PreSonus Blog

Category Archives: Mixing Systems


Cyber Monday DEAL – $200 OFF FaderPort 16, $100 OFF FaderPort 8!


 

TODAY ONLY! Save $200 on the FaderPort 16 and $100 when you purchase the FaderPort 8! BUY NOW!

This offer ENDS TODAY, available in US and Canada only.

Cyber Monday DEAL – $100 Off StudioLive AR8!

 

TODAY ONLY!

Save $100 when you buy a StudioLive AR8!

Offer available in US and Canada.

 

Buy a StudioLive Series III Mixer (console or rack), get the Classic Studio Fat Channel Bundle for free ($249 USD value)

 

If you’ve been on the fence about getting a StudioLive Series III Mixer, you should know there’s never been a better time than now. Until the end of 2018, StudioLive Series III Mixers (both console and rack versions) include the Classic Studio Fat Channel Bundle, a $249 USD value.

StudioLive Fat Channel Plug-ins work in both your StudioLive Series III mixers AND Studio One. They’re state-space modeled after real vintage hardware and sound like the genuine article. The only thing you miss out on is paying eBay prices for old dusty hardware that will likely have a few expensive issues to work out.

All you have to do is buy a mixer and register it to your account at my.presonus.com, and we’ll add the downloadable Fat Channel Plug-ins to your account.

Here’s what you get:

 

Check out this video series to see and hear the Fat Channel Plug-ins in action!

30% off Fat Channel Plug-ins, November 2018

 

 

November 2018 only… Save 30% on Fat Channel Plug-ins for StudioLive Series III mixers and Studio One! 

Fat Channel Plug-ins work in both StudioLive Mixers AND Studio One. These plug-ins are virtual signal processors that load in your StudioLive Series III console or rack mixer’s Fat Channel, expanding your Fat Channel processor library much like plug-ins do in a DAW. Each plug-in comes in both StudioLive Series III format and Studio One format so you can use your new processor in both mixer and DAW Fat Channels.

PreSonus Fat Channel plug-ins are state-space modeled by world-class engineers with Ph.D.’s in analog signal processing to faithfully produce the sound and response of the original hardware processors. Now you can have a wide variety of fresh DSP for live and studio sound. No other mixer anywhere near this price class has expandable processing—only PreSonus StudioLive Series III.

Click here to Head over to shop.presonus.com and get the plug-ins right for you! 

 

FREE Carrying Bag with Purchase of AR Hybrid Mixer!

What’s better than an AR Mixer? An AR Mixer in a FREE custom bag! From now until September 30, 2018 score a FREE, incredibly fashionable tote bag when you buy a StudioLive AR Hybrid Mixer! (Offer excludes the AR22.)

Our friends at Audio Technology  reviewed the AR Series last year and had this to say:

If you’re looking for an audio interface, and are considering ever moving it off your desk, the AR series is definitely worth considering!

Take it off your desk, into your bag and with you wherever you go!

Interested? Find a dealer in your area and take advantage of this deal! You won’t be disappointed.

Click Here for the Required Rebate Form!

This offer is available worldwide. Offer excludes StudioLive AR22.

  • Click here to find a dealer in the US.
  • Click here to find a dealer outside of the US.

Universal Control 2.6 released—DAW Mode, Digital Patching, and more!

Universal Control 2.6 has been released. Click here to get it!

Be sure to get the latest firmware update from your my.presonus.com account to access these features! 

New in This Release:

  • Digital Patching now available on all Series III Mixers
  • Official Studio One DAW Mode Support for Series III Mixers
  • EarMix support in Series III Mixers
  • Improved Series III Console DCA Filter Group creation and editing workflow
  • Improved Series III Console Mute Group creation and editing workflow
  • New Traditional DCA option for Series III mixers

Check below for a great new series of videos from Ray discussing the latest in UC 2.6!

Click here for the full release notes.

Join our community of PreSonus users on the PreSonus Answers site for information and product support. While you’re there, don’t forget to vote for your favorite feature requests.
Alternatively, you can visit our Knowledge Base for more informative articles authored by the support staff. To log a support ticket or contact technical support, please visit MyPreSonus.

 

 

Chester Thompson on the StudioLive 32 Series III Digital Mixer

World renowned session drummer with Frank Zappa, Weather Report, Genesis, Phil Collins and George Duke shares his thoughts on the new StudioLive 32 mixer and Studio One recording software from his home studio.

