[This just in from Sheldon Currington, titanium luthier extraordinaire. Cave and I got to interview these guys at NAMM 2013 and we just got this kind follow-up from them. We’re thankful to to have these guys on our buddy list.]
This is just a quick email to reconnect after our NAMM 2013 show experience.
We have just landed back here in New Zealand after what can only be described as a whirlwind tour of the USA and so this is the first chance I have had to make contact with you regarding our time talking at NAMM 2013.
I want to thank you for taking some time to show us around while we visited Baton Rouge and PreSonus after NAMM. We had a truly amazing time at NAMM for a first year, and learned an awful lot about what we can do for the years to come. And it was a great thing that you did for us to show us around the PreSonus facility on our way across the country. We had a total blast and were really well treated by everyone that we visited, it makes these trips so much more worth it when you can shake hands with the people that you connect with on a regular basis. I am sure my father would agree! Thank you so much for sharing your time with us! Also, please thank the others that spent time with us playing at PreSonus HQ. The amp sounded awesome and I think he is onto a great thing there, with the personalized features he combines into such great sounding units! Very cool!
Please also pass on my thanks to both Cave and Ryan for coming down to see us at the booth and shooting the interview. Those guys were great, funny and easy to get along with… which made my nervous interview just a little easier! Please let them know I am very grateful to them both!
Now that I’m back in New Zealand I will be running Bad Seed full steam ahead to build new and innovative custom guitars, I cant wait to get into it! We had such an amazing response to the guitars that we bought over to NAMM and it’s inspired me to put the creative hat back on and set off on some new projects.
Keep in touch and let me know if you have any thoughts or ideas, or if there is ever anything that I can do for you.
Bad Seed Limited
So, we’re growing. Like, bursting-at-the-seams-growing, and have become a little too big for our britches. Sure, all the jambalaya and Mountain Dew consumption around the Baton Rouge office is clearly a factor, but the real issue is that we’ve simply hired a lot of people to do a lot of work, and now there’s too many people to fit into our current facility. It’s like a pro-audio clown car up in here. We’re gonna need a bigger boat.
In my role as the Social Media Manager for PreSonus, I work from my home in the passive-aggressive capitol of the world, Seattle. Fact is, the only reason I haven’t moved to Baton Rouge yet is because Ron says “We’d love to have you here, but there simply isn’t anywhere for you to sit.” So, I’m glad to see they’re workin’ on it, because I’m overdue for some Crawdad and Three-Cheese Baked Macaroni and kindness from strangers.
While this might appear to look like some concrete in a muddy field, this is a big step toward arriving in our new home. Look at it as the architectural equivalent of having gotten our drums tracks committed to tape, and we just called our first-call bassist to come do his job.
So, in the spirit of all things social, we’d like to share your photos of your handsome face and your StudioLive mixer with our Facebook community. If you’re glad to be a StudioLive owner and feel like representing accordingly, now’s your chance!
We want to see some photos of smiling StudioLive owners. If you kind folks are feeling shutterbuggy, we will pick a user-submitted photo for our Facebook cover graphic—once every couple of weeks or so. If we pick yours, we’ll get in touch—and we just might send you a highly fashionable PreSonus T-shirt.
It’s easy to be a contender. Here’s all we ask:
Keep in mind that in order to qualify for the cover photo treatment, the image must be at least 850px wide by 315px tall.
Photos that are really interesting, funny, or astonishing will of course be given preference.
I type too much, and there’s nothing I can say about this video that it doesn’t already say for itself. So here ya go.
Rick Naqvi is anything but lazy. I mean, why go pay $90 for a half-dead tree sold by the local Cub Scout pack when you can venture into the great outdoors and get a tree yourself?
I’m not sure how he found an evergreen in Baton Rouge. And we almost NEVER see this much snow, but whatever.
Here’s some incredible insights on music, language, and education from 4-string guru Victor Wooten, which is served alongside his bold, harmonic-heavy rendition of “Amazing Grace.”
Powerful stuff. When I found this I immediately watched it twice in a row. Hope you like it as much as I do.
Do you agree with Victor’s thoughts on music education? Please post your thoughts in the comments section.
Bonus! If that’s not enough Victor for one day, here’s a video of him on the PreSonus stage at NAMM last year alongside Steve Baily and David “Fingers” Haynes at our 2011 NAMM show.
Good morning. Improvised performances are one thing, but how do you feel about improvised instruments?
I ask because I think they’re really funny. I lost it the balloon solo around 0:40.
Dear PreSonus team,
I would like to let you know that we had a successful StudioLive 16.0.2 launching and Studio One seminar. Thank you so much for all of your support!
All marketing materials and gift packs were very helpful, especially the jambalaya mix! Following your request, we cooked and served jambalaya to the attendees. We were going to cook from the scratch at first before you sent us the mix. It saved tons of time and efforts. People just liked the taste of it.
The launching show was presented in two parts. In the first, we showed how to live mix and record multi-track audio using StudioLive Remote with an acapella group, The Maytree. They are our new endorsement artist of the StudioLive 16.0.2! Serin, who is our Studio One specialist, was in charge of the second part, demonstrating useful features of Studio One Professional 2 with Melodyne.
I have attached some pictures for you!
Thank you again. We couldn’t do this alone without your support.
AC/DC: Beyond the Thunder, a documentary film by Kurt Squiers of SQUiERS, LLC and Gregg Ferguson of Current Motion, is about the tremendous influence rock band AC/DC has had on our culture around the globe. The two producer/directors dropped their careers in order to make this film, which pays homage to one of the greatest bands of all time in such a way that has less to do with the band members themselves, and more to do with the common bond that ties fans together around the globe.
Killer! In this clip, the filmmakers take a look at the thought processes behind music licencing for advertising, and how AC/DC’s music always seems to work… almost.