) with an inexpensive NOS 12AX7 JAN tube (usually about $30 on eBay) can really round off the harsh highs I sometimes experience while recording high-gain guitars, and fattens up my signal prior to going into my FireStudio Project.

When it comes time to record, I use a Heil PR30 about 90% of the time for guitars, as that mic has a very flat frequency response. Knowing this, I can get the microphone placed in the ballpark (usually around the area where the dust cap meets the speaker cone, on-axis) and then use the Studio Channel’s EQ to fine tune the highs and mids (I typically boost about 2dB in the 3K range with a medium Q) until I find a nice sonic pocket for the guitars to sit in the mix. If I want to add a bit of flavor, I will add a Shure SM57 plugged directly into the FireStudio Project and then bring the volume up on the SM57 to add some bite and ‘oomph’ for palm mutes on the distorted guitars.

As for the aforementioned re-amping, I plug straight into the FireStudio Project and adjust the input level so I am seeing an average -16dB, with peaks no louder than -12dB. This way I have some wiggle room when outputting the DI through my re-amping box (I use a Radial ProRMP), as sometimes I need a stronger signal to go over a long lead or something like that.

I am asked quite often which interface people should get when diving into home recording, and I always say PreSonus for two reasons: first, they have the computer driver experience that allows their products to work the first time, right out of them box, problem-free. Second, the customer service and support is outstanding. I found out first hand when I called about my 8-year-old FirePod interface and was treated like I was in The Rolling Stones.

Seriously, why can’t more companies operate this way?

-Fluff

Twitter

YouTube

 

 

 

PreSonus LIVE starring Briana Tyson and a TON of ADL series Preamps is up on YouTube

Hey! If you missed this incredible presentation, it’s no big deal. Because you can see it on YouTube. Or heck, just click that familiar little triangle-shaped “Play” button below.

We flew Briana in to Baton Rouge, assembled a killer band, and had them track a few songs using Rick’s monster rack of ADL 600 and ADL 700 preamps—because we can. EVERY channel of audio in this production was run through the ADLs.  How do you think it sounds?

Grammy Winning Producer/Engineer Warren Riker Doubles Down on the ADL 700

Riker

[This just in from three-time Grammy winning Producer/Engineer Warren “WAR” Riker! He’s using using two ADL 700‘s on Anders Osborne‘s latest recording at Dockside Studio in Maurice, LA. He says…]

“Damn, these sound awesome on acoustic guitars! Can’t wait to start recording vocals!”

Warren working hard at Dockside, but we have more to come on this story in the coming weeks as production on this record continues. Stay tuned!

 

Rick is up to Something Big…

What do you suppose he’s planning for THIS rig?

Rick_ADL_800px

Mathenee Treco

ADL 700 Vocal Demo from SonicSense Pro Audio

The coolness just doesn’t STOP with SonicSense Pro Audio! Following up their killer bass DI demo of the ADL 700, now it gets put to the REAL test: vocals!

And when I say a REAL test for vocals, I mean it’s tested with none other than Queen’s “Somebody to Love,” which is like the hardest song to sing ever, as p̶e̶r̶f̶o̶r̶m̶e̶d̶ knocked out of the park by American Idol finalist Mathenee Treco.

 

Sonic Sense Pro Audio Takes the ADL 700 for a Test Drive on Bass Avenue

Big big thanks to Sonic Sense Pro Audio for this awesome demo of the new ADL 700!

 

The ADL 700 Has Shipped, and Here’s Where to Get It

You like that, don't you?

You like that, don’t you?

It’s official, the ADL 700 Channel Strip is on the loose, and superlative preamp processing power is spreading across the USA by land and by air. It is soon to arrive in the care of PreSonus dealers, and subsequently in your studio rack, from where it will reach its final destination—your dreams. The ADL 700 has its roots in Anthony DeMaria‘s ADL 600  preamp circuit, but replaces its younger brother’s second channel in favor of a dynamite compressor and EQ section, creating a monster of a single-channel preamp/EQ/compressor/plug-in-to-this-and-you’ll-sound-goooood-machine.

Outside of the PreSonus marketing team, it’s not often that “sexy,” “formidable,” and “genius” all find a way to work well together,  let alone get shoehorned into a 2-rackspace unit. Fact is this is the finest product in our history. We nitpicked and fought over every last detail of the thing. I mean, the debate over what shade of amber the VU meter light should be spilled out of the R&D offices and ultimately was indirectly responsible for a small fire in our lunchroom.  But we picked the right color.
Check out the full specs ‘n’ techs over here at the ADL 700’s product page, and when you’re done picking your jaw up off the floor, clicky-clicky on the list below to get one for yourself from the PreSonus dealer of your choosing. We’re proud of this one, and once you lay down a couple vocal tracks with it, you’ll be proud of the work you do with it.

“ENOUGH ALREADY, WHERE CAN I GET ONE?”

Click on any of the dealers below to be taken to their online store. Or, if you’re feeling analog, hop a ride and get yourself to one of their brick ‘n’ mortar versions.

The Studio Channel Shines Like Some Kind of Heavy Metal!

Check out the latest heavy metal recorded via the PreSonus Studio Channel from @guitarist_facts!

Halocene: PreSonus-Powered From the Garage to the Warped Tour

Halocene has been using PreSonus since their first purchase of a FireStudio years ago. Of late they’ve picked up a StudioLive console, a Eureka, and Studio One Professional 2… and in-between they’ve opened for Jimmy Eat World and Blink-182.

Lesson learned: You don’t need to be signed to a major with world-class studio access to open for a band who is. Just get some PreSonus.

Oh, also be sure to write good songs and be young and enthusiastic. That helps, too.