 

 

It’s Ray Tantzen for #PreSonusFAMFriday

Every Friday we introduce you all to a PreSonus employee that’s not just here for the paycheck, but also here because they love and use PreSonus products outside of the office. Today’s feature currently holds the title of “Greatest Beard of All Time.” He knows everything there is to know about growing, grooming and maintaining a beard–it’s a lifestyle, not a choice for him. He also knows basically everything about the StudioLive Series III because he helped engineer them. Here’s Ray Tantzen!IMG_2849
How long have you worked for PreSonus?

Four years and six months.

What’s your official job title?
Senior Product Manager
What’s your favorite thing about your job?

Knowing products that I’ve worked on help wonderful artists create and perform.

What was the first 8 track, cassette, CD, digital download you purchased?

8 track was the Village People.
Cassette was Beastie Boys, Licensed to Ill.
CD was Micheal Jackson, Bad.
Digital Download was Pearl Jam, Man of the Hour.

Who’s your go to band or artist when you can’t decide on something to listen to?
Anything Chris Thile.

Everyone has a side gig, what’s yours?

Dad, Husband, Church sound mixer, Beard mastering.

What do you love about the StudioLive Series III?
What’s NOT to love 😉 The workflow is awesome. It’s super easy to just jump on and use. I also love having the different EQ and compressor models available. It adds a whole new layer to the sound. And of course there’s the multitrack SD Card recording! There’s no need to mess with a computer to record. They’re all available now and shipping worldwide!

What other products do you have?

I also have an RML 16AI, CS18AI, Studio One, Notion, AudioBox iOne, ADL600, HP4, and just got a Quantum Thunderbolt interface. I’m hoping to get some Sceptre monitors and ULT PA speakers soon.IMG_1931


Why did you choose the Series III as your favorite?

I love having a mixer as the centerpiece of my home studio and the StudioLive 24 is a perfect fit. It has a smaller footprint than the 32 but still has the split-layer fader workflow and is still a full 32-channels under the hood. I have it connected to my Mac Mini via AVB to also use as an interface for recording. Plus is sounds incredible and I can take it out for live gigs when needed. I’m also really looking forward to the stage boxes and DAW control coming later. That will be the cherry on top!

AND it’s shipping as of this week!

Tell us about the coolest thing you’ve done with PreSonus.

The most exciting event I’ve been involved with hands down has to be Deadmau5. He had a StudioLive 32.4.2AI for his touring system and on the most recent tour with the Cube 2.1 he had so much bass on stage that the FireWire cable in the computer would start to shake loose. When he found out the new Series III mixers had AVB he wanted to upgrade immediately. Since the Series III had just started shipping and he was in the middle of the tour we wanted to make sure things transitions to the new mixer smoothly. So I got on a plane and meet up with his crew in Seattle to help set up the new mixer and show him how to use it. The first night I sat behind the Cube so I was nearby in case something went wrong. The show went great and there were comments about the sound being even better with the Series III. The second night I got to enjoy the show from the audience and it was amazing! He has put together a great show and the sound and live mixing/performing he does was top notch.

What are you currently working on? What’s next for you?

I could tell you, but then I’d have to kill you 😉 What I can talk about is the upcoming stage box solutions and DAW control for the Series III mixers. After that, you’ll just have to wait and see!

Got any tips for working with the mixer?
Spend a little extra time before your show to setup custom layouts on the fader User layer and Fat Channel User layer. This will really help to put what you care about most right where you ant them for faster and easier mixing.

Anything else you want to share?
The beard is real, I’ve had it for 10 years, there are actually some competing beards here at the office.beard3

Connect with Ray on Social here:

Snapchat and Instagram: @stingray_1122
Twitter and Facebook: @stingray1122


Hay Bale Studio Relies on StudioLive 32 and Studio One at Bonnaroo

LIG1

Photos by Anthony Matula

Most of time, you can find Elijah “Lij” Shaw at his Toy Box Studios in Nashville,

where the Grammy Award winner engineers and produces projects in a wide variety of musical genres. But every year, when the Bonnaroo Music and Arts Festival rolls around, Shaw and his team decamp for Manchester, home of the festival. There, behind the main stage, they soundproof their double-wide mobile recording trailer with 500 hay bales.

In this once-a-year Hay Bale Studio at Brigadoon—er, Bonnaroo—Shaw and his team record dozens of bands that will appear at the festival. The performances are fed to more than 40 radio markets around the USA.

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Photos by Anthony Matula

For the 2017 Bonnaroo, Hay Bale Studio offered more capabilities than ever before, as Shaw mixed on the new PreSonus StudioLive 32 Series III digital console/recorder, while his team captured the tracks and main mix in PreSonus’ popular Studio One 3 Professional DAW.

“The StudioLive 32 allowed us to bring in all 24 inputs from the recording floor, so we could record a full band. We’re recording in multitrack to Studio One using the console’s AVB audio interface, which can send and return up to 55 streams over one CAT5 Ethernet cable,” says Shaw.

Shaw mixes live while the band is performing, a job made much easier by the StudioLive 32 Fat Channel signal-processing section’s customizable user interface. “I’ve got compressors and EQ on every channel,” Shaw specifies, “and the customizable Fat Channel lets me create my own layout so I can quickly access the processing I want when mixing. I can bring in four onboard effects processors for reverb and delay, and I also patch in my outboard spring reverb. I use Tap Tempo on the mixer to ensure the timing of the delay effects works with what the band is playing.”

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Photos by Anthony Matula

PreSonus’ FlexMix feature also has proven useful. “I choose a FlexMix, and the entire mixer configuration changes and shows me what’s going on with that FlexMix,” instructs Shaw. Using the StudioLive 32’s aux sends, Shaw and team send four custom headphone cue mixes. “We send the cue mixes to the PreSonus HP4, which is a great, simple 4-channel headphone box that is really loud,” he avers. “We have two people with iPads running UC Surface software to control the monitor mixes.”

Main engineer Michael Hardesty also is equipped with UC Surface but he’s running it on a laptop. “Anything Lij can do on the mixer, I can do just as well in the software. My main goal is to set preamps and compressors and do the gain staging so I can get the multitrack feeds recorded properly in Studio One. I am also taking a print of the mix but generally I’m working with individual tracks. I also help with headphone mixes,” Hardesty observes.

With UC Surface, it’s possible to control the mixer from multiple devices at the same time. “That means you can give people different responsibilities,” Hardesty explains. “You also can lock out functions on particular devices; the iPad guys on the recording floor can only control the aux sends for the headphone mixes, while my laptop has complete control of the StudioLive 32.”

The live stereo mix goes straight to mastering engineer Joe Hutchinson. “Joe makes the radio mix sound fantastic,” enthuses Shaw. “He also uses Studio One to capture the performance in stereo. So we’re capturing bands through the StudioLive 32, mixing and mastering, and putting it out to more than 40 radio markets—all within an hour of each performance, with two or three songs for each band every hour.”

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Thanks to the feature-packed, versatile StudioLive 32 and the power and speed of Studio One, Hay Bale Studio had entirely new capabilities at the 2017 Bonnaroo. “The customizable mixing surface, plenty of processing, wireless remote control, recording features, and ease of use let us do things we could never do at a dozen previous Bonnaroos,” confirms Shaw, “and it all sounded great. “We loved using the StudioLive 32, and we’re very happy with Studio One. Bonnaroo is a highlight of our year, and PreSonus helped make it extra special this year. We hope you’ll visit our site and check out some of the recordings!”

Watch Lij demo and show off their StudioLive 32 here:

 

For more information about Hay Bale Studio, please visit www.thetoyboxstudio.com/haybalestudio

Listen to their latest podcast from Bonnaroo HERE!

For more information about PreSonus, the StudioLive 32 console/recorder, Studio One 3 DAW, and the HD4 headphone amplifier, please visit www.presonus.com.

 

Photography provided by Anthony Matula with MA2LA Design.

StudioLive RML Rack Mixer Discount—Save up to 16% before August

The StudioLive RML Mixers have a discount offer going on currently—no rebate form or paperwork required, just less cash at the register! rml_rebates_600x600_01_nee

Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus StudioLive RML rackmount digital mixers are a versatile and flexible solution for live sound and recording. Expandable up to 64 channels and flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

Check out this user review of the RML32AI we found over at Sweetwater:

“I have used this mixer over 50 times and it has been rock solid at every performance. I love getting in the audience and mixing on my iPad, I feel like an artist with a pallet. But the smaart system on this thing is what is really amazing. To be able to visually see my feedback on each individual speaker and monitor and notch it out immediately before the performance has changed my world. Can switch out bands and different setups in 15 minutes and never have to worry about anything feeding back. The compressors are awesome and easy to use as well as the eq, mixing has never been so fun. It’s pure audio freedom.”